Immerse yourself in the timeless elegance of the Baroque era with Robert de Visée's "Pièces de Théorbe." Released in 1989 on the naïve classique label, this album is a captivating journey through the intricate and refined compositions of one of the most celebrated French lutenists and guitarists of the 17th century. Spanning a concise yet rich 58 minutes, the album features a collection of suites and individual pieces that showcase de Visée's mastery of the theorbo, a plucked string instrument that was a staple of Baroque music.
The album opens with a Suite in D Major, a sequence of dances that includes a Prélude, Allemande, Courante, Gavotte, Sarabande, and Gigue. Each movement is a testament to de Visée's ability to blend technical prowess with expressive depth. The Suite in C Minor follows, featuring the poignant "La plainte ou Tombeau de mesdemoiselles de Visée," an Allemande dedicated to the memory of his daughters. This suite also includes a Rondeau, "La musette," which adds a pastoral charm to the collection.
The final suite, in D Minor, is perhaps the most dramatic, with its Allemande grave and a series of dances that culminate in a lively Gigue. The album also includes two notable pieces: "Entrée des espagnols de Mr. de Lully," arranged by de Visée, and "Les Sylvains de Mr. Couperin," also arranged by de Visée, which add a touch of theatrical flair to the collection.
Robert de Visée's "Pièces de Théorbe" is not just a collection of historical music; it is a living testament to the artistry and innovation of a composer and performer who left an indelible mark on the Baroque era. Whether you are a seasoned enthusiast of early music or a newcomer to the genre, this album offers a rich and rewarding listening experience that highlights the beauty and complexity of the theorbo and the enduring genius of Robert de Visée.