Boris, the Japanese experimental metal band, unleashed a sonic beast with their 1998 album "Amplifier Worship." This six-track odyssey, released under Third Man Records LLC, is a relentless journey through a labyrinth of heavy, distorted sounds that defy easy categorization. Clocking in at just over an hour, the album is a testament to Boris's ability to blend genres, with elements of sludge metal, noise rock, drone, doom metal, stoner rock, shoegaze, and post-rock all colliding in a cacophony of sonic intensity.
From the crushing riffs of "Huge" to the dissonant chaos of "Vomitself," Boris crafts a soundscape that is as challenging as it is rewarding. The band's signature use of heavy, distorted guitars and thunderous drums is on full display, creating a wall of sound that is both oppressive and mesmerizing. The album's longest track, "Kuruimizu," showcases Boris's ability to build tension and release it in a cathartic explosion of noise, while "Hama" offers a brief respite with its haunting, atmospheric soundscape.
"Amplifier Worship" is not for the faint of heart, but for those willing to dive in, it offers a rewarding and immersive experience. Boris's ability to push the boundaries of heavy music is on full display, making this album a standout in their discography and a must-listen for fans of experimental metal.
Vinylscout