Charles Münch, a renowned conductor of his time, invites you into the heart of classical music with "Munch in Boston: The Early Years." This expansive collection, released on West Hill Radio Archives in 2011, is a testament to Münch's mastery and the rich orchestral traditions he championed. Spanning an impressive 6 hours and 36 minutes, this album is a comprehensive journey through some of the most celebrated works in the classical repertoire.
The album opens with Ravel's evocative "Iberia" and "Le tombeau de Couperin," showcasing Münch's delicate touch and nuanced interpretations. It continues with Saint-Saëns' dramatic "La danse des morts," demonstrating Münch's ability to convey deep emotional depth. The collection also features Wagner's transcendent "Tristan und Isolde" prelude and the iconic "Liebestod," highlighting Münch's prowess in handling the complex and powerful works of the Romantic era.
Münch's interpretations of symphonies by Schubert, Mendelssohn, and Beethoven are particularly noteworthy. His renditions of Schubert's "Unfinished" Symphony and Beethoven's "Eroica" are celebrated for their clarity and intensity. The album also includes Münch's compelling performances of Mozart's "Jupiter" Symphony and Brahms' "Symphony No. 4," showcasing his versatility and deep understanding of these composers' styles.
For those interested in Münch's work with piano concertos, the album features his interpretation of Beethoven's "Piano Concerto No. 5," known for its elegance and precision. The collection concludes with Lalo's "Symphonie espagnole," a work that highlights Münch's ability to bring out the vibrant and lyrical qualities of the music.
"Munch in Boston: The Early Years" is not just a compilation of performances but a reflection of Charles Münch's artistic evolution and his significant contributions to the world of classical music. Whether you are a seasoned classical enthusiast or a newcomer to the genre, this album offers a rich and rewarding listening experience.
2011 West Hill Radio Archives2011 West Hill Radio Archives
Tracks
Images: No. 2. Iberia: a. Par les rues et par les chemins -Claude Debussy, Boston Symphony Orchestra, Charles Münch
Images: No. 2. Iberia: b. Les parfums de la nuit -Claude Debussy, Boston Symphony Orchestra, Charles Münch
Images: No. 2. Iberia: c. Le matin d'un jour de feteClaude Debussy, Boston Symphony Orchestra, Charles Münch
Le tombeau de Couperin (version for orchestra): No. 1. PreludeMaurice Ravel, Boston Symphony Orchestra, Charles Münch
Le tombeau de Couperin (version for orchestra): No. 2. ForlaneMaurice Ravel, Boston Symphony Orchestra, Charles Münch
Le tombeau de Couperin (version for orchestra): No. 3. MenuetMaurice Ravel, Boston Symphony Orchestra, Charles Münch
Le tombeau de Couperin (version for orchestra): No. 4. RigaudonMaurice Ravel, Boston Symphony Orchestra, Charles Münch
La danse des morts, H. 131: I. —Arthur Honegger, Arnold Moss, Mariquita Moll, Betty Allen, Gérard Souzay, New England Conservatory Chorus, Boston Symphony Orchestra, Charles Münch
La danse des morts, H. 131: II. Danse des mortsArthur Honegger, Arnold Moss, Mariquita Moll, Betty Allen, Gérard Souzay, New England Conservatory Chorus, Boston Symphony Orchestra, Charles Münch
La danse des morts, H. 131: III. LamentoArthur Honegger, Arnold Moss, Mariquita Moll, Betty Allen, Gérard Souzay, New England Conservatory Chorus, Boston Symphony Orchestra, Charles Münch
La danse des morts, H. 131: IV. SanglotsArthur Honegger, Arnold Moss, Mariquita Moll, Betty Allen, Gérard Souzay, New England Conservatory Chorus, Boston Symphony Orchestra, Charles Münch
La danse des morts, H. 131: V. La Repose de DieuArthur Honegger, Arnold Moss, Mariquita Moll, Betty Allen, Gérard Souzay, New England Conservatory Chorus, Boston Symphony Orchestra, Charles Münch
La danse des morts, H. 131: VI. Esperance dans la CroixArthur Honegger, Arnold Moss, Mariquita Moll, Betty Allen, Gérard Souzay, New England Conservatory Chorus, Boston Symphony Orchestra, Charles Münch
Tristan und Isolde, Act I: Prelude - Act III: LiebestodRichard Wagner, Boston Symphony Orchestra, Charles Münch
Symphony No. 5 in B-Flat Major, D. 485: I. AllegroFranz Schubert, Boston Symphony Orchestra, Charles Münch
Symphony No. 5 in B-Flat Major, D. 485: II. Andante con motoFranz Schubert, Boston Symphony Orchestra, Charles Münch
Symphony No. 5 in B-Flat Major, D. 485: III. Menuetto: Allegro moltoFranz Schubert, Boston Symphony Orchestra, Charles Münch
Symphony No. 5 in B-Flat Major, D. 485: IV. Allegro vivaceFranz Schubert, Boston Symphony Orchestra, Charles Münch
Symphony No. 8 in B Minor, D. 759, "Unfinished": I. Allegro moderatoFranz Schubert, Boston Symphony Orchestra, Charles Münch
Symphony No. 8 in B Minor, D. 759, "Unfinished": II. Andante con motoFranz Schubert, Boston Symphony Orchestra, Charles Münch
La muette de Portici, S. 16: OvertureDaniel Auber, Boston Symphony Orchestra, Charles Münch
Symphony No. 4 in A Major, Op. 90, MWV N16, "Italian": I. Allegro vivaceFelix Mendelssohn, Boston Symphony Orchestra, Charles Münch
Symphony No. 4 in A Major, Op. 90, MWV N16, "Italian": II. Andante con motoFelix Mendelssohn, Boston Symphony Orchestra, Charles Münch
Symphony No. 4 in A Major, Op. 90, MWV N16, "Italian": III. Con moto moderatoFelix Mendelssohn, Boston Symphony Orchestra, Charles Münch
Symphony No. 4 in A Major, Op. 90, MWV N16, "Italian": IV. Saltarello: PrestoFelix Mendelssohn, Boston Symphony Orchestra, Charles Münch
Symphony No. 2 in C Major, Op. 61: I. Sostenuto assaiRobert Schumann, Boston Symphony Orchestra, Charles Münch
Symphony No. 2 in C Major, Op. 61: II. ScherzoRobert Schumann, Boston Symphony Orchestra, Charles Münch
Symphony No. 2 in C Major, Op. 61: III. Adagio espressivoRobert Schumann, Boston Symphony Orchestra, Charles Münch
Symphony No. 2 in C Major, Op. 61: IV. Allegro molto vivaceRobert Schumann, Boston Symphony Orchestra, Charles Münch
Die Meistersinger von Nurnberg (The Mastersingers of Nuremberg), Act III: PreludeRichard Wagner, Boston Symphony Orchestra, Charles Münch
Symphony No. 41 in C Major, K. 551 'Jupiter': I. Allegro vivaceWolfgang Amadeus Mozart, Boston Symphony Orchestra, Charles Münch
Symphony No. 41 in C Major, K. 551 'Jupiter': II. Andante cantabileWolfgang Amadeus Mozart, Boston Symphony Orchestra, Charles Münch
Symphony No. 41 in C Major, K. 551 'Jupiter': III. Menuetto: AllegrettoWolfgang Amadeus Mozart, Boston Symphony Orchestra, Charles Münch
Symphony No. 41 in C Major, K. 551 'Jupiter': IV. Molto AllegroWolfgang Amadeus Mozart, Boston Symphony Orchestra, Charles Münch
Klavierkonzert Nr. 5 Es-Dur, Op. 73: I. AllegroLudwig van Beethoven, Lelia Gousseau, Boston Symphony Orchestra, Charles Münch
Klavierkonzert Nr. 5 Es-Dur, Op. 73: II. Adagio un poco mossoLudwig van Beethoven, Lelia Gousseau, Boston Symphony Orchestra, Charles Münch
Klavierkonzert Nr. 5 Es-Dur, Op. 73: III. Rondo: AllegroLudwig van Beethoven, Lelia Gousseau, Boston Symphony Orchestra, Charles Münch
Symphony No. 2 in D Major, Op. 36: I. Adagio molto - Allegro moltoLudwig van Beethoven, Boston Symphony Orchestra, Charles Münch
Symphony No. 2 in D Major, Op. 36: II. LarghettoLudwig van Beethoven, Boston Symphony Orchestra, Charles Münch
Symphony No. 2 in D Major, Op. 36: III. ScherzoLudwig van Beethoven, Boston Symphony Orchestra, Charles Münch
Symphony No. 2 in D Major, Op. 36: IV. Allegro moltoLudwig van Beethoven, Boston Symphony Orchestra, Charles Münch
Symphony No. 3 in E-Flat Major, Op. 55, "Eroica": I. Allegro con brioLudwig van Beethoven, Boston Symphony Orchestra, Charles Münch
Symphony No. 3 in E-Flat Major, Op. 55, "Eroica": II. Marcia funebre: Adagio assaiLudwig van Beethoven, Boston Symphony Orchestra, Charles Münch
Symphony No. 3 in E-Flat Major, Op. 55, "Eroica": III. Scherzo: Allegro vivaceLudwig van Beethoven, Boston Symphony Orchestra, Charles Münch
Symphony No. 3 in E-Flat Major, Op. 55, "Eroica": IV. Finale: Allegro moltoLudwig van Beethoven, Boston Symphony Orchestra, Charles Münch
Sinfonie Nr. 3 c-Moll, Op. 78, "Orgelsinfonie": 2. Maestoso - Allegro - Più allegro - Molto allegro - Pesante (Ein Schweinchen names Babe): I. Adagio - Allegro moderato -Camille Saint-Saëns, E. Power Biggs, Boston Symphony Orchestra, Charles Münch
Sinfonie Nr. 3 c-Moll, Op. 78, "Orgelsinfonie": 2. Maestoso - Allegro - Più allegro - Molto allegro - Pesante (Ein Schweinchen names Babe): I. Poco adagioCamille Saint-Saëns, E. Power Biggs, Boston Symphony Orchestra, Charles Münch
Sinfonie Nr. 3 c-Moll, Op. 78, "Orgelsinfonie": 2. Maestoso - Allegro - Più allegro - Molto allegro - Pesante (Ein Schweinchen names Babe): II. Allegro moderato - Presto - Allegro moderato - Presto - Allegro moderato -Camille Saint-Saëns, E. Power Biggs, Boston Symphony Orchestra, Charles Münch
Sinfonie Nr. 3 c-Moll, Op. 78, "Orgelsinfonie": 2. Maestoso - Allegro - Più allegro - Molto allegro - Pesante (Ein Schweinchen names Babe): II. Maestoso - Allegro - Piu allegro - Molto allegro - PesanteCamille Saint-Saëns, E. Power Biggs, Boston Symphony Orchestra, Charles Münch
Symphonie espagnole, Op. 21: I. Allegro non troppoÉdouard Lalo, Ruth Posselt, Boston Symphony Orchestra, Charles Münch