Immerse yourself in the intricate world of Baroque chamber music with Jean-Joseph Cassanéa de Mondonville's "De profundis & Venite exultemus." Released in 1988 under the Hyperion label, this album is a testament to the composer's mastery and the timeless beauty of his work. Spanning a little over an hour, the album is divided into two main sections: "Venite, exsultemus" and "De profundis," each offering a unique journey through the depths of human emotion and spiritual devotion.
"Venite, exsultemus" is a jubilant and uplifting series of movements, each building upon the last to create a sense of exultation and joy. The piece is a celebration of faith and community, with its Latin text inviting listeners to come together and rejoice. In contrast, "De profundis" is a profound and introspective exploration of despair and hope. The seven movements of this work delve into the depths of human suffering, ultimately culminating in a plea for redemption and eternal rest.
Throughout the album, Mondonville's skillful composition and the exquisite performances bring these pieces to life, showcasing the rich harmonies and intricate counterpoint that characterize the Baroque era. Whether you're a seasoned classical music enthusiast or a newcomer to the genre, "De profundis & Venite exultemus" offers a captivating and enriching listening experience that highlights the enduring power of Mondonville's music.
Venite, exsultemus: I. Venite, exultemusJean-Joseph Cassanéa De Mondonville, Edward Higginbottom, Gillian Fisher, Choir of New College, Oxford, London Baroque
Venite, exsultemus: II. Quoniam DeusJean-Joseph Cassanéa De Mondonville, Stephen Varcoe, London Baroque, Edward Higginbottom
Venite, exsultemus: III. Quoniam ipsiusJean-Joseph Cassanéa De Mondonville, Stephen Varcoe, London Baroque, Edward Higginbottom
Venite, exsultemus: IV. Venite, adoremusJean-Joseph Cassanéa De Mondonville, Gillian Fisher, London Baroque, Edward Higginbottom
Venite, exsultemus: V. Quia ipse est DominusJean-Joseph Cassanéa De Mondonville, Edward Higginbottom, Gillian Fisher, London Baroque
Venite, exsultemus: VI. Hodie si vocemJean-Joseph Cassanéa De Mondonville, Gillian Fisher, Choir of New College, Oxford, London Baroque, Edward Higginbottom
Venite, exsultemus: VII. Sicut in exacerbationeJean-Joseph Cassanéa De Mondonville, Edward Higginbottom, Charles Daniels, London Baroque
Venite, exsultemus: VIII. Quadraginta annisJean-Joseph Cassanéa De Mondonville, Charles Daniels, Edward Higginbottom, London Baroque
Venite, exsultemus: IX. GloriaJean-Joseph Cassanéa De Mondonville, London Baroque, Edward Higginbottom, Choir of New College, Oxford
Regna terraeJean-Joseph Cassanéa De Mondonville, Edward Higginbottom, Gillian Fisher, Ingrid Seifert
In decachordo psalterioJean-Joseph Cassanéa De Mondonville, Edward Higginbottom, Gillian Fisher, Ingrid Seifert
De profundis: I. De profundis clamaviJean-Joseph Cassanéa De Mondonville, Edward Higginbottom, London Baroque, Choir of New College, Oxford
De profundis: II. Fiant auresJean-Joseph Cassanéa De Mondonville, Edward Higginbottom, London Baroque, Stephen Varcoe
De profundis: III. Quia apud teJean-Joseph Cassanéa De Mondonville, Edward Higginbottom, Charles Daniels, London Baroque
De profundis: IV. A custodiaJean-Joseph Cassanéa De Mondonville, Edward Higginbottom, London Baroque, Choir of New College, Oxford
De profundis: V. Quia apud DominumJean-Joseph Cassanéa De Mondonville, Edward Higginbottom, Gillian Fisher, London Baroque, Choir of New College, Oxford
De profundis: VI. Et ipse redimetJean-Joseph Cassanéa De Mondonville, Edward Higginbottom, Gillian Fisher, Choir of New College, Oxford, London Baroque
De profundis: VII. Requiem aeternamJean-Joseph Cassanéa De Mondonville, Edward Higginbottom, London Baroque, Choir of New College, Oxford
Benefac DomineJean-Joseph Cassanéa De Mondonville, Gillian Fisher, Edward Higginbottom, Ingrid Seifert
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