Immerse yourself in the groundbreaking world of Harry Partch with "Partch, H.: Historic Speech Music Recordings." This extensive collection, released on Innova in 2000, offers a deep dive into the avant-garde and experimental compositions of one of the most innovative minds in 20th-century music. Spanning over two and a half hours, this album is a testament to Partch's unique approach to music, blending spoken word with intricate, unconventional instrumentation.
The album features a diverse range of tracks, from the introspective "I am Harry Partch" to the evocative "By the Rivers of Babylon." Partch's settings of Li Po's lyrics showcase his ability to merge ancient poetry with modern musical techniques, while pieces like "Barstow: 8 Hitchhikers' Inscriptions" and "US Highball" draw from American folk traditions and personal experiences. The album also includes detailed explorations of musical theory and tuning systems, such as "A Quarter-Saw Section of Motivations and Intonations," offering a glimpse into Partch's meticulous craftsmanship.
Partch's work is characterized by its use of microtonal scales and custom-built instruments, creating a sound that is both alien and deeply resonant. Tracks like "San Francisco: A Setting of the Cries of Two Newsboys on a Foggy Night in the Twenties" and "Dark Brother" highlight his ability to capture the essence of human experience through sound. The "Bitter Music" series provides a poignant reflection on Partch's own life and struggles, adding a deeply personal dimension to the collection.
For fans of experimental and avant-garde music, this album is a treasure trove of innovative compositions and theoretical explorations. Harry Partch's "Historic Speech Music Recordings" is not just a collection of tracks but a comprehensive journey through the mind and music of a true pioneer.
2000 Innova2000 Innova
Tracks
I am Harry PartchHarry Partch
By the Rivers of BabylonHarry Partch, William Wendlandt, Lee Hoiby, Christine Charnstrom
Texts and Music: A Wagnerian Wrestling MatchHarry Partch
17 Lyrics of Li Po: A DreamHarry Partch, William Wendlant
17 Lyrics of Li Po: An Encounter in the FieldHarry Partch, William Wendlant
17 Lyrics of Li Po: On Hearing the FluteHarry Partch, William Wendlant
17 Lyrics of Li Po: The IntruderHarry Partch, William Wendlant
17 Lyrics of Li Po: I am a Peach TreeHarry Partch, William Wendlant
17 Lyrics of Li Po: With a Man of LeisureHarry Partch, William Wendlant
17 Lyrics of Li Po: A Midnight FarewellHarry Partch, William Wendlant
17 Lyrics of Li Po: Before the Cask of WineHarry Partch, William Wendlant
17 Lyrics of Li Po: On the Ship of SpicewoodHarry Partch, William Wendlant
17 Lyrics of Li Po: By the Great WallHarry Partch, William Wendlant
The Use of English in Serious MusicHarry Partch
Barstow: 8 Hitchhikers' InscriptionsHarry Partch, William Wendlandt, Lee Hoiby, Christine Charnstrom
San Francisco: A Setting of the Cries of Two Newsboys on a Foggy Night in the TwentiesHarry Partch, Lee Hoiby, Christine Charnstrom
Life Is too precious to spend It with important peopleHarry Partch
US Highball: A Musical Account of a Transcontinental Hobo TripHarry Partch, William Wendlandt, Lee Hoiby, Christine Charnstrom, Fralia Hancock
My Heart Keeps Beating TimeHarry Partch, Philip Blackburn, Liz Schmidt
San Francisco IIHarry Partch, Mark Enslin, Keith Johnson, Arun Chandra, Rick Burkhardt, Lesley Olson, Sarah Wiseman
I'm going to start right off by giving you some sounds…Harry Partch
2 Settings from Finnegans Wake: No. 2, Annah the AllmazifulHarry Partch, Lola Harding, Dorothy Holden, Hilmar Luckhardt
Dark BrotherHarry Partch, William Wendlandt, Lee Hoiby, Christine Charnstrom, Fralia Hancock
A Quarter-Saw Section of Motivations and Intonations: Prelude to TalkHarry Partch
A Quarter-Saw Section of Motivations and Intonations: Introduction to Examples Oo IntonationHarry Partch
A Quarter-Saw Section of Motivations and Intonations: Scale of Olympos (Pentatonic)Harry Partch
A Quarter-Saw Section of Motivations and Intonations: Enharmonic Scale of Archytas; Separated by 3/2's; TriadsHarry Partch
A Quarter-Saw Section of Motivations and Intonations: Scale of Pythagoras; Separated by 3/2's; TriadsHarry Partch
A Quarter-Saw Section of Motivations and Intonations: Ptolemaic Intense Diatonic; Separated by 3/2's; TriadsHarry Partch
A Quarter-Saw Section of Motivations and Intonations: Ptolemy's Equable Diatonic; Separated by 3/2'sHarry Partch
A Quarter-Saw Section of Motivations and Intonations: Terpander's HexatonicHarry Partch
A Quarter-Saw Section of Motivations and Intonations: Close DegreesHarry Partch
A Quarter-Saw Section of Motivations and Intonations: True and Tempered TriadsHarry Partch
A Quarter-Saw Section of Motivations and Intonations: Resolutions from p. 186 of Genesis of a Music; Resolution p. 187; "Familiar" ResolutionHarry Partch
A Quarter-Saw Section of Motivations and Intonations: Fox-Strangeways ResolutionsHarry Partch
A Quarter-Saw Section of Motivations and Intonations: Tonal Flux from Genesis, p. 188; Tonal Flux from the Letter and Third Chorus of Oedipus; Another p. 188; Tonal Flux from Antiphony of Oedipus, "O Crowding Woods…"Harry Partch
A Quarter-Saw Section of Motivations and Intonations: Multiple Tonal Senses from Antiphony of Oedipus, "O Crowding Woods…"Harry Partch
A Quarter-Saw Section of Motivations and Intonations: Multiple Tonal Senses from Dark Brother, "and we who were lost Are found again…"; "until our hearts Are corrupted, out talent wasted, and our hope gone."; "Have we not known triumph, joy, and glory onHarry Partch
A Quarter-Saw Section of Motivations and Intonations: Melodic Subtleties from the Street, "Down Maxwell Street, where the prostitutes stand in the gloom…", U.S. Highball, "Back to the freights for you, boy."Harry Partch
A Quarter-Saw Section of Motivations and Intonations: Melodic Subtleties from the BewitchedHarry Partch
A Quarter-Saw Section of Motivations and Intonations: Instrumental Tunings: Harmonic Canon I as in Revelation; Petals; Chromelodeon two sets of reeds; RevelationHarry Partch
A Quarter-Saw Section of Motivations and Intonations: Dissonances and Consonance: Coda to Oedipus; Coda to RevelationHarry Partch
Bitter Music: June 11, 1935 — Santa Rosa, CaliforniaHarry Partch, Warren Burt, Sheila Guymer
Bitter Music: June 12 — Federal Shelter, StocktonHarry Partch, Warren Burt, Sheila Guymer
Bitter Music: June 13Harry Partch, Warren Burt, Sheila Guymer
Bitter Music: June 14Harry Partch, Warren Burt, Sheila Guymer
Bitter Music: June 16 — Harrington Ranch, San Joaquin DeltaHarry Partch, Warren Burt, Sheila Guymer
Bitter Music: June 17Harry Partch, Warren Burt, Sheila Guymer
Bitter Music: July 4Harry Partch, Warren Burt, Sheila Guymer