James Tenney's "Postal Pieces," released on January 1, 2004, under New World Records, is a captivating exploration of avant-garde and minimalist experimental music. This two-hour, twelve-minute journey through Tenney's sonic landscape is a testament to his innovative approach to composition. The album features ten tracks, each a unique piece of art that showcases Tenney's mastery of texture, rhythm, and form. From the intricate "Maximusic" to the delicate "August Harp," each track offers a distinct auditory experience. Tenney's use of unconventional instruments and techniques, such as in "Having Never Written a Note for Percussion," creates a sound world that is both familiar and alien. "Postal Pieces" is not just an album; it's a collection of musical ideas that push the boundaries of what is expected in experimental music. Whether you're a seasoned aficionado of avant-garde sounds or a curious newcomer, this album offers a rich and rewarding listening experience.
(C) 2004 Anthology of Recorded Music, Inc.
Tracks
MaximusicJames Tenney, Tatiana Koleva, James Fulkerson
Swell PieceJames Tenney, The Barton Workshop, James Fulkerson
A Rose Is a Rose Is a RoundJames Tenney, The Barton Workshop, James Fulkerson
BeastJames Tenney, Jos Tieman, James Fulkerson
Swell Piece #2James Tenney, The Barton Workshop, James Fulkerson
Having Never Written a Note for PercussionJames Tenney, Tobias Liebezeit, James Fulkerson
KoanJames Tenney, Elisabeth Smalt, James Fulkerson
For Percussion Perhaps, Or (night)Alvin Curran, James Fulkerson
Swell Piece #3James Tenney, The Barton Workshop, James Fulkerson
CellogramJames Tenney, Nina Hitz, James Fulkerson
August HarpJames Tenney, Ulrike von Meier, James Fulkerson