Immerse yourself in the enchanting world of Maurice Ravel's timeless compositions with this captivating album, released on January 1, 2011, under the Decca Music Group Ltd. label. This collection showcases Ravel's mastery of classical and neoclassical piano music, offering a rich and diverse listening experience that spans a little over an hour and twenty minutes.
The album opens with "Ma Mère L'Oye," a ballet suite that brings to life the magical tales of Mother Goose through a series of delicate and evocative movements. Each piece, from the gentle "Prélude" to the whimsical "Le jardin féerique," transports the audience into a world of wonder and fantasy.
Following this, the album presents "Pavane pour une infante défunte," a poignant and elegiac piece that exemplifies Ravel's ability to convey deep emotion through his music. The suite "Le tombeau de Couperin" is another highlight, featuring a series of movements that pay homage to the French Baroque composer François Couperin. Each movement, from the "Prélude" to the lively "Rigaudon," showcases Ravel's unique interpretation of classical forms.
The album concludes with "Valses nobles et sentimentales" and the iconic "Boléro," both of which demonstrate Ravel's innovative approach to composition. The waltzes are a series of elegant and introspective dances, while "Boléro" is a mesmerizing and rhythmic tour de force that builds to a powerful crescendo.
Whether you're a longtime fan of Maurice Ravel or a newcomer to his music, this album offers a comprehensive and engaging introduction to his extraordinary body of work. With its diverse range of pieces and impeccable performances, it is a testament to Ravel's enduring legacy as one of the greatest composers of the 20th century.
Ma mère l'oye, Ballet, M. 62: I. PréludeMaurice Ravel, Orchestre Symphonique de Montréal, Charles Dutoit
Ma mère l'oye, Ballet, M. 62: II. Danse du rouet et scèneMaurice Ravel, Orchestre Symphonique de Montréal, Charles Dutoit
Ma mère l'oye, Ballet, M. 62: III. Pavane de la Belle au bois dormant – IV. Interlude 1Maurice Ravel, Orchestre Symphonique de Montréal, Charles Dutoit
Ma mère l'oye, Ballet, M. 62: V. Les entretiens de la Belle et de la Bête – VI. Interlude 2Maurice Ravel, Orchestre Symphonique de Montréal, Charles Dutoit
Ma mère l'oye, Ballet, M. 62: VII. Petit Poucet – VIII. Interlude 3Maurice Ravel, Orchestre Symphonique de Montréal, Charles Dutoit
Ma mère l'oye, Ballet, M. 62: IX. Laideronnette – X. Interlude 4 – XI. Le jardin féeriqueMaurice Ravel, Orchestre Symphonique de Montréal, Charles Dutoit
Pavane pour une infante défunte, M. 19aMaurice Ravel, John Zirbel, Orchestre Symphonique de Montréal, Charles Dutoit
Le tombeau de Couperin, M. 68a: I. PréludeMaurice Ravel, Orchestre Symphonique de Montréal, Charles Dutoit
Le tombeau de Couperin, M. 68a: II. ForlaneMaurice Ravel, Orchestre Symphonique de Montréal, Charles Dutoit
Le tombeau de Couperin, M. 68a: III. MenuetMaurice Ravel, Orchestre Symphonique de Montréal, Charles Dutoit
Le tombeau de Couperin, M. 68a: IV. RigaudonMaurice Ravel, Orchestre Symphonique de Montréal, Charles Dutoit
Valses nobles et sentimentales, M. 61a: I. Modéré – II. Assez lentMaurice Ravel, Orchestre Symphonique de Montréal, Charles Dutoit
Valses nobles et sentimentales, M. 61a: III. Modéré – IV. Assez animéMaurice Ravel, Orchestre Symphonique de Montréal, Charles Dutoit
Valses nobles et sentimentales, M. 61a: V. Presque lent – VI. Assez vifMaurice Ravel, Orchestre Symphonique de Montréal, Charles Dutoit
Valses nobles et sentimentales, M. 61a: VII. Moins vif – VIII. EpilogueMaurice Ravel, Orchestre Symphonique de Montréal, Charles Dutoit
Boléro, M. 81Maurice Ravel, Orchestre Symphonique de Montréal, Charles Dutoit