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Peter Dickinson's "Rags, Blues and Parodies," released on June 1, 2000, under Albany Records, is a captivating journey through a variety of musical styles and influences. This album, spanning a little over an hour, showcases Dickinson's versatility and mastery as a composer, blending traditional and contemporary elements to create a unique and engaging listening experience.
The album opens with "Stevie's Tunes," setting the stage for a diverse collection that includes rags, blues, and parodies. Dickinson's compositions, such as "Concerto Rag" and "Quartet Rag," demonstrate his skill in crafting intricate and lively ragtime pieces. Meanwhile, tracks like "Blue Rose" and "Wild Rose Rag" offer a touch of romanticism and elegance.
Dickinson's creativity shines in his "Three Satie Transformations," where he reimagines the works of Erik Satie, adding his own unique spin to the compositions. The album also features beautiful renditions of classic songs like "A Red, Red, Rose" and "So we'll go no more a-roving," showcasing Dickinson's ability to breathe new life into timeless melodies.
The "Four Blues" series highlights Dickinson's talent for blending traditional blues structures with contemporary harmonies and rhythms. Tracks like "Patriotic Rag" and "Hymn-Tune Rag" add a touch of whimsy and nostalgia, rounding out the album with a sense of playfulness and charm.
Throughout "Rags, Blues and Parodies," Peter Dickinson's compositions are marked by their technical brilliance, emotional depth, and innovative approach to musical genres. This album is a testament to Dickinson's enduring contribution to contemporary classical music, offering a rich and rewarding experience for any music enthusiast.