Didone abbandonata: SinfoniaJohann Adolf Hasse, Theresa Holzhauser, Flavio Ferri-Benedetti, Valer Barna-Sabadus, Magdalena Hinterdobler, Maria Celeng, Andreas Burkhart, Hofkapelle Munchen, Michael Hofstetter
Didone abbandonata: Act I Scene 1: No principessa (Enea, Selene, Osmida) - Scene 2: Che a te non pensi (Didone, Enea) - Scene 3: Parte cosi (Didone, Selene, Osmida)Johann Adolf Hasse, Theresa Holzhauser, Flavio Ferri-Benedetti, Valer Barna-Sabadus, Magdalena Hinterdobler, Maria Celeng, Andreas Burkhart, Hofkapelle Munchen, Michael Hofstetter
Didone abbandonata: Act I Scene 3: Aria: Diro che fida sei (Selene) - Scene 4: Didone, il re de' Mori (Iarba, Araspe, Osmida, Didone)Johann Adolf Hasse, Theresa Holzhauser, Flavio Ferri-Benedetti, Valer Barna-Sabadus, Magdalena Hinterdobler, Maria Celeng, Andreas Burkhart, Hofkapelle Munchen, Michael Hofstetter
Didone abbandonata: Act I Scene 5: Aria: Son regina e sono amante (Didone) - Scene 5: Araspe, alla vendetta (Iarba, Osmida, Araspe)Johann Adolf Hasse, Theresa Holzhauser, Flavio Ferri-Benedetti, Valer Barna-Sabadus, Magdalena Hinterdobler, Maria Celeng, Andreas Burkhart, Hofkapelle Munchen, Michael Hofstetter
Didone abbandonata: Act I Scene 5: Aria: Tu mi scorgi al gran disegno (Osmida) - Scene 6: Gia tel dissi, o Selene (Selene, Enea) - Scene 7: Stranier, dimmi; chi sei? (Iarba, Araspe, Enea, Selene)Johann Adolf Hasse, Theresa Holzhauser, Flavio Ferri-Benedetti, Valer Barna-Sabadus, Magdalena Hinterdobler, Maria Celeng, Andreas Burkhart, Hofkapelle Munchen, Michael Hofstetter
Didone abbandonata: Act I Scene 7: Aria: Quando saprai chi sono si fiero non sarai (Enea) - Scene 8: Non partira se pria… (Iarba, Selene) - Scene 9: Non e piu tempo (Iarba, Araspe, Osmida) - Scene 10: Ecco il rival (Iarba, Araspe, Enea) - Scene 11: Siam traditi, o regina (Osmida, Didone, Araspe, Iarba, Enea)Johann Adolf Hasse, Theresa Holzhauser, Flavio Ferri-Benedetti, Valer Barna-Sabadus, Magdalena Hinterdobler, Maria Celeng, Andreas Burkhart, Hofkapelle Munchen, Michael Hofstetter
Didone abbandonata: Act I Scene 11: Aria: Tu mi disarmi il fianco (Iarba) - Scene 12: Enea, salvo gia sei dalla crudel ferita (Didone, Enea)Johann Adolf Hasse, Theresa Holzhauser, Flavio Ferri-Benedetti, Valer Barna-Sabadus, Magdalena Hinterdobler, Maria Celeng, Andreas Burkhart, Hofkapelle Munchen, Michael Hofstetter
Didone abbandonata: Act I Scene 12: Aria: Non ha ragione, ingrato, un core abbandonato da chi giuro gli fe? (Didone)Johann Adolf Hasse, Theresa Holzhauser, Flavio Ferri-Benedetti, Valer Barna-Sabadus, Magdalena Hinterdobler, Maria Celeng, Andreas Burkhart, Hofkapelle Munchen, Michael Hofstetter
Didone abbandonata: Act I Scene 13: Accompanied Recitative and Aria: A le mie amorose folie… Se resto sul lido (Enea)Johann Adolf Hasse, Theresa Holzhauser, Flavio Ferri-Benedetti, Valer Barna-Sabadus, Magdalena Hinterdobler, Maria Celeng, Andreas Burkhart, Hofkapelle Munchen, Michael Hofstetter
Didone abbandonata: Act II Scene 1: Indegno, t'offerisci al mio sdegno e non paventi! (Iarba, Araspe) - Scene 2: Chi sciolse (Selene, Araspe, Iarba)Johann Adolf Hasse, Theresa Holzhauser, Flavio Ferri-Benedetti, Valer Barna-Sabadus, Magdalena Hinterdobler, Maria Celeng, Andreas Burkhart, Hofkapelle Munchen, Michael Hofstetter
Didone abbandonata: Act II Scene 2: Aria: Leon, ch'errando vada (Iarba) - Scene 3: Ah contro Enea v'e qualche frode ordita (Selene, Araspe)Johann Adolf Hasse, Theresa Holzhauser, Flavio Ferri-Benedetti, Valer Barna-Sabadus, Magdalena Hinterdobler, Maria Celeng, Andreas Burkhart, Hofkapelle Munchen, Michael Hofstetter
Didone abbandonata: Act II Scene 3: Aria: Ogni amator suppone (Selene) - Scene 4: Tu dici ch'io non speri (Araspe)Johann Adolf Hasse, Theresa Holzhauser, Flavio Ferri-Benedetti, Valer Barna-Sabadus, Magdalena Hinterdobler, Maria Celeng, Andreas Burkhart, Hofkapelle Munchen, Michael Hofstetter
Didone abbandonata: Act II Scene 4: Aria: L'augeletto in lacci stretto perche mai cantar si ascolta? (Araspe) - Scene 5: Gia so che si nasconde… (Didone, Osmida, Selene) - Scene 6: Come! Ancor non partisti? (Didone, Enea)Johann Adolf Hasse, Theresa Holzhauser, Flavio Ferri-Benedetti, Valer Barna-Sabadus, Magdalena Hinterdobler, Maria Celeng, Andreas Burkhart, Hofkapelle Munchen, Michael Hofstetter
Didone abbandonata: Act II Scene 6: Aria: Ah! Non lasciarmi, no (Didone)Johann Adolf Hasse, Theresa Holzhauser, Flavio Ferri-Benedetti, Valer Barna-Sabadus, Magdalena Hinterdobler, Maria Celeng, Andreas Burkhart, Hofkapelle Munchen, Michael Hofstetter
Didone abbandonata: Act II Scene 7: Fra il dovere e l'affetto (Enea, Araspe) - Scene 8: Risparmia al tuo gran core (Iarba, Enea)Johann Adolf Hasse, Theresa Holzhauser, Flavio Ferri-Benedetti, Valer Barna-Sabadus, Magdalena Hinterdobler, Maria Celeng, Andreas Burkhart, Hofkapelle Munchen, Michael Hofstetter
Didone abbandonata: Act II Scene 8: Aria: Vedi nel mio perdono, perfido traditor (Enea) - Scene 9: Tanto ardir nella reggia? (Selene, Enea, Araspe)Johann Adolf Hasse, Theresa Holzhauser, Flavio Ferri-Benedetti, Valer Barna-Sabadus, Magdalena Hinterdobler, Maria Celeng, Andreas Burkhart, Hofkapelle Munchen, Michael Hofstetter
Didone abbandonata: Act II Scene 9: Aria: Tacero, se tu lo brami (Araspe) - Scene 10: Ah generoso Enea (Selene, Enea)Johann Adolf Hasse, Theresa Holzhauser, Flavio Ferri-Benedetti, Valer Barna-Sabadus, Magdalena Hinterdobler, Maria Celeng, Andreas Burkhart, Hofkapelle Munchen, Michael Hofstetter
Didone abbandonata: Act II Scene 10: Aria: Veggio la sponda, sospiro il lido (Selene) - Scene 11: Ad ascoltar di nuovo i rimpoveri tuoi vengo (Enea, Didone) - Scene 12: Didone, a che mi chiedi? (Iarba, Didone, Enea) - Scene 13: Senti. - Lascia che parta (Didone, Iarba)Johann Adolf Hasse, Theresa Holzhauser, Flavio Ferri-Benedetti, Valer Barna-Sabadus, Magdalena Hinterdobler, Maria Celeng, Andreas Burkhart, Hofkapelle Munchen, Michael Hofstetter
Didone abbandonata: Act II Scene 13: Aria: Chiamami pur cosi (Iarba) - Scene 14: E pure in mezzo all'ire (Didone)Johann Adolf Hasse, Theresa Holzhauser, Flavio Ferri-Benedetti, Valer Barna-Sabadus, Magdalena Hinterdobler, Maria Celeng, Andreas Burkhart, Hofkapelle Munchen, Michael Hofstetter
Didone abbandonata: Act II Scene 14: Aria: Va lusingando amore il credulo mio core (Didone)Johann Adolf Hasse, Theresa Holzhauser, Flavio Ferri-Benedetti, Valer Barna-Sabadus, Magdalena Hinterdobler, Maria Celeng, Andreas Burkhart, Hofkapelle Munchen, Michael Hofstetter
Didone abbandonata: Act III Scene 1: Gia di Iarba in difesa (Osmida, Araspe) - Scene 2: Non son contento (Iarba, Osmida, Araspe)Johann Adolf Hasse, Theresa Holzhauser, Flavio Ferri-Benedetti, Valer Barna-Sabadus, Magdalena Hinterdobler, Maria Celeng, Andreas Burkhart, Hofkapelle Munchen, Michael Hofstetter
Didone abbandonata: Act III Scene 2: Aria: Quando l'onda che nasce dal monte (Osmida) - Scene 3: Addio Selene (Enea, Selene)Johann Adolf Hasse, Theresa Holzhauser, Flavio Ferri-Benedetti, Valer Barna-Sabadus, Magdalena Hinterdobler, Maria Celeng, Andreas Burkhart, Hofkapelle Munchen, Michael Hofstetter
Didone abbandonata: Act III Scene 3: Aria: A trionfar mi chiama un bel desio d'onore (Enea) - Scene 4: O dio, germana! (Selene, Didone) - Scene 5: Araspe in queste soglie! (Didone, Araspe)Johann Adolf Hasse, Theresa Holzhauser, Flavio Ferri-Benedetti, Valer Barna-Sabadus, Magdalena Hinterdobler, Maria Celeng, Andreas Burkhart, Hofkapelle Munchen, Michael Hofstetter
Didone abbandonata: Act III Scene 5: Aria: Gia si desta la tempesta (Araspe) - Scene 6: Fuggi, o regina (Selene, Didone)Johann Adolf Hasse, Theresa Holzhauser, Flavio Ferri-Benedetti, Valer Barna-Sabadus, Magdalena Hinterdobler, Maria Celeng, Andreas Burkhart, Hofkapelle Munchen, Michael Hofstetter
Didone abbandonata: Act III Scene 6: Aria: Ombra Cara, ombra tradita (Didone) - Scene 7: Fermati (Iarba, Didone)Johann Adolf Hasse, Theresa Holzhauser, Flavio Ferri-Benedetti, Valer Barna-Sabadus, Magdalena Hinterdobler, Maria Celeng, Andreas Burkhart, Hofkapelle Munchen, Michael Hofstetter
Didone abbandonata: Act III Scene 7: Aria: Cadra fra poco in cenere il suo nascente impero (Iarba) - Scene 8: Numi, onde l'ira in sen tutta mi piomba (Didone, Selene, Araspe) - Final Scene: Ah che dissi, infelice! (Didone)Johann Adolf Hasse, Theresa Holzhauser, Flavio Ferri-Benedetti, Valer Barna-Sabadus, Magdalena Hinterdobler, Maria Celeng, Andreas Burkhart, Hofkapelle Munchen, Michael Hofstetter
Compare trusted UK retailers and find the cheapest option. View current prices below.
Price unavailable - In most cases, this means the album isn't available on LP or is no longer offered on LP by our trusted UK sellers.
Album Description
2013 Naxos2013 Naxos
Immerse yourself in the timeless drama and rich musical tapestry of Johann Adolf Hasse's "Didone abbandonata," a captivating opera seria that masterfully blends the emotional intensity of the Baroque era with the composer's distinctive style. Released on Naxos in 2013, this two-and-a-half-hour opus is a testament to Hasse's prowess, offering a profound exploration of love, betrayal, and fate through the tragic tale of Dido, Queen of Carthage.
Hasse, a prominent figure in 18th-century music, crafts a compelling narrative that unfolds over three acts, each brimming with intricate arias and dramatic recitatives. The story, based on the myth of Dido and Aeneas, is brought to life by a stellar cast of vocalists who navigate the complex emotions of their characters with remarkable skill. From the hauntingly beautiful arias to the tense, rapid-fire recitatives, the album showcases the full range of human experience, from tender affection to searing rage.
The opera's standout moments include the powerful aria "Ombra Cara, ombra tradita," sung by Dido in a poignant expression of her despair, and the dramatic "Chiamami pur cosi" by Iarba, which underscores the opera's central themes of love and betrayal. Hasse's orchestration is equally impressive, with the instrumental passages providing a rich, evocative backdrop to the vocal performances.
"Didone abbandonata" is not just a showcase for Hasse's musical genius but also a fascinating glimpse into the cultural and artistic sensibilities of the Baroque era. The opera's intricate plot, complex characters, and rich musical language offer a rewarding experience for both seasoned opera enthusiasts and newcomers to the genre. Whether you're drawn to the dramatic intensity of the story or the beauty of Hasse's music, this album is a must-listen for anyone with a passion for classical music.