Dive into the intricate and captivating world of Sam Gendel's latest offering, "blueblue," a nu jazz and indie jazz fusion that's as visually inspiring as it is audibly enchanting. Released on October 14, 2022, under Leaving Records, this 52-minute journey is a testament to Gendel's unique ability to blend genres and create something truly distinctive.
The album's title and tracklist are a nod to traditional Japanese patterns, each track named after a specific design, from "Tate-jima" (vertical stripes) to "Yoko-jima" (horizontal stripes). This thematic approach isn't just a gimmick; it's a reflection of the music itself. Each track is a carefully crafted piece, much like the intricate patterns they're named after, with Gendel's saxophone weaving in and out of the mix, creating a sense of rhythm and harmony that's as pleasing to the ear as the patterns are to the eye.
Gendel's nu jazz roots are evident throughout, with a focus on improvisation and a blend of jazz, electronic, and world music influences. But "blueblue" isn't just a jazz album. It's a genre-blurring exploration that's as much about the production and arrangement as it is about the performance. The result is a sound that's both familiar and fresh, a blend of the past and the present that's uniquely Gendel.
"blueblue" is more than just an album; it's an experience. It's a chance to immerse yourself in the world of Sam Gendel, to explore the boundaries of nu jazz and indie jazz, and to discover the beauty in the intricate patterns of sound and rhythm. So, put on your headphones, press play, and let the music take you on a journey through the vibrant and captivating world of "blueblue."