Suite furlana

Luisa Sello's "Suite Furlana" is a captivating journey through the rich tapestry of chamber music, showcasing her virtuosity on the flute and her deep connection to the musical heritage of the Friuli region in Italy. Released on Rivoalto in 2001, this 58-minute album is a testament to Sello's artistry and her ability to breathe new life into both classical and contemporary compositions.

The album opens with Germaine Tailleferre's "Forlane per flauto e pianoforte," a piece that sets the tone for the diverse and engaging journey that follows. Sello's interpretation of Zanettovich's "Tre danze rinascimentali per orchestra di flauti" is particularly noteworthy, as she masterfully navigates the intricate melodies and rhythms of these Renaissance-inspired dances.

The centerpiece of the album is undoubtedly the Sonata in Do maggiore by Bellinzani, a four-movement work that showcases Sello's technical prowess and musical sensitivity. Her performance is equally impressive in the solo works, such as Palese's "Tema e sei variazioni per flauto solo" and D'Arcano's "Sonata in Sol maggiore per flauto solo."

Sello's commitment to exploring the musical traditions of her homeland is evident in her performances of Liani's "Ricuarz, 7 riferimenti al canto popolare friulano per flauto e pianoforte" and D'Arcano's "Furlana." These pieces not only highlight her technical skill but also her deep understanding of the regional folk music that has shaped her artistic identity.

The album concludes with Procaccioli's "nyr Pxis," a contemporary work that demonstrates Sello's versatility and willingness to embrace new musical challenges. Throughout "Suite Furlana," Luisa Sello's playing is characterized by a keen sense of phrasing, a rich tonal palette, and an unwavering commitment to musical expression. This album is a must-listen for anyone interested in the flute and the diverse world of chamber music.