Going to Pieces Without Falling Apart

Palle Mikkelborg's "Going to Pieces Without Falling Apart" is a captivating jazz album that defies conventional boundaries, offering a unique blend of recorder, harp, and string orchestra. Released on September 24, 2013, under OUR Recordings, this 55-minute journey is a testament to Mikkelborg's innovative compositional approach and his ability to create a rich, immersive soundscape.

The album is structured as a single, multi-movement work, with each track seamlessly flowing into the next, creating a continuous narrative. From the ethereal "The Dawn Chorus" to the introspective "Shadow Waltz," Mikkelborg guides the listener through a diverse range of moods and atmospheres. The title track, presented in various movements, showcases the album's central theme of fragmentation and unity, with each section offering a distinct sonic palette.

Mikkelborg's use of the recorder, an instrument not typically associated with jazz, is particularly noteworthy. Its delicate, reedy timbre adds a layer of vulnerability and intimacy to the music, contrasting beautifully with the lush, sweeping strings and the harp's shimmering arpeggios. Tracks like "The African Girl" and "The Chinese Girl" incorporate elements of world music, further expanding the album's sonic horizons.

"Going to Pieces Without Falling Apart" is a testament to Palle Mikkelborg's unique vision and his ability to push the boundaries of jazz. It's an album that rewards repeated listening, with each movement offering new insights and discoveries. Whether you're a longtime fan of Mikkelborg's work or a newcomer to his music, this album is sure to leave a lasting impression.