Bernhard Lang's "I Hate Mozart" is a bold and provocative avant-garde album that challenges the boundaries of classical music. Released on May 9, 2008, under the col legno label, this two-act, 2 hour and 6 minute opus is a complex and intricate exploration of sound and form. Lang, known for his innovative approach to composition, deconstructs and reconstructs themes from Mozart's operas, creating a surreal and dreamlike landscape that is both familiar and alien.
The album is divided into two acts, each containing a series of tracks that build upon one another to create a cohesive whole. The first act opens with the "Ouvertüre," setting the stage for the nightmarish journey that follows. Tracks like "Albtraum 1" and "Albtraum 2" (German for "nightmare") hint at the dark and unsettling themes that permeate the album. Lang's use of repetition and variation creates a sense of unease, as familiar motifs are twisted and distorted.
The second act continues this exploration, with tracks like "And Then You Will Be Gone...." and "The Chairman" delving into themes of power, desire, and loss. Lang's use of electronics and processed vocals adds a modern edge to the classical framework, creating a sound that is both timeless and contemporary.
Throughout the album, Lang's mastery of composition is evident, as he weaves together complex rhythms and harmonies to create a rich and textured soundscape. The use of applause at the end of each act serves as a nod to the traditional concert experience, grounding the avant-garde elements in a familiar context.
"I Hate Mozart" is not just a commentary on the works of Mozart, but a testament to Bernhard Lang's own artistic vision. It is a challenging and rewarding listen, demanding the listener's full attention and engagement. For those willing to take the plunge, it offers a unique and unforgettable musical experience.