bartók: the miraculous mandarin, concerto for orchestra, piano concertos, violin concerto no. 2, concerto for two pianos, percussion and orchestra - béla bartók
Bartók: The Miraculous Mandarin, Concerto for Orchestra, Piano Concertos, Violin Concerto No. 2, Concerto for two Pianos, Percussion and Orchestra
Bartók: The Miraculous Mandarin, Op. 19, Sz. 73: I. Beginning - Curtain RisesBéla Bartók, City Of Birmingham Symphony Orchestra, Sir Simon Rattle
Bartók: The Miraculous Mandarin, Op. 19, Sz. 73: II. First Seduction GameBéla Bartók, City Of Birmingham Symphony Orchestra, Sir Simon Rattle
Bartók: The Miraculous Mandarin, Op. 19, Sz. 73: III. Second Seduction GameBéla Bartók, City Of Birmingham Symphony Orchestra, Sir Simon Rattle
Bartók: The Miraculous Mandarin, Op. 19, Sz. 73: IV. Third Seduction Game - The Mandarin AppearsBéla Bartók, City Of Birmingham Symphony Orchestra, Sir Simon Rattle
Bartók: The Miraculous Mandarin, Op. 19, Sz. 73: V. Dance of the GirlBéla Bartók, City Of Birmingham Symphony Orchestra, Sir Simon Rattle
Bartók: The Miraculous Mandarin, Op. 19, Sz. 73: VI. The Chase - The Tramps Leap OutBéla Bartók, City Of Birmingham Symphony Orchestra, Sir Simon Rattle
Bartók: The Miraculous Mandarin, Op. 19, Sz. 73: VII. Suddenly the Mandarin's Head AppearsBéla Bartók, City Of Birmingham Symphony Orchestra, Sir Simon Rattle
Bartók: The Miraculous Mandarin, Op. 19, Sz. 73: VIII. The Mandarin Falls to the FloorBéla Bartók, City Of Birmingham Symphony Orchestra, Sir Simon Rattle
Bartók: Concerto for Orchestra, Sz. 116: I. Introduzione. Andante non troppo - Allegro vivaceBéla Bartók, City Of Birmingham Symphony Orchestra, Sir Simon Rattle
Bartók: Concerto for Orchestra, Sz. 116: II. Giuoco delle coppie. Allegretto scherzandoBéla Bartók, City Of Birmingham Symphony Orchestra, Sir Simon Rattle
Bartók: Concerto for Orchestra, Sz. 116: III. Elegia. Andante non troppoBéla Bartók, City Of Birmingham Symphony Orchestra, Sir Simon Rattle
Bartók: Concerto for Orchestra, Sz. 116: IV. Intermezzo interrotto. AllegrettoBéla Bartók, City Of Birmingham Symphony Orchestra, Sir Simon Rattle
Bartók: Concerto for Orchestra, Sz. 116: V. Finale. Pesante - PrestoBéla Bartók, City Of Birmingham Symphony Orchestra, Sir Simon Rattle
Bartók: Piano Concerto No. 1, Sz. 83: I. Allegro moderato - AllegroBéla Bartók, Peter Donohoe, City Of Birmingham Symphony Orchestra, Sir Simon Rattle
Bartók: Piano Concerto No. 1, Sz. 83: II. AndanteBéla Bartók, Peter Donohoe, City Of Birmingham Symphony Orchestra, Sir Simon Rattle
Bartók: Piano Concerto No. 1, Sz. 83: III. Allegro moltoBéla Bartók, Peter Donohoe, City Of Birmingham Symphony Orchestra, Sir Simon Rattle
Bartók: Piano Concerto No. 2, Sz. 95: I. AllegroBéla Bartók, Peter Donohoe, City Of Birmingham Symphony Orchestra, Sir Simon Rattle
Bartók: Piano Concerto No. 2, Sz. 95: II. Adagio - Presto - Più adagioBéla Bartók, Peter Donohoe, City Of Birmingham Symphony Orchestra, Sir Simon Rattle
Bartók: Piano Concerto No. 2, Sz. 95: III. Allegro moltoBéla Bartók, Peter Donohoe, City Of Birmingham Symphony Orchestra, Sir Simon Rattle
Bartók: Piano Concerto No. 3 in E Major, Sz. 119: I. AllegrettoBéla Bartók, Peter Donohoe, City Of Birmingham Symphony Orchestra, Sir Simon Rattle
Bartók: Piano Concerto No. 3 in E Major, Sz. 119: II. Adagio religiosoBéla Bartók, Peter Donohoe, City Of Birmingham Symphony Orchestra, Sir Simon Rattle
Bartók: Piano Concerto No. 3 in E Major, Sz. 119: III. Allegro vivaceBéla Bartók, Peter Donohoe, City Of Birmingham Symphony Orchestra, Sir Simon Rattle
Bartók: Violin Concerto No. 2 in B Major, Sz. 112: I. Allegro non troppoBéla Bartók, Kyung Wha Chung, City Of Birmingham Symphony Orchestra, Sir Simon Rattle
Bartók: Violin Concerto No. 2 in B Major, Sz. 112: II. Andante tranquilloBéla Bartók, Kyung Wha Chung, City Of Birmingham Symphony Orchestra, Sir Simon Rattle
Bartók: Violin Concerto No. 2 in B Major, Sz. 112: III. Allegro moltoBéla Bartók, Kyung Wha Chung, City Of Birmingham Symphony Orchestra, Sir Simon Rattle
Bartók: Rhapsody for Violin and Orchestra No. 1, Sz. 87: I. Lassú. ModeratoBéla Bartók, Kyung Wha Chung, Sir Simon Rattle, City Of Birmingham Symphony Orchestra
Bartók: Rhapsody for Violin and Orchestra No. 1, Sz. 87: II. Friss. Allegretto moderatoBéla Bartók, Kyung Wha Chung, Sir Simon Rattle, City Of Birmingham Symphony Orchestra
Bartók: Rhapsody for Violin and Orchestra No. 2, Sz. 90: I. Lassú. ModeratoBéla Bartók, Kyung Wha Chung, Sir Simon Rattle, City Of Birmingham Symphony Orchestra
Bartók: Rhapsody for Violin and Orchestra No. 2, Sz. 90: II. Friss. Allegro moderatoBéla Bartók, Kyung Wha Chung, Sir Simon Rattle, City Of Birmingham Symphony Orchestra
Bartók: Concerto for Two Pianos and Percussion, Sz. 115: I. Assai lento - Allegro moltoBéla Bartók, Katia Labèque, Marielle Labèque, Sylvio Gualda, Jean-Pierre Drouet, City Of Birmingham Symphony Orchestra, Sir Simon Rattle
Bartók: Concerto for Two Pianos and Percussion, Sz. 115: II. Lento ma non troppoBéla Bartók, Katia Labèque, Marielle Labèque, Sylvio Gualda, Jean-Pierre Drouet, City Of Birmingham Symphony Orchestra, Sir Simon Rattle
Bartók: Concerto for Two Pianos and Percussion, Sz. 115: III. Allegro ma non troppoBéla Bartók, Katia Labèque, Marielle Labèque, Sylvio Gualda, Jean-Pierre Drouet, City Of Birmingham Symphony Orchestra, Sir Simon Rattle
Bartók: Sonata for Two Pianos and Percussion, Sz. 110: I. Assai lento - Allegro moltoBéla Bartók, Sylvio Gualda, Jean-Pierre Drouet, Katia Labèque, Marielle Labèque
Bartók: Sonata for Two Pianos and Percussion, Sz. 110: II. Lento ma non troppoBéla Bartók, Sylvio Gualda, Jean-Pierre Drouet, Katia Labèque, Marielle Labèque
Bartók: Sonata for Two Pianos and Percussion, Sz. 110: III. Allegro non troppoBéla Bartók, Sylvio Gualda, Jean-Pierre Drouet, Katia Labèque, Marielle Labèque
Bartók: Bluebeard's Castle, Op. 11, Sz. 48: "The Lake of Tears"Béla Bartók, Sir Simon Rattle, Anne Sofie von Otter, Willard White, City Of Birmingham Symphony Orchestra
Bartók: Music for Strings, Percussion and Celesta, Sz. 106: II. Allegro (Excerpt)Béla Bartók, City Of Birmingham Symphony Orchestra, Sir Simon Rattle
Immerse yourself in the captivating world of Béla Bartók with this comprehensive collection of his most celebrated works. Released on August 4, 2008, under Warner Classics, this album spans a generous 4 hours and 29 minutes, offering a deep dive into the neoclassical and classical piano genres that Bartók mastered.
The album opens with the dramatic and intense "The Miraculous Mandarin," a pantomime in one act that showcases Bartók's unique ability to blend folk elements with modernist techniques. Following this, the "Concerto for Orchestra" unfolds in five movements, each revealing Bartók's intricate compositional style and his genius for orchestration.
Piano enthusiasts will delight in the inclusion of all three of Bartók's piano concertos. The First Piano Concerto, with its lyrical and rhythmic complexity, is followed by the Second, known for its virtuosic demands and rich harmonic language. The Third Piano Concerto, completed posthumously, is a testament to Bartók's enduring influence and innovation.
Violin lovers are treated to the Second Violin Concerto, a work that combines lyrical beauty with technical brilliance, as well as the two Rhapsodies for Violin and Orchestra, which draw on Hungarian folk music for their distinctive character.
The album also features the "Concerto for Two Pianos and Percussion," a groundbreaking work that showcases Bartók's experimental side, and the "Sonata for Two Pianos and Percussion," another innovative piece that pushes the boundaries of classical music.
No collection of Bartók's works would be complete without the haunting "Bluebeard's Castle," an opera that explores the depths of the human psyche. The album concludes with an excerpt from the "Music for Strings, Percussion and Celesta," a work that demonstrates Bartók's ability to create a rich and varied sound world with a relatively small ensemble.
This album is a treasure trove for both longtime fans of Béla Bartók and those new to his music. It offers a comprehensive overview of his career and a testament to his enduring legacy in the world of classical music.
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