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      1. Albums
      2. zemlinsky: eine florentinische tragödie, op. 16 - alexander von zemlinsky

      Zemlinsky: Eine florentinische Tragödie, Op. 16

      Alexander von ZemlinskyAlexander von Zemlinsky
      • 2024
      • 19 tracks
      • 57 min
      • dark cabaret
      Zemlinsky: Eine florentinische Tragödie, Op. 16 - Alexander von Zemlinsky
      Zemlinsky: Eine florentinische Tragödie, Op. 16 - Alexander von Zemlinsky

      Album Details

      Immerse yourself in the captivating world of Alexander von Zemlinsky's "Eine florentinische Tragödie, Op. 16," a live recording that brings to life the dark cabaret genius of this underrated composer. This album, released on April 19, 2024, under the BR-Klassik label, is a gripping journey through a tragic tale set to music, based on Oscar Wilde's text and adapted by Max Meyerfeld.

      Zemlinsky's composition, lasting just under an hour, is a powerful exploration of human drama and dark themes, performed with intensity and passion. The album features a stellar cast, including Rachael Wilson, and is conducted by Bertrand de Billy, with the ORF Vienna Radio Symphony Orchestra providing a rich, immersive soundscape.

      The opera, originally composed for soloists and ensemble or chamber orchestra, is presented here in a live setting that captures the raw energy and emotional depth of the performance. Each of the 19 tracks delves into the intricate storytelling and complex characters that Zemlinsky brings to life through his music.

      This recording is not just a showcase of Zemlinsky's musical prowess but also a testament to the enduring power of Wilde's narrative. The dark cabaret genre lends itself perfectly to the tragic and dramatic elements of the story, making this album a compelling listen for fans of both classical music and theatrical performances.

      Whether you're a longtime admirer of Zemlinsky's work or a newcomer to his compositions, "Eine florentinische Tragödie, Op. 16" offers a rich and rewarding experience. The live recording adds an extra layer of authenticity and immediacy, making it a standout addition to any classical music collection.

      April 19, 20242024 BRmedia Service GmbH2024 BRmedia Service GmbH

      Tracks

      1. Eine florentinische Tragödie, Op. 16: Overture (1) - LiveAlexander von Zemlinsky, Patrick Hahn, Munich Radio Orchestra
        4:25
      2. Eine florentinische Tragödie, Op. 16: So langsam, Weib? - LiveAlexander von Zemlinsky, Patrick Hahn, Munich Radio Orchestra, Christopher Maltman, Rachael Wilson
        2:17
      3. Eine florentinische Tragödie, Op. 16: Ich heiße Guido Bardi - LiveAlexander von Zemlinsky, Patrick Hahn, Munich Radio Orchestra, Christopher Maltman, Benjamin Bruns
        2:32
      4. Eine florentinische Tragödie, Op. 16: Wo ist mein Bündel? - LiveAlexander von Zemlinsky, Patrick Hahn, Munich Radio Orchestra, Christopher Maltman
        1:55
      5. Eine florentinische Tragödie, Op. 16: Wackrer Simone, genug, ich bitte Euch - LiveAlexander von Zemlinsky, Patrick Hahn, Munich Radio Orchestra, Christopher Maltman, Benjamin Bruns
        2:50
      6. Eine florentinische Tragödie, Op. 16: Bianca, sag, stünde nicht dies kostbar edle Kleid dem Prinzen Guido gut? - LiveAlexander von Zemlinsky, Patrick Hahn, Munich Radio Orchestra, Christopher Maltman, Rachael Wilson, Benjamin Bruns
        3:00
      7. Eine florentinische Tragödie, Op. 16: Wie, wenn ich die weiße Bianca forderte? - LiveAlexander von Zemlinsky, Patrick Hahn, Munich Radio Orchestra, Christopher Maltman, Rachael Wilson, Benjamin Bruns
        0:57
      8. Eine florentinische Tragödie, Op. 16: Spinn ein Kleid, getaucht in Purpur - LiveAlexander von Zemlinsky, Patrick Hahn, Munich Radio Orchestra, Christopher Maltman, Rachael Wilson
        2:03
      9. Eine florentinische Tragödie, Op. 16: Was gibt es Neues, mein Prinz? - LiveAlexander von Zemlinsky, Patrick Hahn, Munich Radio Orchestra, Christopher Maltman, Rachael Wilson, Benjamin Bruns
        5:05
      10. Eine florentinische Tragödie, Op. 16: Wie er gleich einem schalen Krämer spricht! - LiveAlexander von Zemlinsky, Patrick Hahn, Munich Radio Orchestra, Christopher Maltman, Rachael Wilson, Benjamin Bruns
        3:26
      11. Eine florentinische Tragödie, Op. 16: Genug! - LiveAlexander von Zemlinsky, Patrick Hahn, Munich Radio Orchestra, Christopher Maltman, Benjamin Bruns
        3:07
      12. Eine florentinische Tragödie, Op. 16: In einem Kerker schmachtet meine Seele - LiveAlexander von Zemlinsky, Patrick Hahn, Munich Radio Orchestra, Christopher Maltman, Benjamin Bruns
        2:07
      13. Eine florentinische Tragödie, Op. 16: Was meint der Fleck hier auf dem Tuch? - LiveAlexander von Zemlinsky, Patrick Hahn, Munich Radio Orchestra, Christopher Maltman, Benjamin Bruns
        2:14
      14. Eine florentinische Tragödie, Op. 16: Holdsel'ge Bianca, der schale Krämer langweilt mich - LiveAlexander von Zemlinsky, Patrick Hahn, Munich Radio Orchestra, Rachael Wilson, Benjamin Bruns
        6:00
      15. Eine florentinische Tragödie, Op. 16: Simone, jetzt muss ich nach Hause gehen! - LiveAlexander von Zemlinsky, Patrick Hahn, Munich Radio Orchestra, Christopher Maltman, Benjamin Bruns
        1:51
      16. Eine florentinische Tragödie, Op. 16: Ei, welch ein Schwert! - LiveAlexander von Zemlinsky, Patrick Hahn, Munich Radio Orchestra, Christopher Maltman, Benjamin Bruns
        2:20
      17. Eine florentinische Tragödie, Op. 16: Bianca, hol mein Schwert! - LiveAlexander von Zemlinsky, Patrick Hahn, Munich Radio Orchestra, Christopher Maltman, Rachael Wilson, Benjamin Bruns
        3:15
      18. Eine florentinische Tragödie, Op. 16: Und jetzt zu dir! - LiveAlexander von Zemlinsky, Patrick Hahn, Munich Radio Orchestra, Christopher Maltman, Rachael Wilson
        2:31
      19. Eine florentinische Tragödie, Op. 16: Overture (2) - LiveAlexander von Zemlinsky, Patrick Hahn, Munich Radio Orchestra
        5:09
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      About Alexander von Zemlinsky

      Alexander von Zemlinsky, born in the culturally rich Leopoldstadt district of Vienna in 1871, was an Austrian composer and conductor whose influence resonates through the annals of classical music. Though not as widely recognized as some of his contemporaries, Zemlinsky's contributions are profound, earning him a place among the greats of his era. His musical journey was significantly shaped by the mentorship of Johannes Brahms, whose guidance left an indelible mark on his compositions.

      Zemlinsky's legacy extends beyond his own works; he was also a revered teacher, nurturing the talents of notable students such as Erich Korngold, Hans Krása, and Alban Berg. His personal life was equally intriguing, marked by a romantic and professional relationship with the renowned composer Alma Schindler, whom he taught and later had a brief affair with.

      Today, Zemlinsky is perhaps best known for his "Lyrische Symphonie," a masterpiece that showcases his unique voice and innovative approach to composition. His music, often categorized under the dark cabaret genre, reflects the rich tapestry of his experiences and the cultural milieu in which he thrived. Zemlinsky's compositions offer a deep dive into the emotional and intellectual landscapes of his time, making them as relevant and captivating today as they were during his lifetime. Zemlinsky passed away in 1942 in Larchmont, New York, leaving behind a musical heritage that continues to inspire and enchant.

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      Alexander von Zemlinsky

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