Immerse yourself in the rich tapestry of medieval and classical music with Jordi Savall's captivating album, Granada Eterna. Released on May 20, 2016, under the Alia Vox label, this album is a testament to Savall's mastery and his deep connection to the historical and cultural heritage of the Iberian Peninsula.
Granada Eterna is a meticulously crafted journey through time, featuring a diverse array of musical styles and influences. The album spans a wide range of genres, from medieval instrumental pieces and sacred chants to traditional Sephardic and Moorish melodies. Each track is a carefully chosen gem, showcasing the artistic brilliance of Jordi Savall and his ensemble.
The album's duration of 1 hour and 18 minutes offers a substantial exploration of the music that shaped the cultural landscape of medieval Spain. Savall's expertise shines through in his interpretations of works by historical figures such as Alfonso X El Sabio, Yehudá Haleví, and Ibn Zaydún, as well as in his own improvisations and arrangements.
Granada Eterna is not just a collection of songs; it is a historical narrative set to music. The album includes recited texts from historical documents, such as the Carta sobre la conversión forzosa and the Diario de abordo de Cristóbal Colón, adding a layer of depth and context to the musical experience. This blend of music and spoken word creates a vivid portrait of a bygone era, inviting the audience to engage with the past in a profound and meaningful way.
Whether you are a seasoned enthusiast of medieval and classical music or a curious newcomer, Granada Eterna offers a rich and rewarding listening experience. Jordi Savall's passion and scholarly approach to music-making are evident in every note, making this album a standout in his illustrious career.
(C) 2016 Alia Vox
Tracks
Invocación Qamti be-Ishon Layla (Cantar de los Cantares. Inspirado en Cantar 3, 1-4)Jordi Savall, Lior Elmaleh
Taqsim (Kanun) - Improvisación - Moaxaja: Ya gosan naqa - Ibn Zuhr (Sevilla 1073-1162) - Tradición Al-ÁndalusJordi Savall, Waed Bouhassoun
Fragmento de la Carta sobre la conversión forzosa Iggeret ha-Shemad, cap. IV [Texto recitado] - Las Estrellas de los cielos (Instrumental) - Anónimo sefardíJordi Savall, Manuel Forcano
Danza morisca (Instrumental)Jordi Savall
Lamento: Plange Castella misera - Anónimo, Códice de Las Huelgas, f. 160, s. XJordi Savall, Marc Mauillon
Danza de iniciación (Instrumental)Jordi Savall
Lamento hebraico-andaluz Dror yiqrá - Dunash ben Labrat, s. XJordi Savall, Waed Bouhassoun, Lior Elmaleh
Poema en piedra de la Alhambra de Granada. Texto en árabe de Ibn Zamrak [Texto recitado] - Taqsim (improvisación instrumental)Jordi Savall, Manuel Forcano
Pero que seja a gente - Cantiga de Santa María (CSM 181) - Alfonso X El SabioJordi Savall
Romance fronterizo: Cerco de Baeza - Anónimo, Cancionero de Palacio (CMP 106)Jordi Savall
Lamento: El camino – La angustia - Improvisación andalusíJordi Savall, Waed Bouhassoun
Propiñan del Melyor (Instrumental) - Anónimo, s. XVJordi Savall
Villancico: Aquella mora garrida - Gabriel, Cancionero de Palacio (CMP 254)Jordi Savall
Villancico: Viva el gran Re Don Fernando - Carlo VerardiJordi Savall
Romance: El pan de la aflicción - Plegaria sefardíJordi Savall, Lior Elmaleh
Diario de abordo de Cristóbal Colón, Noche del 11 al 12 octubre 1492 [Texto recitado]Jordi Savall, Manuel Forcano
Villancico: Todos los bienes del mundo - Juan del EnzinaJordi Savall
Crónica de los Reyes de Castilla, cap. CXCVI [Texto recitado]Jordi Savall, Manuel Forcano