Marianne Beate Kielland presents a captivating and diverse collection of songs in her album "Come Away, Death," released on July 15, 2010, under the 2L label. This album spans a duration of 1 hour and 3 minutes, offering a rich tapestry of musical styles and compositions that showcase Kielland's exceptional vocal prowess and versatility.
The album opens with Erich Wolfgang Korngold's hauntingly beautiful "Come Away, Death" from Songs of the Clown, setting the tone for the eclectic journey that follows. Kielland then delves into the works of Swedish composer Sven-David Sandström, specifically his settings of poems by Edith Södergran, known as Södergran-sanger op. 146. These pieces, including "Jag kan ej fånga värmen," "Det var en fågel som sjöng," "Din längtan är ett hav," and "Molnet," highlight Kielland's ability to convey deep emotion and introspection through her voice.
Jean Sibelius's "Come Away, Death" from Twelfth Night, op. 60 Nr. 1, adds a touch of classical elegance to the album, while Maja Ratkje's contemporary composition "HVIL" offers a modern contrast. Gerald Finzi's "Come Away, Death" from Let Us Garlands Bring, op. 18, further enriches the album with its lyrical beauty.
The album concludes with Modest Mussorgsky's powerful and dramatic "Songs and Dances of Death," featuring "Lullaby," "Serenade," "Trepak," and "The Field-Marshal." These pieces showcase Kielland's ability to tackle complex and demanding vocal works with grace and precision.
"Come Away, Death" is a testament to Marianne Beate Kielland's artistry, offering a compelling blend of classical, contemporary, and dramatic compositions that will captivate and inspire listeners.