Goldschmidt

Berthold Goldschmidt's album "Goldschmidt," released on June 7, 2011, under the Symposium label, is a captivating journey through the composer's diverse musical repertoire. Spanning a concise yet impactful 71 minutes, this album offers a blend of orchestral and operatic works that showcase Goldschmidt's mastery of both forms.

The album opens with a series of announcements interspersed with the lively and intricate "Komodie der Irrungen, Op. 6 (The Comedy of Errors)," a testament to Goldschmidt's ability to craft engaging and dynamic compositions. The centerpiece of the album is undoubtedly the "Symphony No. 96 in D Major, Hob. I:96 'The Miracle,'" a four-movement symphony that highlights Goldschmidt's orchestral prowess. Each movement, from the opening Adagio to the spirited Finale, is a showcase of his ability to create rich, textured soundscapes that captivate the listener.

The second half of the album delves into Goldschmidt's operatic works, specifically selections from "Beatrice Cenci." The preludes and scenes from Acts I, II, and III offer a glimpse into the dramatic and emotional depth of Goldschmidt's operatic compositions. The Banquet Scene and the Prison Scene are particularly noteworthy, showcasing the composer's ability to convey complex emotions and narratives through music.

Throughout the album, Goldschmidt's unique voice and innovative approach to composition shine through, making "Goldschmidt" a compelling exploration of the composer's work. Whether you're a longtime fan or a newcomer to Goldschmidt's music, this album offers a rich and rewarding listening experience.