Charles Ives' Piano Sonata No. 2, subtitled "Concord, Mass., 1840-1860," is a profound and intricate exploration of American transcendentalism, released on June 8, 2012, under the Wergo label. This sonata is a four-movement masterpiece, each movement named after a prominent figure of the Concord, Massachusetts, transcendentalist community: Emerson, Hawthorne, The Alcotts, and Thoreau. Spanning nearly 50 minutes, the sonata is a rich tapestry of musical ideas, blending tonal and atonal elements in a way that was revolutionary for its time.
Charles Ives, a pioneer of American modernism, composed this sonata between 1909 and 1915, drawing inspiration from the literary and philosophical works of the transcendentalists. The sonata is not just a musical piece but a historical and cultural artifact, reflecting the intellectual ferment of 19th-century New England. Each movement is a character study, capturing the essence of its namesake through Ives' innovative use of harmony, rhythm, and form.
The first movement, "Emerson," is a sonata-allegro form that opens with a bold, ascending theme, symbolizing the philosophical depth of Ralph Waldo Emerson. The second movement, "Hawthorne," is a scherzo that captures the darker, more mysterious aspects of Nathaniel Hawthorne's writings. The third movement, "The Alcotts," is a lyrical interlude, evoking the domestic harmony of the Alcott family. The final movement, "Thoreau," is a fugue that reflects the rugged individualism of Henry David Thoreau.
This recording is a testament to Ives' genius and his enduring influence on American music. It offers a unique opportunity to delve into the mind of one of the most innovative composers of the 20th century and to experience the intellectual and spiritual landscape of 19th-century Concord, Massachusetts.
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