Terry Riley's "Lisbon Concert," released on January 1, 1996, under New Albion Records, is a captivating exploration of sound that spans across minimalism, avant-garde, experimental, drone, and ambient genres. Clocking in at just over an hour and ten minutes, this album is a testament to Riley's innovative approach to music, offering a rich and immersive experience for the discerning listener.
The album features nine tracks, each a unique journey through soundscapes that are both intricate and meditative. From the evocative "Arica" to the serene "Mongolian Winds," Riley masterfully weaves together layers of sound that are as engaging as they are thought-provoking. "Negro Hall" and "Havana Man" bring a sense of rhythm and movement, while "Peace Dance" and "The Ecstasy" delve into more contemplative territories.
"Lisbon Concert" showcases Terry Riley's ability to create music that is both intellectually stimulating and deeply resonant. It's an album that rewards repeated listening, revealing new layers and nuances with each play. Whether you're a long-time fan of Riley's work or new to his music, "Lisbon Concert" is a compelling addition to any collection, offering a profound and enriching listening experience.