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      1. Albums
      2. wozzeck - alban berg

      Wozzeck

      Alban BergAlban Berg
      • 2001
      • 19 tracks
      • 1 uur, 29 min
      • opera
      Wozzeck - Alban Berg
      Wozzeck - Alban Berg

      Album Details

      Alban Berg's iconic opera, Wozzeck, is a masterpiece of modern opera, composed between 1914 and 1922. This profound work is based on Georg Büchner's incomplete drama, Woyzeck, and premiered in 1925. Berg's opera is a deeply moving and thought-provoking experience, with a unique blend of musical forms and composition techniques that create a distinctive sound.

      This recording, released on 6 March 2001 by Opera d'Oro, features a talented cast, including Falk Struckmann in the title role and Katarina Dalayman as Marie. Under the baton of a renowned conductor, the orchestra delivers a powerful and emotive performance, bringing Berg's vision to life.

      The opera's narrative is a poignant exploration of the human condition, delving into themes of alienation, exploitation, and the struggles of the working class. Through Berg's innovative composition, the listener is immersed in a world of intense drama and psychological complexity.

      With a duration of 1 hour and 29 minutes, this album is a significant addition to any opera enthusiast's collection. Alban Berg's Wozzeck is a landmark work of 20th-century opera, and this recording is a testament to its enduring power and emotional resonance. As a work of immense musical and dramatic depth, Wozzeck continues to captivate audiences with its unflinching portrayal of the human experience.

      March 6, 2001(C) 2006 Opera d'Oro(P) 2006 Opera d'Oro

      Tracks

      1. Berg: Wozzeck: Langsam, Wozzeck, langsam! Eins nach de Mandern! - Act OneAlban Berg, Geraint Evans, Anja Silja, Fritz Uhl, Laurent Driscoll, Helmut Melkert, Hans Kremmer, Zoltan Kelemen, Klaus Hirte, Jan Van Ree, Gertrude Jan, Wiener Philharmoniker, Karl Böhm
        3:57
      2. Berg: Wozzeck: Wozzeck, Er ist ein guter Mensch, aber... - Act OneAlban Berg, Geraint Evans, Anja Silja, Fritz Uhl, Laurent Driscoll, Helmut Melkert, Hans Kremmer, Zoltan Kelemen, Klaus Hirte, Jan Van Ree, Gertrude Jan, Wiener Philharmoniker, Karl Böhm
        3:48
      3. Berg: Wozzeck: Orchestral Postlude - Du, der Platz ist verflucht! - Act OneAlban Berg, Geraint Evans, Anja Silja, Fritz Uhl, Laurent Driscoll, Helmut Melkert, Hans Kremmer, Zoltan Kelemen, Klaus Hirte, Jan Van Ree, Gertrude Jan, Wiener Philharmoniker, Karl Böhm
        6:34
      4. Berg: Wozzeck: Tschin Bum, Tschin Bum, Bum, Bum, Bum! - Act OneAlban Berg, Geraint Evans, Anja Silja, Fritz Uhl, Laurent Driscoll, Helmut Melkert, Hans Kremmer, Zoltan Kelemen, Klaus Hirte, Jan Van Ree, Gertrude Jan, Wiener Philharmoniker, Karl Böhm
        4:51
      5. Berg: Wozzeck: We da? Bist du's Franz? Komm herein! - Act OneAlban Berg, Geraint Evans, Anja Silja, Fritz Uhl, Laurent Driscoll, Helmut Melkert, Hans Kremmer, Zoltan Kelemen, Klaus Hirte, Jan Van Ree, Gertrude Jan, Wiener Philharmoniker, Karl Böhm
        3:11
      6. Berg: Wozzeck: Was erleb' ich, Wozzeck? Ein Mann ein Wort? - Act OneAlban Berg, Geraint Evans, Anja Silja, Fritz Uhl, Laurent Driscoll, Helmut Melkert, Hans Kremmer, Zoltan Kelemen, Klaus Hirte, Jan Van Ree, Gertrude Jan, Wiener Philharmoniker, Karl Böhm
        7:16
      7. Berg: Wozzeck: Orchestral Introduction - Geh einmal vor dich hin - Act OneAlban Berg, Geraint Evans, Anja Silja, Fritz Uhl, Laurent Driscoll, Helmut Melkert, Hans Kremmer, Zoltan Kelemen, Klaus Hirte, Jan Van Ree, Gertrude Jan, Wiener Philharmoniker, Karl Böhm
        3:58
      8. Berg: Wozzeck: Was die Steine glanzen! Was sind's fur welche? - Act TwoAlban Berg, Geraint Evans, Anja Silja, Fritz Uhl, Laurent Driscoll, Helmut Melkert, Hans Kremmer, Zoltan Kelemen, Klaus Hirte, Jan Van Ree, Gertrude Jan, Wiener Philharmoniker, Karl Böhm
        5:24
      9. Berg: Wozzeck: wohin so eilig, geehrtester Herr sargnagel? - Act TwoAlban Berg, Geraint Evans, Anja Silja, Fritz Uhl, Laurent Driscoll, Helmut Melkert, Hans Kremmer, Zoltan Kelemen, Klaus Hirte, Jan Van Ree, Gertrude Jan, Wiener Philharmoniker, Karl Böhm
        4:08
      10. Berg: Wozzeck: He, Wozzeck!... Was hetzt Er sich so... - Act TwoAlban Berg, Geraint Evans, Anja Silja, Fritz Uhl, Laurent Driscoll, Helmut Melkert, Hans Kremmer, Zoltan Kelemen, Klaus Hirte, Jan Van Ree, Gertrude Jan, Wiener Philharmoniker, Karl Böhm
        4:35
      11. Berg: Wozzeck: Transitional Passages and Introduction for Chamber Orchestra - Guten Tag, Franz - Act TwoAlban Berg, Geraint Evans, Anja Silja, Fritz Uhl, Laurent Driscoll, Helmut Melkert, Hans Kremmer, Zoltan Kelemen, Klaus Hirte, Jan Van Ree, Gertrude Jan, Wiener Philharmoniker, Karl Böhm
        3:06
      12. Berg: Wozzeck: Transitional Passages and Orchestral Prelude -Country Dances- - Act TwoAlban Berg, Geraint Evans, Anja Silja, Fritz Uhl, Laurent Driscoll, Helmut Melkert, Hans Kremmer, Zoltan Kelemen, Klaus Hirte, Jan Van Ree, Gertrude Jan, Wiener Philharmoniker, Karl Böhm
        8:47
      13. Berg: Wozzeck: Lustig, lustig... Aber es riecht... - Act TwoAlban Berg, Geraint Evans, Anja Silja, Fritz Uhl, Laurent Driscoll, Helmut Melkert, Hans Kremmer, Zoltan Kelemen, Klaus Hirte, Jan Van Ree, Gertrude Jan, Wiener Philharmoniker, Karl Böhm
        2:30
      14. Berg: Wozzeck: Wordless Chorus of Sleeping Soldiers - Act TwoAlban Berg, Geraint Evans, Anja Silja, Fritz Uhl, Laurent Driscoll, Helmut Melkert, Hans Kremmer, Zoltan Kelemen, Klaus Hirte, Jan Van Ree, Gertrude Jan, Wiener Philharmoniker, Karl Böhm
        4:42
      15. Berg: Wozzeck: "Und ist kein Betrug in seinem Munde..." - Act TwoAlban Berg, Geraint Evans, Anja Silja, Fritz Uhl, Laurent Driscoll, Helmut Melkert, Hans Kremmer, Zoltan Kelemen, Klaus Hirte, Jan Van Ree, Gertrude Jan, Wiener Philharmoniker, Karl Böhm
        4:18
      16. Berg: Wozzeck: Dort links geht's in die Stadt. - Act ThreeAlban Berg, Geraint Evans, Anja Silja, Fritz Uhl, Laurent Driscoll, Helmut Melkert, Hans Kremmer, Zoltan Kelemen, Klaus Hirte, Jan Van Ree, Gertrude Jan, Wiener Philharmoniker, Karl Böhm
        4:33
      17. Berg: Wozzeck: Tanzt Alle; tanzt nur zu, springt... - Act ThreeAlban Berg, Geraint Evans, Anja Silja, Fritz Uhl, Laurent Driscoll, Helmut Melkert, Hans Kremmer, Zoltan Kelemen, Klaus Hirte, Jan Van Ree, Gertrude Jan, Wiener Philharmoniker, Karl Böhm
        3:17
      18. Berg: Wozzeck: Orchestral Postlude - Das messer? Wo ist das Messer? - Act ThreeAlban Berg, Geraint Evans, Anja Silja, Fritz Uhl, Laurent Driscoll, Helmut Melkert, Hans Kremmer, Zoltan Kelemen, Klaus Hirte, Jan Van Ree, Gertrude Jan, Wiener Philharmoniker, Karl Böhm
        4:30
      19. Berg: Wozzeck: Orchestral Epilogue - Ringel, Ringel, Rosenkranz - Act ThreeAlban Berg, Geraint Evans, Anja Silja, Fritz Uhl, Laurent Driscoll, Helmut Melkert, Hans Kremmer, Zoltan Kelemen, Klaus Hirte, Jan Van Ree, Gertrude Jan, Wiener Philharmoniker, Karl Böhm
        5:27
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      About Alban Berg

      Alban Berg, a pivotal figure of the Second Viennese School, is renowned for his unique compositional style that seamlessly blends Romantic lyricism with the innovative twelve-tone technique. Born Alban Maria Johannes Berg, this Austrian composer left an indelible mark on 20th-century music despite his relatively small output. His works, such as the "Three Pieces for Orchestra," "Lyric Suite," and the poignant "Violin Concerto," are celebrated for their profound emotional depth and structural complexity. Berg's compositions often explore "entire worlds of emotion and structure," making each piece a journey of discovery. His collaboration with Arnold Schoenberg, whom he studied under from 1904 to 1910, significantly influenced his musical development. Berg's operatic works, including his masterpiece "Wozzeck," are particularly notable for their expressive power and psychological insight. Whether you're exploring his orchestral works, chamber music, or vocal compositions, Berg's music promises an immersive experience that resonates long after the final note.

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      Alban Berg

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