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      1. Albums
      2. zemlinsky: une tragédie florentine - alexander von zemlinsky

      Zemlinsky: Une tragédie Florentine

      Alexander von ZemlinskyAlexander von Zemlinsky
      • 2003
      • 11 tracks
      • 1 uur
      • dark cabaret
      Zemlinsky: Une tragédie Florentine - Alexander von Zemlinsky
      Zemlinsky: Une tragédie Florentine - Alexander von Zemlinsky

      Album Details

      Dive into the captivating world of Alexander von Zemlinsky's "Une tragédie Florentine," a mesmerizing opera that stands as a testament to the composer's unique vision and mastery of dark cabaret. This one-act opera, composed between 1915 and 1916, is based on Oscar Wilde's dramatic fragment "A Florentine Tragedy," and offers a rich, intricate exploration of desire, power, and deception.

      Recorded live in 2003 by the Orchestre Philharmonique de Radio France under the baton of Armin Jordan, this album captures the raw intensity and dramatic flair of Zemlinsky's score. The opera's single act is divided into eleven scenes, each one a vivid tableau that propels the narrative forward with unrelenting momentum. From the stirring overture to the final, dramatic denouement, the album is a gripping journey through a web of intrigue and passion.

      Zemlinsky's music is a rich tapestry of motifs and harmonies, drawing on the composer's deep understanding of Wagnerian drama and his own innovative approach to musical storytelling. The libretto, adapted by Zemlinsky himself, is a masterclass in concise, evocative language, bringing Wilde's original text to life in a way that is both faithful and fresh.

      The album features a stellar cast of singers, each one bringing their unique talents to bear on their respective roles. The interplay between Simone, Bianca, and Guido is electric, with each character's voice standing out distinctively against the others. The orchestration is equally impressive, with the Philharmonique de Radio France delivering a performance that is both powerful and nuanced.

      "Une tragédie Florentine" is not just an opera; it's an experience. The album's dark cabaret aesthetic is evident in every note, from the sultry, seductive melodies to the dramatic, sweeping orchestrations. Whether you're a seasoned opera aficionado or a newcomer to the genre, this album is sure to leave a lasting impression. So, dim the lights, turn up the volume, and prepare to be transported to the shadowy streets of Renaissance Florence.

      1 januari 2003NaïveRadio France

      Tracks

      1. Une tragédie Florentine, Op. 16, Act I, Scene 1: OvertureAlexander von Zemlinsky, Elisabeth Balmas, Armin Jordan, Orchestre Philharmonique de Radio France
        4:44
      2. Une tragédie Florentine, Op. 16, Act I, Scene 2: So langsam, Weib (Simone, Bianca, Guido)Alexander von Zemlinsky, Elisabeth Balmas, Armin Jordan, Orchestre Philharmonique de Radio France, Iris Vermillion, Viktor Lutsiuk, Albert Dohmen
        7:40
      3. Une tragédie Florentine, Op. 16, Act I, Scene 3: Wackrer Simone, genug, ich bitte Euch (Guido, Simone)Alexander von Zemlinsky, Elisabeth Balmas, Armin Jordan, Orchestre Philharmonique de Radio France, Viktor Lutsiuk, Albert Dohmen
        2:53
      4. Une tragédie Florentine, Op. 16, Act I, Scene 4: Auf der andern die Stille (Simone, Bianca, Guido)Alexander von Zemlinsky, Elisabeth Balmas, Armin Jordan, Orchestre Philharmonique de Radio France, Iris Vermillion, Viktor Lutsiuk, Albert Dohmen
        2:49
      5. Une tragédie Florentine, Op. 16, Act I, Scene 5: Ja, ich vergass (Simone, Guido, Bianca)Alexander von Zemlinsky, Elisabeth Balmas, Armin Jordan, Orchestre Philharmonique de Radio France, Iris Vermillion, Viktor Lutsiuk, Albert Dohmen
        4:56
      6. Une tragédie Florentine, Op. 16, Act I, Scene 6: Was gibt es Neues, mein Prinz? (Simone, Guido, Bianca)Alexander von Zemlinsky, Elisabeth Balmas, Armin Jordan, Orchestre Philharmonique de Radio France, Iris Vermillion, Viktor Lutsiuk, Albert Dohmen
        5:59
      7. Une tragédie Florentine, Op. 16, Act I, Scene 7: Wie er gleich einem schalen Krämer (Bianca, Guido, Simone)Alexander von Zemlinsky, Elisabeth Balmas, Armin Jordan, Orchestre Philharmonique de Radio France, Iris Vermillion, Viktor Lutsiuk, Albert Dohmen
        4:15
      8. Une tragédie Florentine, Op. 16, Act I, Scene 8: Genug! Zur Freude reif ist diese Nacht. (Simone, Guido)Alexander von Zemlinsky, Elisabeth Balmas, Armin Jordan, Orchestre Philharmonique de Radio France, Viktor Lutsiuk, Albert Dohmen
        8:48
      9. Une tragédie Florentine, Op. 16, Act I, Scene 9: HoldsePge Bianca (Guido, Bianca)Alexander von Zemlinsky, Elisabeth Balmas, Armin Jordan, Orchestre Philharmonique de Radio France, Iris Vermillion, Viktor Lutsiuk
        6:41
      10. Une tragédie Florentine, Op. 16, Act I, Scene 10: Simone, jetzt muss ich nach Hause gehn! (Guido, Simone)Alexander von Zemlinsky, Elisabeth Balmas, Armin Jordan, Orchestre Philharmonique de Radio France, Viktor Lutsiuk, Albert Dohmen
        5:02
      11. Une tragédie Florentine, Op. 16, Act I, Scene 11: Ein Ritz, nichts mehr. (Simone, Bianca, Guido)Alexander von Zemlinsky, Elisabeth Balmas, Armin Jordan, Orchestre Philharmonique de Radio France, Iris Vermillion, Viktor Lutsiuk, Albert Dohmen
        6:31
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      About Alexander von Zemlinsky

      Alexander von Zemlinsky, born in the culturally rich Leopoldstadt district of Vienna in 1871, was an Austrian composer and conductor whose influence resonates through the annals of classical music. Though not as widely recognized as some of his contemporaries, Zemlinsky's contributions are profound, earning him a place among the greats of his era. His musical journey was significantly shaped by the mentorship of Johannes Brahms, whose guidance left an indelible mark on his compositions.

      Zemlinsky's legacy extends beyond his own works; he was also a revered teacher, nurturing the talents of notable students such as Erich Korngold, Hans Krása, and Alban Berg. His personal life was equally intriguing, marked by a romantic and professional relationship with the renowned composer Alma Schindler, whom he taught and later had a brief affair with.

      Today, Zemlinsky is perhaps best known for his "Lyrische Symphonie," a masterpiece that showcases his unique voice and innovative approach to composition. His music, often categorized under the dark cabaret genre, reflects the rich tapestry of his experiences and the cultural milieu in which he thrived. Zemlinsky's compositions offer a deep dive into the emotional and intellectual landscapes of his time, making them as relevant and captivating today as they were during his lifetime. Zemlinsky passed away in 1942 in Larchmont, New York, leaving behind a musical heritage that continues to inspire and enchant.

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      Alexander von Zemlinsky