Immerse yourself in the intricate and captivating world of Johann Sebastian Bach with his masterful composition, "Musikales Opfer, BWV 1079." Released on December 30, 2008, under the Challenge Classics label, this album is a testament to Bach's unparalleled genius and his profound understanding of counterpoint and canon. Spanning just under an hour, this collection of works is a journey through the complexities and beauties of Baroque music, showcasing Bach's ability to weave together multiple melodic lines into a cohesive and harmonious whole.
The album opens with the "Ricercar a 3," a three-voice fugue that sets the stage for the intricate canons and fugues that follow. Each piece is a study in contrapuntal technique, with titles that hint at the musical complexities within, such as "Canon a 2 cancrizans" and "Canon a 2 per Motum contrarium." The "Sonata Sopra il Soggetto Reale" provides a welcome contrast, with its four movements offering a more lyrical and expressive counterpoint to the strict canons and fugues.
Throughout the album, Bach's mastery of form and structure is evident, as is his ability to create music that is both intellectually stimulating and emotionally resonant. Whether you're a seasoned classical music enthusiast or a newcomer to the genre, "Musikales Opfer, BWV 1079" is an album that rewards repeated listening and close attention. So, sit back, and let the timeless music of Johann Sebastian Bach transport you to a world of harmonic richness and melodic beauty.
(C) 2009 Challenge Classics
Tracks
Ricercar a 3 - Musikales Opfer, BWV 1079Johann Sebastian Bach, Ton Koopman, Amsterdam Baroque Orchestra
Thematis Regii Elaborationes Canonicae - Musikales Opfer, BWV 1079: Canon a 2 cancrizansJohann Sebastian Bach, Ton Koopman, Amsterdam Baroque Orchestra
Thematis Regii Elaborationes Canonicae - Musikales Opfer, BWV 1079: Canon a 2 Violini in unisonoJohann Sebastian Bach, Ton Koopman, Amsterdam Baroque Orchestra
Thematis Regii Elaborationes Canonicae - Musikales Opfer, BWV 1079: Canon a 2 per Motum contrariumJohann Sebastian Bach, Ton Koopman, Amsterdam Baroque Orchestra
Thematis Regii Elaborationes Canonicae - Musikales Opfer, BWV 1079: Canon a 2 per Augmentationem, contrario MotuJohann Sebastian Bach, Ton Koopman, Amsterdam Baroque Orchestra
Thematis Regii Elaborationes Canonicae - Musikales Opfer, BWV 1079: Canon a 2 per TonosJohann Sebastian Bach, Ton Koopman, Amsterdam Baroque Orchestra
Thematis Regii Elaborationes Canonicae - Musikales Opfer, BWV 1079: Fuga canonica in EpidiapenteJohann Sebastian Bach, Ton Koopman, Amsterdam Baroque Orchestra
Thematis Regii Elaborationes Canonicae - Musikales Opfer, BWV 1079: Canon perpetuus super Thema RegiumJohann Sebastian Bach, Ton Koopman, Amsterdam Baroque Orchestra
Thematis Regii Elaborationes Canonicae - Musikales Opfer, BWV 1079: Canon perpetuusJohann Sebastian Bach, Ton Koopman, Amsterdam Baroque Orchestra
Thematis Regii Elaborationes Canonicae - Musikales Opfer, BWV 1079: Canon a 2Johann Sebastian Bach, Ton Koopman, Amsterdam Baroque Orchestra
Thematis Regii Elaborationes Canonicae - Musikales Opfer, BWV 1079: Canon a 4Johann Sebastian Bach, Ton Koopman, Amsterdam Baroque Orchestra
Sonato Sopr' Il Soggetto Reale a Traversa, Violino a Continuo - Musikales Opfer, BWV 1079: I. LargoJohann Sebastian Bach, Ton Koopman, Amsterdam Baroque Orchestra
Sonato Sopr' Il Soggetto Reale a Traversa, Violino a Continuo - Musikales Opfer, BWV 1079: II. AllegroJohann Sebastian Bach, Ton Koopman, Amsterdam Baroque Orchestra
Sonato Sopr' Il Soggetto Reale a Traversa, Violino a Continuo - Musikales Opfer, BWV 1079: III. AndanteJohann Sebastian Bach, Ton Koopman, Amsterdam Baroque Orchestra
Sonato Sopr' Il Soggetto Reale a Traversa, Violino a Continuo - Musikales Opfer, BWV 1079: IV. AllegroJohann Sebastian Bach, Ton Koopman, Amsterdam Baroque Orchestra
Ricercar a 6 - Musikales Opfer, BWV 1079Johann Sebastian Bach, Ton Koopman, Amsterdam Baroque Orchestra
Ricercar a 6 - Musikales Opfer, BWV 1079Johann Sebastian Bach, Ton Koopman, Amsterdam Baroque Orchestra