Barry Guy's "Symmetries," released on January 1, 2002, under Maya Recordings, is a captivating journey into the realms of free jazz and avant-garde music. This double album, spanning over 70 minutes, is a testament to Guy's innovative spirit and his ability to push the boundaries of contemporary jazz.
The album opens with "Whether or Not Why Not," setting the stage for a series of intricate and thought-provoking compositions. Each track, from the haunting "Soft Fire" to the complex "Seven Fizzles" suite, showcases Guy's mastery of his instruments and his unique approach to composition. The "Seven Fizzles" suite, in particular, is a standout, demonstrating Guy's ability to create a cohesive narrative through a series of seemingly disparate pieces.
"Symmetries" is not just a collection of songs, but a carefully crafted exploration of sound and rhythm. Guy's use of free jazz and avant-garde elements creates a sound that is both challenging and rewarding. The album's title track, "Symmetries," is a prime example of this, with its intricate melodies and complex rhythms.
Throughout the album, Guy's virtuosity is evident. His playing is precise and expressive, and his ability to convey a wide range of emotions through his music is truly remarkable. Whether he's playing a delicate melody on "Quiescence (For K. B. And R. W.)" or a powerful, driving rhythm on "Slow Slam," Guy's skill and creativity shine through.
"Symmetries" is a must-listen for anyone interested in contemporary jazz and avant-garde music. It's a challenging and rewarding listen, and a testament to Barry Guy's status as one of the most innovative and exciting musicians working today.
Vinylscout