Márcio Steuernagel presents a groundbreaking exploration of musical imperfections with his latest album, "A Mis•encyclopaedia of Musical Imperfections." This ambitious collection, spanning nearly two and a half hours, is a testament to Steuernagel's innovative approach to composition and performance. The album features a diverse range of études, melodies, and arias for solo instruments, including flute, oboe, cello, and harp, each piece meticulously crafted to highlight the beauty in musical imperfections.
Steuernagel's compositions are not merely technical exercises but deeply expressive works that challenge conventional notions of musical perfection. The album is divided into several sections, each focusing on different aspects of musical imperfection, such as transitionality, uncontrol, unintendedness, risk, residual fragments, and fragility. These themes are explored through a variety of techniques, including multiphonics, whistle tones, over/under-blowing, and harmonic interference, among others.
The album opens with "The Great in-Betweenness," a series of six études and three melodies for solo flute, where Steuernagel delves into the nuances of trills, whistle tones, and transitions. This is followed by "Becoming," a collection of four études and an aria for solo oboe, showcasing the instrument's dynamic range and expressive capabilities. The cello takes center stage in "Always only once again," featuring three études, a pilgrimage, and a prayer, where Steuernagel explores themes of non-harmonic sounds and residual pitches.
The harp is the focus of "Études para Quijote," a set of seven études that highlight the instrument's versatility and Steuernagel's innovative use of techniques such as one-finger tremolo, harmonic interference, and glissandi. The album concludes with "Senses of Musical Imperfection," a comprehensive exploration of various aspects of musical imperfection, including risk, residual fragments, and embodiment.
Márcio Steuernagel's "A Mis•encyclopaedia of Musical Imperfections" is a landmark album that pushes the boundaries of contemporary classical music. With its innovative compositions and virtuosic performances, this album is a must-listen for anyone interested in the evolving landscape of modern music. Released on Austrian Gramophone, this album is set to make a significant impact on the music world when it hits shelves on November 25, 2024.
2024 HNE Rights GmbH2024 Austrian Gramophone
Tracks
The Great in-Betweenness (2020) six études and three melodies for solo Flute: Étude: Trills (It shimmers, shivers: Lives)Márcio Steuernagel, Eric Lamb
The Great in-Betweenness (2020) six études and three melodies for solo Flute: Étude: Whistle tones (A fugue of Failures)Márcio Steuernagel, Eric Lamb
The Great in-Betweenness (2020) six études and three melodies for solo Flute: Uma MelodiaMárcio Steuernagel, Eric Lamb
The Great in-Betweenness (2020) six études and three melodies for solo Flute: Étude: Different articulations (Molto Parlante)Márcio Steuernagel, Eric Lamb
The Great in-Betweenness (2020) six études and three melodies for solo Flute: Étude: Transitions (Inbetweennesses)Márcio Steuernagel, Eric Lamb
The Great in-Betweenness (2020) six études and three melodies for solo Flute: Une MélodieMárcio Steuernagel, Eric Lamb
The Great in-Betweenness (2020) six études and three melodies for solo Flute: Eine MelodieMárcio Steuernagel, Eric Lamb
The Great in-Betweenness (2020) six études and three melodies for solo Flute: Étude: Over/Under-Blowing (Bodily: A pífano Dance)Márcio Steuernagel, Eric Lamb
The Great in-Betweenness (2020) six études and three melodies for solo Flute: Étude: Diaphonic/Multiphonic (…but how many voices Unsung?)Márcio Steuernagel, Eric Lamb
Becoming (2019) four études and an aria for solo Oboe: Étude: Dynamics (Summoning)Márcio Steuernagel, Ángela Calvo Ríos
Becoming (2019) four études and an aria for solo Oboe: Étude: Registers (A Bird)Márcio Steuernagel, Ángela Calvo Ríos
Becoming (2019) four études and an aria for solo Oboe: Étude: Multiphonics (Quasi un corale, quasi Monteverdi)Márcio Steuernagel, Ángela Calvo Ríos
Becoming (2019) four études and an aria for solo Oboe: Étude: Repeated notes (Take a Digeridoo)Márcio Steuernagel, Ángela Calvo Ríos
Becoming (2019) four études and an aria for solo Oboe: Aria: BecomingMárcio Steuernagel, Ángela Calvo Ríos
Coda: Un•intendedness (2020/2021): Pilgrimage: Once in our HeartsMárcio Steuernagel, Stefanie Alexandra Prenn
Coda: Un•intendedness (2020/2021): Une MélodieMárcio Steuernagel, Eric Lamb
Coda: Un•intendedness (2020/2021): Pilgrimage: Once again in our HeartsMárcio Steuernagel, Stefanie Alexandra Prenn
Coda: Un•intendedness (2020/2021): Étude: Diaphonic/Multiphonic (…but how many voices Unsung?)Márcio Steuernagel, Eric Lamb
Always only once again (2022) three études, a pilgrimage and a prayer for solo Cello: Étude: Non-/Harmonic (Uncontrolled, unknown, yet Wished-For) IMárcio Steuernagel, Stefanie Alexandra Prenn
Always only once again (2022) three études, a pilgrimage and a prayer for solo Cello: Pilgrimage: Once in our HeartsMárcio Steuernagel, Stefanie Alexandra Prenn
Always only once again (2022) three études, a pilgrimage and a prayer for solo Cello: Étude: Residual pitches (Tempi & corali Emergenti)Márcio Steuernagel, Stefanie Alexandra Prenn
Always only once again (2022) three études, a pilgrimage and a prayer for solo Cello: Étude: Residual sounds (Molto cantabile - Ma Segreto!)Márcio Steuernagel, Stefanie Alexandra Prenn
Always only once again (2022) three études, a pilgrimage and a prayer for solo Cello: Pilgrimage: Once again in our Hearts IMárcio Steuernagel, Stefanie Alexandra Prenn
Always only once again (2022) three études, a pilgrimage and a prayer for solo Cello: Tuning PrayerMárcio Steuernagel, Stefanie Alexandra Prenn
Always only once again (2022) three études, a pilgrimage and a prayer for solo Cello: Pilgrimage: Once again in our Hearts IIMárcio Steuernagel, Stefanie Alexandra Prenn
Always only once again (2022) three études, a pilgrimage and a prayer for solo Cello: Étude: Non-/Harmonic (Uncontrolled, unknown, yet Wished-For) IIMárcio Steuernagel, Stefanie Alexandra Prenn
Senses of Musical Imperfection: Transitionality, un•control, un•intendedness (2019-2022): Meditation: Impossible vowels (A self-Sung Lullaby)Márcio Steuernagel, kaoko amano
Senses of Musical Imperfection: Transitionality, un•control, un•intendedness (2019-2022): Étude: Diaphonic/Multiphonic (…but how many voices Unsung?)Márcio Steuernagel, Eric Lamb
Senses of Musical Imperfection: Transitionality, un•control, un•intendedness (2019-2022): Étude: Non-/Harmonic (Uncontrolled, unknown, yet Wished-For)Márcio Steuernagel, Stefanie Alexandra Prenn
Études para Quijote (2019) seven études for solo Harp: Étude: One-Finger tremolo (Fanfare)Márcio Steuernagel, Veronica Klavzar
Études para Quijote (2019) seven études for solo Harp: Étude: Harmonic interference (A game of Bells)Márcio Steuernagel, Veronica Klavzar
Études para Quijote (2019) seven études for solo Harp: Étude: Basso (Battuto, Feroce)Márcio Steuernagel, Veronica Klavzar
Études para Quijote (2019) seven études for solo Harp: Étude: Glissandi (Pasacalle)Márcio Steuernagel, Veronica Klavzar
Études para Quijote (2019) seven études for solo Harp: Étude: Ostinato (Ad lib, ma Veloce)Márcio Steuernagel, Veronica Klavzar
Études para Quijote (2019) seven études for solo Harp: Étude: Classical harmonics technique (A broken Lullaby)Márcio Steuernagel, Veronica Klavzar
Études para Quijote (2019) seven études for solo Harp: Étude: Arco (Aria on the G Strings)Márcio Steuernagel, Veronica Klavzar
Senses of Musical Imperfection: Risk, residual, fragmentary, fragility (2019-2022): Étude: Whistle tones (A fugue of Failures)Márcio Steuernagel, Eric Lamb
Senses of Musical Imperfection: Risk, residual, fragmentary, fragility (2019-2022): Pilgrimage: Once again in our HeartsMárcio Steuernagel, Stefanie Alexandra Prenn
Senses of Musical Imperfection: Risk, residual, fragmentary, fragility (2019-2022): Eine MelodieMárcio Steuernagel, Eric Lamb
Senses of Musical Imperfection: Risk, residual, fragmentary, fragility (2019-2022): Étude: Residual sounds (Molto cantabile - Ma Segreto!)Márcio Steuernagel, Stefanie Alexandra Prenn
Senses of Musical Imperfection: Risk, residual, fragmentary, fragility (2019-2022): Étude: Classical harmonics technique (A broken Lullaby)Márcio Steuernagel, Veronica Klavzar