NEHRUVIANDOOM, the 2019 collaborative effort from MF DOOM and the late producer King Caesar, is a concise yet impactful journey through the labyrinth of experimental and East Coast hip hop. Clocking in at just 26 minutes, this album is a swift, unapologetic dive into the depths of DOOM's signature lyrical prowess and Caesar's innovative production. The album, released under Lex Records, blends the raw energy of alternative hip hop with the smooth, jazzy undertones of jazz rap, creating a sound that is both familiar and refreshingly new.
MF DOOM, known for his intricate wordplay and enigmatic persona, delivers a series of standout tracks that showcase his unparalleled ability to craft compelling narratives. From the opening track "First Day of Class" to the haunting "Caskets," DOOM's lyrics are sharp, introspective, and brimming with his signature wit. The interludes, "Omterlude, Pt. 1." and "Omterlude, Pt. 2.," serve as brief respites, adding a layer of depth and continuity to the album.
The production on NEHRUVIANDOOM is nothing short of exceptional. King Caesar's beats are a masterclass in blending traditional hip hop elements with experimental sounds, creating a sonic landscape that is both nostalgic and forward-thinking. Tracks like "Mean the Most" and "Great Things" highlight Caesar's ability to craft beats that are as intricate as they are infectious.
NEHRUVIANDOOM is a testament to the enduring legacy of MF DOOM and King Caesar. It's a short but powerful statement that underscores the artists' ability to push the boundaries of hip hop while staying true to its roots. Whether you're a longtime fan or a newcomer to DOOM's discography, NEHRUVIANDOOM is an album that demands your attention and rewards repeated listens.