Andreas Ottensamer, the renowned clarinetist, presents a captivating collection of chamber music with his album "Blue Hour – Weber, Brahms, Mendelssohn." Released on March 8, 2019, under the prestigious Deutsche Grammophon label, this album is a testament to Ottensamer's virtuosity and his deep connection with the clarinet. Spanning a little over an hour, the album is a blend of classical masterpieces and arrangements, showcasing Ottensamer's versatility and musical prowess.
The album features a mix of well-known works and hidden gems from the repertoire of Weber, Brahms, and Mendelssohn. Ottensamer's interpretations of these pieces are both sensitive and dynamic, bringing out the unique character of each composition. The album opens with a piece from Brahms' Klavierstücke, Op. 118, arranged for clarinet and piano, setting a tone of intimacy and reflection. It continues with Weber's Clarinet Concerto No. 1, a cornerstone of the clarinet repertoire, showcasing Ottensamer's technical brilliance and expressive depth.
Mendelssohn's "Lieder ohne Worte" (Songs without Words) are a highlight of the album, with several pieces arranged for clarinet and piano by Ottensamer himself. These arrangements reveal the lyrical and melodic richness of Mendelssohn's music, highlighting Ottensamer's ability to bring out the vocal quality of the clarinet. The album also includes Weber's Grand Duo Concertant, a virtuosic display of Ottensamer's skill and musicality.
Throughout the album, Ottensamer is accompanied by pianist Andreas Haefliger, with whom he shares a palpable musical chemistry. Their performances are marked by a sense of dialogue and mutual responsiveness, making this album a true collaboration between two outstanding musicians. "Blue Hour – Weber, Brahms, Mendelssohn" is a celebration of the clarinet and its expressive possibilities, offering a fresh perspective on these beloved works. It is an album that will delight both classical music enthusiasts and those new to the genre, showcasing the timeless appeal of these compositions and the artistry of Andreas Ottensamer.
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