John Harbison's "Harbison Symphonies 5 & 6" is a compelling exploration of avant-garde composition, released under the BSO Classics label in 2013. This album, spanning a concise yet impactful 66 minutes, showcases Harbison's mastery in blending poetic narratives with intricate musical structures.
The fifth symphony is a four-movement journey, each section inspired by different literary works. The first movement, "Con fuoco," draws from Miłosz's "Orpheus and Eurydice," setting a fiery and intense tone. The second movement, "Andante cantabile," is a more reflective piece, while the third, "Grave," delves into the somber depths of Louise Glück's "Relic." The final movement, "Lento," is a meditative piece inspired by Rilke's "Sonnets to Orpheus."
The sixth symphony continues this literary inspiration, with its first movement, "Con moto," based on James Wright's poem "Entering the Temple in Nîmes." The subsequent movements, "Introduzione - Con anima - Grazioso," "Vivo, Ruvido," and "Moderato cantabile e semplice," each offer a unique sonic landscape, showcasing Harbison's versatility and depth as a composer.
Harbison's work on this album is a testament to his ability to translate complex emotions and narratives into music, making "Harbison Symphonies 5 & 6" a captivating listen for those interested in the avant-garde genre.