Jephté, Prologue: OuvertureMichel Pignolet de Montéclair, Orfeo Orchestra, Gyorgy Vashegyi
Jephté, Prologue Scene 1: Beaux lieux, où notre gloire éclateMichel Pignolet de Montéclair, Purcell Choir, Orfeo Orchestra, Gyorgy Vashegyi
Jephté, Prologue Scene 1: Vous, qu’avec Apollon en ces lieux on adoreMichel Pignolet de Montéclair, David Witczak, Adriána Kalafszky, Katia Velletaz, Orfeo Orchestra, Gyorgy Vashegyi
Jephté, Prologue Scene 2: Premier et deuxième rigaudonMichel Pignolet de Montéclair, Orfeo Orchestra, Gyorgy Vashegyi
Jephté, Prologue Scene 2: Riez sans cesseMichel Pignolet de Montéclair, Katia Velletaz, Purcell Choir, Orfeo Orchestra, Gyorgy Vashegyi
Jephté, Prologue Scene 2: CanarieMichel Pignolet de Montéclair, Orfeo Orchestra, Gyorgy Vashegyi
Jephté, Prologue Scene 2: Premier et deuxième menuetMichel Pignolet de Montéclair, Orfeo Orchestra, Gyorgy Vashegyi
Jephté, Prologue Scene 2: Dans ces beaux lieux, on ne respireMichel Pignolet de Montéclair, Katia Velletaz, Purcell Choir, Orfeo Orchestra, Gyorgy Vashegyi
Jephté, Prologue Scene 2: De quels nouveaux concertsMichel Pignolet de Montéclair, David Witczak, Adriána Kalafszky, Katia Velletaz, Orfeo Orchestra, Gyorgy Vashegyi
Jephté, Prologue Scene 3: Symphonie pour la descente de la vérité et des vertus qui l’accompagnentMichel Pignolet de Montéclair, Orfeo Orchestra, Gyorgy Vashegyi
Jephté, Prologue Scene 3: Fantômes séduisants, enfants de l’impostureMichel Pignolet de Montéclair, Judith van Wanroij, Purcell Choir, Orfeo Orchestra, Gyorgy Vashegyi
Jephté, Prologue Scene 4: Troupe immortelle comme moiMichel Pignolet de Montéclair, Judith van Wanroij, Orfeo Orchestra, Gyorgy Vashegyi
Jephté, Prologue Scene 4: Retirez du tombeau, le malheureux JephtéMichel Pignolet de Montéclair, Judith van Wanroij, Orfeo Orchestra, Gyorgy Vashegyi
Jephté, Prologue, Scene 4: Triomphez, vérité constanteMichel Pignolet de Montéclair, Purcell Choir, Orfeo Orchestra, Gyorgy Vashegyi
Jephté, Prologue Scene 4: Un roi qui me chéritMichel Pignolet de Montéclair, Judith van Wanroij, Orfeo Orchestra, Gyorgy Vashegyi
Jephté, Prologue Scene 4: Qu’il triomphe par moiMichel Pignolet de Montéclair, Judith van Wanroij, Purcell Choir, Orfeo Orchestra, Gyorgy Vashegyi
Jephté, Prologue Scene 4: L’ouverture pour entracteMichel Pignolet de Montéclair, Orfeo Orchestra, Gyorgy Vashegyi
Jephté, Act I Scene 1: Rivages du Jourdain, où le ciel m’a fait naîtreMichel Pignolet de Montéclair, Tassis Christoyannis, Orfeo Orchestra, Gyorgy Vashegyi
Jephté, Act I Scene 1: Mais, quel affreux spectacleMichel Pignolet de Montéclair, Tassis Christoyannis, Orfeo Orchestra, Gyorgy Vashegyi
Jephté, Act I Scene 2: Seigneur, notre mortelle crainteMichel Pignolet de Montéclair, Clément Debieuvre, Tassis Christoyannis, Orfeo Orchestra, Gyorgy Vashegyi
Jephté, Act I Scene 3: Jephté, tout IsraëlMichel Pignolet de Montéclair, Thomas Dolie, Tassis Christoyannis, Orfeo Orchestra, Gyorgy Vashegyi
Jephté, Act I Scene 3: Dieu descend jusqu’à moiMichel Pignolet de Montéclair, Tassis Christoyannis, Orfeo Orchestra, Gyorgy Vashegyi
Jephté, Act I Scene 3: Il fait bien plus pour vousMichel Pignolet de Montéclair, Thomas Dolie, Tassis Christoyannis, Orfeo Orchestra, Gyorgy Vashegyi
Jephté, Act I Scene 3: Viens, répands le trouble et l’effroiMichel Pignolet de Montéclair, Thomas Dolie, Tassis Christoyannis, Orfeo Orchestra, Gyorgy Vashegyi
Jephté, Act I Scene 4: Marche des guerriersMichel Pignolet de Montéclair, Orfeo Orchestra, Gyorgy Vashegyi
Jephté, Act I Scene 4: Guerriers, l’arche terrible à vos yeux va paraîtreMichel Pignolet de Montéclair, Thomas Dolie, Orfeo Orchestra, Gyorgy Vashegyi
Jephté, Act I Scene 4: Ô gloire, ô force d’IsraëlMichel Pignolet de Montéclair, Thomas Dolie, Purcell Choir, Orfeo Orchestra, Gyorgy Vashegyi
Jephté, Act I Scene 4: Ennemis du maître suprêmeMichel Pignolet de Montéclair, Thomas Dolie, Tassis Christoyannis, Purcell Choir, Orfeo Orchestra, Gyorgy Vashegyi
Jephté, Act I Scene 4: Bruit de trompettesMichel Pignolet de Montéclair, Orfeo Orchestra, Gyorgy Vashegyi
Jephté, Act I Scene 4: Mais la sainte trompette sonneMichel Pignolet de Montéclair, Thomas Dolie, Orfeo Orchestra, Gyorgy Vashegyi
Jephté, Act I Scene 5: Premier air des guerriersMichel Pignolet de Montéclair, Orfeo Orchestra, Gyorgy Vashegyi
Jephté, Act I Scene 5: Deuxième air des guerriersMichel Pignolet de Montéclair, Orfeo Orchestra, Gyorgy Vashegyi
Jephté, Act I Scene 5 Troisième air des guerriersMichel Pignolet de Montéclair, Orfeo Orchestra, Gyorgy Vashegyi
Jephté, Act I Scene 5: Un doux espoir vous est permisMichel Pignolet de Montéclair, Thomas Dolie, Orfeo Orchestra, Gyorgy Vashegyi
Jephté, Act I Scene 5: Viens, répands le trouble et l’effroiMichel Pignolet de Montéclair, Purcell Choir, Orfeo Orchestra, Gyorgy Vashegyi
Jephté, Act I Scene 6: Seigneur, nos ennemis menacent nos rivagesMichel Pignolet de Montéclair, Clément Debieuvre, Tassis Christoyannis, Orfeo Orchestra, Gyorgy Vashegyi
Jephté, Act I Scene 7: Qu’ai-je entendu ? Tout fuit !Michel Pignolet de Montéclair, Tassis Christoyannis, Orfeo Orchestra, Gyorgy Vashegyi
Jephté, Act I Scene 7: Que vois-je ? quel heureux présage !Michel Pignolet de Montéclair, Tassis Christoyannis, Orfeo Orchestra, Gyorgy Vashegyi
Jephté, Act I Scene 7: Marche des guerriersMichel Pignolet de Montéclair, Orfeo Orchestra, Gyorgy Vashegyi
Jephté, Act II Scene 1: Seigneur, tous les moments sont chersMichel Pignolet de Montéclair, David Witzcak, Zachary Wilder, Orfeo Orchestra, Gyorgy Vashegyi
Jephté, Act II Scene 2: Je vois Ammon, évitons sa présenceMichel Pignolet de Montéclair, Chantal Santon Jeffery, Zachary Wilder, Orfeo Orchestra, Gyorgy Vashegyi
Jephté, Act II Scene 3: Qu’ai-je entendu ! J’en ai frémiMichel Pignolet de Montéclair, Chantal Santon Jeffery, Orfeo Orchestra, Gyorgy Vashegyi
Jephté, Act II Scene 3: Mes yeux, éteignez dans vos larmesMichel Pignolet de Montéclair, Chantal Santon Jeffery, Orfeo Orchestra, Gyorgy Vashegyi
Jephté, Act II Scene 4: Ma fille, je succombe à ma frayeur mortelleMichel Pignolet de Montéclair, Judith van Wanroij, Chantal Santon Jeffery, Orfeo Orchestra, Gyorgy Vashegyi
Jephté, Act II Scene 4: À peine, de ses voiles sombresMichel Pignolet de Montéclair, Judith van Wanroij, Orfeo Orchestra, Gyorgy Vashegyi
Jephté, Act II Scene 4: Ciel ! J’entends mon arrêtMichel Pignolet de Montéclair, Chantal Santon Jeffery, Judith van Wanroij, Orfeo Orchestra, Gyorgy Vashegyi
Jephté, Act II Scene 4: Maître des vastes cieux, dieu vivant, dieu jalouxMichel Pignolet de Montéclair, Chantal Santon Jeffery, Judith van Wanroij, Orfeo Orchestra, Gyorgy Vashegyi
Jephté, Act II Scene 5: Je vois Abdon, que vient-il m’annoncer ?Michel Pignolet de Montéclair, Chantal Santon Jeffery, Judith van Wanroij, Clément Debieuvre, Orfeo Orchestra, Gyorgy Vashegyi
Jephté, Act II Scene 5: Bruit d’instrumentsMichel Pignolet de Montéclair, Orfeo Orchestra, Gyorgy Vashegyi
Immerse yourself in the rich Baroque soundscape of Michel Pignolet de Montéclair's "Jephté," a captivating album released on March 6, 2020, under the Glossa label. This 59-minute journey through the sacred and secular airs of the early 18th century showcases Montéclair's mastery of the French Baroque style, offering a blend of dramatic and lyrical expressions that bring the biblical story of Jephtha to life.
The album is a testament to Montéclair's innovative spirit, as he was one of the first to compose a French oratorio, a genre that would later gain significant popularity. "Jephté" is a grand musical narrative, filled with intricate instrumental passages, powerful choral works, and poignant arias that highlight the composer's ability to convey deep emotion and tension.
Throughout the album, Montéclair's use of orchestration and harmony is nothing short of remarkable. The interplay between strings, woodwinds, and brass creates a vivid soundscape that transports the listener to the ancient world of the Bible. The choral sections, in particular, are a highlight, with their rich harmonies and dynamic shifts that underscore the dramatic tension of the story.
The album's standout tracks include the opening "Ouverture," which sets the stage with its grand and imposing orchestration, and the hauntingly beautiful "Fantômes séduisants, enfants de l’imposture" from the Prologue. The Act I scenes are filled with moments of intense drama, such as the "Marche des guerriers" and the powerful choral work "Ennemis du maître suprême." Act II delves deeper into the emotional core of the story, with arias like "Seigneur, tous les moments sont chers" and "Ma fille, je succombe à ma frayeur mortelle" that showcase Montéclair's ability to convey profound human emotion.
"Jephté" is not just a historical artifact but a living, breathing piece of music that continues to resonate with modern audiences. Montéclair's compositional genius shines through in every note, making this album a must-listen for anyone interested in the rich tapestry of Baroque music. Whether you're a seasoned classical music enthusiast or a newcomer to the genre, "Jephté" offers a compelling and rewarding listening experience that highlights the enduring power of Montéclair's musical vision.
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