Handel: Memoirs 5 - John Mainwaring - Vinyl LP

Handel: Memoirs 5 - John Mainwaring

Albumbeschreibung

Entdecken Sie die faszinierende Welt von Georg Friedrich Händel mit "Handel: Memoirs 5" von John Mainwaring. Dieses Album, das am 21. August 2024 auf dem Label FIN erscheint, bietet eine einzigartige Mischung aus Live-Aufnahmen und tiefgründigen Betrachtungen über Händels Werk.

Genießen Sie die atemberaubenden Live-Auftritte aus dem Jahr 2009 in der Kathedrale von Brixen, darunter beeindruckende Darbietungen von "The Messiah". Erleben Sie die kraftvolle Stimme des Basses in "The People That Walked In Darkness" und die sanfte Eleganz des Altos in "He Shall Feed His Flock Like a Shepherd".

Neben den musikalischen Höhepunkten bietet das Album auch eine tiefgehende Einblicke in Händels Denken und Schaffen. John Mainwaring präsentiert Auszüge aus seinen "Memoirs", in denen er über die Regeln der Musik, den Einfluss der italienischen und deutschen Stile und die Bedeutung von Harmonie und Melodie reflektiert. Diese Texte bieten einen faszinierenden Einblick in die Gedankenwelt eines der größten Komponisten aller Zeiten.

Mit einer Gesamtspielzeit von 41 Minuten ist "Handel: Memoirs 5" eine kompakte, aber intensive Reise in die Welt der Barockmusik. Lassen Sie sich von der Virtuosität Händels und der klugen Analyse von John Mainwaring verzaubern.

21 augustus 2024(C) 2024 FIN(P) 2023 fra bernardo

Tracks

The Messiah, HWV 56: Pt. 1 No. 11, The People That Walked In Darkness (Bass) - Live at Cathedral of Brixen, 08/28/2009George Frideric Handel, Charles Jennens, Philipp von Steinaecker, Musica Saeculorum, Dominik Worner
4:03
The Messiah, HWV 56: Pt. 1 No. 20, He Shall Feed His Flock Like a Shepherd (Alto) - Live at Cathedral of Brixen, 08/28/2009George Frideric Handel, Charles Jennens, Philipp von Steinaecker, Musica Saeculorum, Kristina Hammarstrom
5:01
The Messiah, HWV 56: Pt. 2 No. 36, The Lord Gave the Word (Chorus) - Live at Cathedral of Brixen, 08/28/2009George Frideric Handel, Charles Jennens, Philipp von Steinaecker, Musica Saeculorum
1:06
Memoirs: Observations on the works: Before we enter on the examinationsJohn Mainwaring, Richard Wistreich, Philipp von Steinaecker, Musica Saeculorum
0:41
Memoirs: Observations on the works: Music is founded on established rulesJohn Mainwaring, Richard Wistreich, Philipp von Steinaecker, Musica Saeculorum
0:42
Memoirs: Observations on the works: The rules are derived from experienceJohn Mainwaring, Richard Wistreich, Philipp von Steinaecker, Musica Saeculorum
0:38
Memoirs: Observations on the works: The former of theseJohn Mainwaring, Richard Wistreich, Philipp von Steinaecker, Musica Saeculorum
0:36
Memoirs: Observations on the works: Such passagesJohn Mainwaring, Richard Wistreich, Philipp von Steinaecker, Musica Saeculorum
0:35
Memoirs: Observations on the works: Hence too we may concludeJohn Mainwaring, Richard Wistreich, Philipp von Steinaecker, Musica Saeculorum
0:31
Memoirs: Observations on the works: As tste implies a natural sensibilityJohn Mainwaring, Richard Wistreich, Philipp von Steinaecker, Musica Saeculorum
0:32
Memoirs: Observations on the works: Art is here not only useless, but dangerousJohn Mainwaring, Richard Wistreich, Philipp von Steinaecker, Musica Saeculorum
0:31
Memoirs: German and italian styles, Handel's preference for the italian: What gives me the fuller assuranceJohn Mainwaring, Richard Wistreich, Philipp von Steinaecker, Musica Saeculorum
0:37
Memoirs: German and italian styles, Handel's preference for the italian: The Taste in MusicJohn Mainwaring, Richard Wistreich, Philipp von Steinaecker, Musica Saeculorum
0:39
Memoirs: German and italian styles, Handel's preference for the italian: Handel formed his Taste upon that of his countrymenJohn Mainwaring, Richard Wistreich, Philipp von Steinaecker, Musica Saeculorum
0:33
Memoirs: German and italian styles, Handel's preference for the italian: When we consider two kinds of MusicJohn Mainwaring, Richard Wistreich, Philipp von Steinaecker, Musica Saeculorum
0:32
Memoirs: German and italian styles, Handel's preference for the italian: Thus he takes in all the prejudicated partJohn Mainwaring, Richard Wistreich, Philipp von Steinaecker, Musica Saeculorum
0:33
Memoirs: German and italian styles, Handel's preference for the italian: This appeares from particular instancesJohn Mainwaring, Richard Wistreich, Philipp von Steinaecker, Musica Saeculorum
0:35
Memoirs: Italian music since Palestrina: The Old Music, such as it was at the time of PalestrinaJohn Mainwaring, Richard Wistreich, Philipp von Steinaecker, Musica Saeculorum
0:32
Memoirs: Italian music since Palestrina: It happened, as it naturally mustJohn Mainwaring, Richard Wistreich, Philipp von Steinaecker, Musica Saeculorum
0:37
Memoirs: Italian music since Palestrina: For their instrumental partsJohn Mainwaring, Richard Wistreich, Philipp von Steinaecker, Musica Saeculorum
0:34
Memoirs: Italian music since Palestrina: The one is, that they have little time for composingJohn Mainwaring, Richard Wistreich, Philipp von Steinaecker, Musica Saeculorum
0:35
Memoirs: Italian music since Palestrina: Almost every composer of genius in ItalyJohn Mainwaring, Richard Wistreich, Philipp von Steinaecker, Musica Saeculorum
0:37
Memoirs: Italian music since Palestrina: This in some degreeJohn Mainwaring, Richard Wistreich, Philipp von Steinaecker, Musica Saeculorum
0:46
Memoirs: Interaction between Handel and the italians: From all that has been saidJohn Mainwaring, Richard Wistreich, Philipp von Steinaecker, Musica Saeculorum
0:52
Memoirs: Interaction between Handel and the italians: And as some proof of Handel's influence in ItalyJohn Mainwaring, Richard Wistreich, Philipp von Steinaecker, Musica Saeculorum
0:52
Memoirs: Value of harmony and melody: But in order to make a right judgementJohn Mainwaring, Richard Wistreich, Philipp von Steinaecker, Musica Saeculorum
0:39
Memoirs: Value of harmony and melody: The concertos of TartiniJohn Mainwaring, Richard Wistreich, Philipp von Steinaecker, Musica Saeculorum
0:38
Memoirs: Value of harmony and melody: Rousseau has developed this matter wonderfullyJohn Mainwaring, Richard Wistreich, Philipp von Steinaecker, Musica Saeculorum
0:48
Memoirs: Value of harmony and melody: His uncommon strenght in the instrumental wayJohn Mainwaring, Richard Wistreich, Philipp von Steinaecker, Musica Saeculorum
0:47
Memoirs: Value of harmony and melody: It may also be addedJohn Mainwaring, Richard Wistreich, Philipp von Steinaecker, Musica Saeculorum
0:41
Memoirs: Value of harmony and melody: Yet in many others all parts are so nicely adjustedJohn Mainwaring, Richard Wistreich, Philipp von Steinaecker, Musica Saeculorum
0:42
Memoirs: Value of harmony and melody: The best Painter would be blamedJohn Mainwaring, Richard Wistreich, Philipp von Steinaecker, Musica Saeculorum
0:37
Memoirs: Uneven success in Handel: To speak the plain truthJohn Mainwaring, Richard Wistreich, Philipp von Steinaecker, Musica Saeculorum
0:40
Memoirs: Uneven success in Handel: A gentleman whom he had desiredJohn Mainwaring, Richard Wistreich, Philipp von Steinaecker, Musica Saeculorum
0:38
Memoirs: Uneven success in Handel "Un disprezzato affetto"John Mainwaring, Richard Wistreich, Philipp von Steinaecker, Musica Saeculorum
0:40
Memoirs: Tartini as example of vocal writing for instruments: Here too we will seeJohn Mainwaring, Richard Wistreich, Philipp von Steinaecker, Musica Saeculorum
0:31
Memoirs: Tartini as example of vocal writing for instruments: After all the vocal speciesJohn Mainwaring, Richard Wistreich, Philipp von Steinaecker, Musica Saeculorum
0:33
Memoirs: Tartini as example of vocal writing for instruments: As most difficult passagesJohn Mainwaring, Richard Wistreich, Philipp von Steinaecker, Musica Saeculorum
0:59
Memoirs: Importance of textual considerations in composition: And here I just may take noticeJohn Mainwaring, Richard Wistreich, Philipp von Steinaecker, Musica Saeculorum
0:38
Memoirs: Importance of textual considerations in composition: A too close attachmentJohn Mainwaring, Richard Wistreich, Philipp von Steinaecker, Musica Saeculorum
0:35
Memoirs: Importance of textual considerations in composition: The English tongueJohn Mainwaring, Richard Wistreich, Philipp von Steinaecker, Musica Saeculorum
0:45
Memoirs: Importance of textual considerations in composition: If it abounds with noble imagesJohn Mainwaring, Richard Wistreich, Philipp von Steinaecker, Musica Saeculorum
0:40
Memoirs: Exceptional nature of Handels choral music: In his Chorusses he is without a rivalJohn Mainwaring, Richard Wistreich, Philipp von Steinaecker, Musica Saeculorum
0:45
Memoirs: Exceptional nature of Handels choral music: It is true that in the admirable epistleJohn Mainwaring, Richard Wistreich, Philipp von Steinaecker, Musica Saeculorum
0:37
Memoirs: Exceptional nature of Handels choral music: But there are many reasonsJohn Mainwaring, Richard Wistreich, Philipp von Steinaecker, Musica Saeculorum
0:34
Memoirs: Exceptional nature of Handels choral music: It is however no way improbableJohn Mainwaring, Richard Wistreich, Philipp von Steinaecker, Musica Saeculorum
0:37
Memoirs: Effects of Handel's oratorio style, Messiah: As his OratoriosJohn Mainwaring, Richard Wistreich, Philipp von Steinaecker, Musica Saeculorum
0:38
Memoirs: Effects of Handel's oratorio style, Messiah: After these vast efforts of geniusJohn Mainwaring, Richard Wistreich, Philipp von Steinaecker, Musica Saeculorum
0:50
Memoirs: Effects of Handel's oratorio style, Messiah: This is probably owing to that grandeur of conceptionJohn Mainwaring, Richard Wistreich, Philipp von Steinaecker, Musica Saeculorum
0:46
Memoirs: Particular effect of recitative in expressing religion and humanity: His excellence in another branch of vocal MusicJohn Mainwaring, Richard Wistreich, Philipp von Steinaecker, Musica Saeculorum
0:55

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Um John Mainwaring

John Mainwaring war ein englischer Theologe und Biograf, der vor allem für seine umfassende Arbeit über das Leben von Georg Friedrich Händel bekannt ist. Seine Biographie, "Memoirs of the Life of the Late George Frederic Handel", wurde kurz nach Händels Tod veröffentlicht und bietet wertvolle Einblicke in das Leben und Werk des berühmten Komponisten. Mainwaring kannte Händel persönlich, was seiner Arbeit eine besondere Authentizität verleiht. Neben seiner literarischen Tätigkeit verfasste er auch Schriften über Methodismus, was sein breites Interesse an religiösen und musikalischen Themen unterstreicht. Seine Werke sind bis heute eine wichtige Quelle für die Händel-Forschung und bieten einen faszinierenden Blick in die Welt der Barockmusik.

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