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Jill Gomez presents a captivating exploration of Heitor Villa-Lobos' compositions in her 1987 album, "Villa-Lobos: Bachianas brasileiras Nos. 1 & 5 etc." This album is a testament to Gomez's versatility and artistry, featuring a blend of Villa-Lobos' most renowned works, including excerpts from the complete Bachianas Brasileiras 1-9. The album showcases Gomez's exceptional vocal prowess alongside the Pleeth Cello Octet and Peter Manning, creating a rich and textured soundscape that highlights the unique fusion of Brazilian and classical influences in Villa-Lobos' music.
The album opens with the enchanting "Bachianas brasileiras No. 1," a piece that beautifully encapsulates the essence of Brazilian folk music within a classical framework. Gomez's rendition is both delicate and powerful, drawing the listener into the intricate interplay between her voice and the cello octet. The album continues with the hauntingly beautiful "Suite for Voice and Violin," where Gomez's voice soars above the violin's melodic lines, creating a sense of intimacy and depth.
One of the standout tracks is the "Aria. Cantilena" from "Bachianas brasileiras No. 5," a piece that has become synonymous with Gomez's name. Her interpretation is both tender and poignant, showcasing her ability to convey a wide range of emotions through her voice. The album also features several arrangements of Bach's "The Well-Tempered Clavier" by Villa-Lobos, providing a fascinating contrast to the Brazilian-inspired pieces.
Recorded in 1987 and released under the Hyperion label, this album is a must-listen for fans of classical music and those seeking to explore the rich tapestry of Villa-Lobos' compositions. Jill Gomez's masterful performances, combined with the exquisite playing of the Pleeth Cello Octet and Peter Manning, make this album a timeless addition to any music collection.