Jon Hassell's "Fourth World Vol. 1: Possible Musics," released in 1980 under the One Up label, is a pioneering work that blends ambient, minimalism, avant-garde, and drone genres into a captivating sonic experience. This album, with its 45-minute runtime, is a testament to Hassell's innovative approach to music, often credited as a foundational work in the ambient genre.
The album features six tracks, each offering a unique auditory journey. From the intricate layers of "Chemistry" to the live recording "Griot (Over 'Contagious Magic')" from the Art Gallery of Ontario, Hassell's compositions are both experimental and accessible. The title track, "Fourth World," and pieces like "Ba-benzélé" and "Rising Thermal 14° 16' N; 32° 28' E" showcase his ability to create immersive soundscapes that are as thought-provoking as they are soothing.
Hassell's work on this album is notable for its use of the "Fourth World" concept, which combines electronic music with non-Western instruments and scales, creating a fusion that is both familiar and exotic. The album's production quality and Hassell's meticulous attention to detail make it a standout piece in his discography and a significant contribution to the broader musical landscape.