Late Air

Dive into the avant-garde world of John Harbison with his captivating album "Late Air," released on February 7, 2020, under the Oberlin Music label. This 58-minute journey through Harbison's unique compositional landscape is a testament to his mastery of blending traditional and contemporary elements.

The album opens with a series of Mirabai Songs, beautifully rendered for voice and piano, showcasing Harbison's ability to weave intricate narratives through music. Tracks like "It’s True, I Went to the Market" and "Why Mira Can’t Go Back to Her Old House" offer a glimpse into the poetic and philosophical depths that Harbison explores.

Following the Mirabai Songs, the album transitions into excerpts from "After Hours," where Harbison's compositional prowess shines through pieces like "Like Spring" and "Sleepsong [At the Brook with Goldberg]." These tracks highlight his knack for creating evocative and atmospheric soundscapes.

The second half of the album is dedicated to "North and South, Book 1," a collection of songs that further demonstrate Harbison's versatility. Tracks such as "Ballad for Billie I" and "Breakfast Song" are both lyrical and introspective, offering a rich tapestry of musical expression.

The album concludes with "Crossroads (Chamber Version)," a series of interconnected pieces that culminate in the titular "Crossroads." This final section is a masterclass in compositional technique, blending thematic development with harmonic innovation.

"Late Air" is not just an album; it's a journey through the mind of one of contemporary classical music's most innovative composers. Whether you're a longtime fan of John Harbison or a newcomer to his work, this album is sure to leave a lasting impression.