Immerse yourself in the profound and moving world of Johann David Heinichen with the album "Heinichen: Lamentationes / Passionsmusik." This captivating collection, released on January 1, 1995, under the Archiv Produktion label, offers a rich tapestry of sacred and reflective music that spans over two hours.
The album features a diverse array of compositions, including the deeply expressive "Lamentationes Jeremiae prophetae," a set of three lamentations that delve into the sorrowful prophecies of Jeremiah. Heinichen's mastery of emotion is evident in these pieces, as he skillfully weaves intricate melodies and harmonies to create a sense of profound contemplation.
Also included are the stirring works "Beatus vir" and "Alma mater redemptoris," both in F Major, which showcase Heinichen's ability to blend sacred texts with compelling musical narratives. The album also features the poignant "De profundis" and the dramatic "Oratorio todesco al sepolcro santo," a multi-movement work that explores themes of suffering and redemption.
Heinichen's "Warum toben die Heiden" and the pastoral "Pastorale per la Notte di Natale" add further depth to the collection, offering moments of both introspection and celebration. Each piece is performed with meticulous attention to detail, bringing Heinichen's compositions to life with clarity and passion.
Whether you are a longtime admirer of Baroque music or a newcomer to the genre, this album provides a comprehensive and engaging exploration of Heinichen's work. It's a testament to his enduring legacy and a must-listen for anyone seeking to deepen their appreciation of this rich musical tradition.
Lamentationes Jeremiae prophetae, S. 71-73: Lamentatio I: Incipit lamentatio Jeremiae, S. 71Johann David Heinichen, Jörg Dürmüller, Musica Antiqua Köln, Reinhard Goebel
Lamentationes Jeremiae prophetae, S. 71-73: Lamentatio II: Vau. Et egressus est, S. 72Johann David Heinichen, Raimund Nolte, Musica Antiqua Köln, Reinhard Goebel
Lamentationes Jeremiae prophetae, S. 71-73: Lamentatio III: Jod. Manum suam misit hostis, S. 73Johann David Heinichen, Axel Köhler, Musica Antiqua Köln, Reinhard Goebel
Beatus vir in F Major, S. 26Johann David Heinichen, Jörg Dürmüller, Scot Weir, Musica Antiqua Köln, Reinhard Goebel
Alma mater redemptoris in F Major, S. 22Johann David Heinichen, Axel Köhler, Musica Antiqua Köln, Reinhard Goebel
Nisi Dominus in C Minor, S. 99Johann David Heinichen, Jörg Dürmüller, Musica Antiqua Köln, Reinhard Goebel
De profundis, S. 35Johann David Heinichen, Raimund Nolte, Musica Antiqua Köln, Reinhard Goebel
Oratorio todesco al sepolcro santo, S. 20 "Nicht das Band": I. Aria. Nicht das Band, das dich bestricketJohann David Heinichen, Axel Köhler, Musica Antiqua Köln, Reinhard Goebel
Oratorio todesco al sepolcro santo, S. 20 "Nicht das Band": II. Recit. So schleppt man dich zum Richthaus fortJohann David Heinichen, Axel Köhler, Musica Antiqua Köln, Reinhard Goebel
Oratorio todesco al sepolcro santo, S. 20 "Nicht das Band": III. Chorus. Kommt, schauet Petrus' Tränen anJohann David Heinichen, Mechthild Georg, Axel Köhler, Jörg Dürmüller, Musica Antiqua Köln, Reinhard Goebel
Oratorio todesco al sepolcro santo, S. 20 "Nicht das Band": IV. Recit. Ruchbarer Geist, verräterischer SinnJohann David Heinichen, Raimund Nolte, Musica Antiqua Köln, Reinhard Goebel
Oratorio todesco al sepolcro santo, S. 20 "Nicht das Band": V. Aria. Ach mein Mund, ach meine ZungeJohann David Heinichen, Raimund Nolte, Musica Antiqua Köln, Reinhard Goebel
Oratorio todesco al sepolcro santo, S. 20 "Nicht das Band": VI. Recit. Was nützt mir's nun, daß ich so rein an FüßenJohann David Heinichen, Raimund Nolte, Musica Antiqua Köln, Reinhard Goebel
Oratorio todesco al sepolcro santo, S. 20 "Nicht das Band": VII. Aria. Mein Herze, quille BlutJohann David Heinichen, Raimund Nolte, Musica Antiqua Köln, Reinhard Goebel
Oratorio todesco al sepolcro santo, S. 20 "Nicht das Band": VIII. Recit. O weh! Die ganze Schar schnaubt voller GrimmJohann David Heinichen, Mechthild Georg, Musica Antiqua Köln, Reinhard Goebel
Oratorio todesco al sepolcro santo, S. 20 "Nicht das Band": IX. Aria. Die Sporne, die meinen Erlöser durchstechenJohann David Heinichen, Mechthild Georg, Musica Antiqua Köln, Reinhard Goebel
Oratorio todesco al sepolcro santo, S. 20 "Nicht das Band": X. Recit. Jetzt lösen sie dich aufJohann David Heinichen, Mechthild Georg, Jörg Dürmüller, Musica Antiqua Köln, Reinhard Goebel
Oratorio todesco al sepolcro santo, S. 20 "Nicht das Band": XI. Aria. Der Abgrund muß erzitternJohann David Heinichen, Jörg Dürmüller, Musica Antiqua Köln, Reinhard Goebel
Oratorio todesco al sepolcro santo, S. 20 "Nicht das Band": XII. Recit. So leidet selbst die Unschuld so viel QualenJohann David Heinichen, Mechthild Georg, Axel Köhler, Musica Antiqua Köln, Reinhard Goebel
Oratorio todesco al sepolcro santo, S. 20 "Nicht das Band": XIII. Chorus. Ich wünsche mir, Jesu, dir einzig zum RuhmeJohann David Heinichen, Mechthild Georg, Axel Köhler, Jörg Dürmüller, Musica Antiqua Köln, Reinhard Goebel
Warum toben die Heiden, S. 39Johann David Heinichen, Raimund Nolte, Musica Antiqua Köln, Reinhard Goebel
Pastorale per la Notte di Natale, S. 242Johann David Heinichen, Musica Antiqua Köln, Reinhard Goebel, Christian Rieger