size matt’reth not - the compleat fantazias for 2 treble viols & the 3 & 4-part consorts for the 'great dooble base' by orlando gibbons - orlando gibbons
Size Matt’reth Not - The Compleat Fantazias for 2 Treble Viols & the 3 & 4-part Consorts for the 'Great Dooble Base' by Orlando Gibbons
Orlando Gibbons (bap.1583-1625) - Fantasia à4 in C, VdGS No.1GB, Oxford. Christ Church, Mss.732-35 (ca.1630)Orlando Gibbons, Phillip W. Serna
Orlando Gibbons (bap.1583-1625) - Fantazia à3 in g, VdGS No.2, Oxford. Christ Church, Mus.Ms.21 (ca.1620)Orlando Gibbons, Phillip W. Serna
Orlando Gibbons (bap.1583-1625) - Fantazia à3 in d, VdGS No.1, Oxford. Christ Church, Mus.Ms.21 (ca.1620)Orlando Gibbons, Phillip W. Serna
Orlando Gibbons (bap.1583-1625) - Fantazia à3 in g, VdGS No.3, Oxford. Christ Church, Mus.Ms.21 (ca.1620)Orlando Gibbons, Phillip W. Serna
Orlando Gibbons (bap.1583-1625) - Fantazia à2 in C, VdGS No.3, Cambridge. King's College, Rowe Mss.112-13 (ca.1620)Orlando Gibbons, Phillip W. Serna
Orlando Gibbons (bap.1583-1625) - Fantasia à3 in d, VdGS No.3GB, Oxford. Christ Church, Mss.732-35 (ca.1630)Orlando Gibbons, Phillip W. Serna
Orlando Gibbons (bap.1583-1625) - Fantazia à2 in F, VdGS No.1, Cambridge. King's College, Rowe Mss.112-13 (ca.1620)Orlando Gibbons, Phillip W. Serna
Orlando Gibbons (bap.1583-1625) - Fantazia à2 in d, VdGS No.4, Cambridge. King's College, Rowe Mss.112-13 (ca.1620)Orlando Gibbons, Phillip W. Serna
Orlando Gibbons (bap.1583-1625) - Fantasia à3 in g, VdGS No.1GB, Oxford. Christ Church, Mss.732-35 (ca.1630)Orlando Gibbons, Phillip W. Serna
Orlando Gibbons (bap.1583-1625) - Fantazia à2 in F, VdGS No.2, Cambridge. King's College, Rowe Mss.112-13 (ca.1620)Orlando Gibbons, Phillip W. Serna
Orlando Gibbons (bap.1583-1625) - Fantazia à3 in d, VdGS No.4, Oxford. Christ Church, Mus.Ms.21 (ca.1620)Orlando Gibbons, Phillip W. Serna
Orlando Gibbons (bap.1583-1625) - Fantazia à3 in d, VdGS No.5, Oxford. Christ Church, Mus.Ms.21 (ca.1620)Orlando Gibbons, Phillip W. Serna
Orlando Gibbons (bap.1583-1625) - Fantazia à3 in d, VdGS No.6, Oxford. Christ Church, Mus.Ms.21 (ca.1620)Orlando Gibbons, Phillip W. Serna
Orlando Gibbons (bap.1583-1625) - Galliard à3 in g, Dublin. Marsh's Library, IRL-Dm Mss.z.3.4.1-3 (ca.1650)Orlando Gibbons, Phillip W. Serna
Orlando Gibbons (bap.1583-1625) - Fantasia à3 in d, VdGS No.4GB, Oxford. Christ Church, Mss.732-35 (ca.1630)Orlando Gibbons, Phillip W. Serna
Orlando Gibbons (bap.1583-1625) - In Nomine à4 in d, Oxford. Bodleian Library, Mus.Sch.d.212 (ca.1610)Orlando Gibbons, Phillip W. Serna
Orlando Gibbons (bap.1583-1625) - Fantazia à2 in d, VdGS No.6, Cambridge. King's College, Rowe Mss.112-13 (ca.1620)Orlando Gibbons, Phillip W. Serna
Orlando Gibbons (bap.1583-1625) - Fantazia à2 in G, VdGS No.5, Cambridge. King's College, Rowe Mss.112-13 (ca.1620)Orlando Gibbons, Phillip W. Serna
Orlando Gibbons (bap.1583-1625) - Fantazia à3 in d, VdGS No.7, Oxford. Christ Church, Mus.Ms.21 (ca.1620)Orlando Gibbons, Phillip W. Serna
Orlando Gibbons (bap.1583-1625) - Fantazia à3 in d, VdGS No.8, Oxford. Christ Church, Mus.Ms.21 (ca.1620)Orlando Gibbons, Phillip W. Serna
Orlando Gibbons (bap.1583-1625) - Fantazia à3 in d, VdGS No.9, Oxford. Christ Church, Mus.Ms.21 (ca.1620)Orlando Gibbons, Phillip W. Serna
Orlando Gibbons (bap.1583-1625) - Fantasia à3 in g, VdGS No.2GB, Oxford. Christ Church, Mss.732-35 (ca.1630)Orlando Gibbons, Phillip W. Serna
Orlando Gibbons (bap.1583-1625) - Fantasia à4 in C, VdGS No.2GB, Oxford. Christ Church, Mss.732-35 (ca.1630)Orlando Gibbons, Phillip W. Serna
Thomas Lupo the Elder (1571-1628) - Fantasia à3 in G, VdGS No.15 from John Merro's Book, Tenbury Manuscripts of St. Michael's College, Oxford. Bodleian Library, Mus.Sch.d.245-47 (ca.1620-30)Thomas Lupo, Phillip W. Serna
William Daman (ca.1540-1591) - Fantasia 'Di sei soprani’ from the Sambrook Manuscript, New York. NYp, Drexel 4302, p.259, no.46 (ca.1613-19)William Daman, Phillip W. Serna
Thomas Lupo the Elder (1571-1628) - Fantasia à3 in d, VdGS No.26 from John Merro's Book, Tenbury Manuscripts of St. Michael's College, Oxford. Bodleian Library, Mus.Sch.d.245-47 (ca.1620-30)Thomas Lupo, Phillip W. Serna
Alfonso Ferrabosco the Elder (1543-1588) - Fantasia 'Di Sei Bassi’ from the Sambrook Manuscript, New York. NYp, Drexel 4302, p.255, no.45 (ca.1613-19)Alfonso Ferrabosco, Phillip W. Serna
Immerse yourself in the rich, intricate world of Orlando Gibbons with "Size Matt’reth Not - The Compleat Fantazias for 2 Treble Viols & the 3 & 4-part Consorts for the 'Great Dooble Base'." This album, released on October 15, 2020, under the Midweſt415 label, is a comprehensive collection of Gibbons' fantastical compositions, spanning a duration of 1 hour and 8 minutes. Gibbons, a prominent English composer of the late Renaissance and early Baroque periods, showcases his mastery of the fantasia form, a genre characterized by its improvisatory nature and complex polyphony.
The album features a diverse array of pieces, including fantazias for two treble viols, three-part consorts, and four-part consorts for the 'Great Dooble Base.' Each track is meticulously performed, bringing to life the intricate counterpoint and harmonic richness that Gibbons was renowned for. The pieces are drawn from various manuscripts, including those from Oxford's Christ Church, Cambridge's King's College, and Dublin's Marsh's Library, offering a glimpse into the historical context and evolution of Gibbons' work.
In addition to Gibbons' compositions, the album also includes works by other notable composers of the period, such as Thomas Lupo the Elder and William Daman, providing a broader perspective on the musical landscape of the time. The inclusion of these pieces adds depth and variety to the album, making it a compelling listen for both scholars and enthusiasts of early music.
"Size Matt’reth Not" is not just a collection of historical pieces; it is a testament to the enduring appeal of Gibbons' music. The album's performances are both technically impressive and emotionally resonant, capturing the essence of Gibbons' compositions and bringing them to life for contemporary audiences. Whether you are a seasoned fan of early music or a newcomer to the genre, this album offers a rich and rewarding listening experience.
2020 Phillip W. Serna, Midweſt4152020 Phillip W. Serna, Midweſt415
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