Fontaines D.C. unleashes their debut album, "Dogrel," on April 12, 2019, under Partisan Records, marking a significant entry into the post-punk genre. Clocking in at a tight 39 minutes, this album is a whirlwind of raw energy and poetic lyricism, showcasing the band's distinctive sound and lyrical prowess.
"Dogrel" opens with the anthemic "Big," setting the tone for the album's gritty, unapologetic style. Tracks like "Sha Sha Sha" and "Too Real" delve into themes of urban life and personal introspection, with frontman Grian Chatten's evocative vocals leading the charge. The album's midpoint, "Television Screens" and "Hurricane Laughter," offers a blend of introspective lyricism and driving rhythms, highlighting the band's ability to craft compelling narratives.
The latter half of the album continues to impress with tracks like "Roy's Tune" and "The Lotts," which blend raw emotion with sharp, observational lyrics. "Chequeless Reckless" and "Liberty Belle" showcase the band's knack for blending poetic imagery with punchy, post-punk instrumentation. The album closes with "Boys in the Better Land" and "Dublin City Sky," leaving listeners with a sense of both resolution and longing.
"Dogrel" is a testament to Fontaines D.C.'s ability to capture the essence of modern life with a post-punk edge. The album's themes of urban existence, personal struggle, and societal observation are delivered with a raw intensity that resonates deeply. With its tight songwriting and powerful performances, "Dogrel" stands as a compelling debut from one of the most exciting new acts in post-punk.
Vinylscout