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      1. Albums
      2. weinen, klagen... - bach: cantatas nos. 12, 38 & 75 - johann sebastian bach

      Weinen, klagen... - Bach: Cantatas Nos. 12, 38 & 75

      Johann Sebastian BachJohann Sebastian Bach
      • 2005
      • 27 tracks
      • 1 uur, 9 min
      • classical
      Weinen, klagen... - Bach: Cantatas Nos. 12, 38 & 75 - Johann Sebastian Bach
      Weinen, klagen... - Bach: Cantatas Nos. 12, 38 & 75 - Johann Sebastian Bach

      Album Details

      Immerse yourself in the profound and sacred compositions of Johann Sebastian Bach with the album "Weinen, klagen... - Bach: Cantatas Nos. 12, 38 & 75." Released in 2005 under the harmonia mundi label, this classical masterpiece spans a duration of 1 hour and 9 minutes, offering a rich tapestry of Bach's cantatas. The album features the renowned conductor Philippe Herreweghe and the esteemed Collegium Vocale Gent, delivering a performance that captures the essence of Bach's religious and emotional depth.

      This collection includes three of Bach's most revered cantatas: "Weinen, Klagen, Sorgen, Zagen" (BWV 12), "Aus tiefer Not schrei ich zu dir" (BWV 38), and "Die Elenden sollen essen" (BWV 75). Each cantata is a journey through sorrow, faith, and redemption, showcasing Bach's unparalleled ability to blend intricate musical structures with deeply moving texts. The album opens with the poignant "Weinen, Klagen, Sorgen, Zagen," a work that explores themes of suffering and hope, followed by the introspective "Aus tiefer Not schrei ich zu dir," and concludes with the uplifting "Die Elenden sollen essen," which emphasizes the spiritual riches found in faith.

      The performances are marked by their precision, passion, and the exquisite blend of vocal and instrumental elements. Carolyn Sampson, Daniel Taylor, Mark Padmore, and Peter Kooy are among the talented soloists who bring these cantatas to life, supported by the Collegium Vocale Gent's rich choral harmonies and the nuanced playing of the accompanying orchestra. Whether you are a seasoned classical music enthusiast or a newcomer to Bach's works, this album offers a profound and enriching listening experience, highlighting the timeless beauty and spiritual resonance of Bach's music.

      1 januari 20052005 harmonia mundi s.a.2005 harmonia mundi s.a.

      Tracks

      1. Weinen, Klagen, Sorgen, Zagen, BWV 12: I. SinfoniaJohann Sebastian Bach, Collegium Vocale Gent, Philippe Herreweghe
        2:26
      2. Weinen, Klagen, Sorgen, Zagen, BWV 12: II. Chorus "Weinen, Klagen, Sorgen, Zagen"Johann Sebastian Bach, Collegium Vocale Gent, Philippe Herreweghe
        6:05
      3. Weinen, Klagen, Sorgen, Zagen, BWV 12: III. Recitativo "Wir müssen durch viel Trübsal"Johann Sebastian Bach, Daniel Taylor, Collegium Vocale Gent, Philippe Herreweghe
        0:44
      4. Weinen, Klagen, Sorgen, Zagen, BWV 12: IV. Aria "Kreuz und Kronen sind verbunden"Johann Sebastian Bach, Daniel Taylor, Collegium Vocale Gent, Philippe Herreweghe
        6:16
      5. Weinen, Klagen, Sorgen, Zagen, BWV 12: V. Aria "Ich folge Christo nach"Johann Sebastian Bach, Peter Kooij, Collegium Vocale Gent, Philippe Herreweghe
        2:06
      6. Weinen, Klagen, Sorgen, Zagen, BWV 12: VI. Aria "Sei getreu"Johann Sebastian Bach, Mark Padmore, Collegium Vocale Gent, Philippe Herreweghe
        3:36
      7. Weinen, Klagen, Sorgen, Zagen, BWV 12: VII. Choral "Was Gott tut, das ist wohlgetan"Johann Sebastian Bach, Collegium Vocale Gent, Philippe Herreweghe
        1:02
      8. Aus tiefer Not schrei ich zu dir, BWV 38: I. Chor "Aus tiefer Not schrei ich zu dir"Johann Sebastian Bach, Collegium Vocale Gent, Philippe Herreweghe
        3:41
      9. Aus tiefer Not schrei ich zu dir, BWV 38: II. Recitativo "In Jesu Gnade wird allein"Johann Sebastian Bach, Daniel Taylor, Collegium Vocale Gent, Philippe Herreweghe
        0:51
      10. Aus tiefer Not schrei ich zu dir, BWV 38: III. Aria "Ich höre mitten in den Leiden"Johann Sebastian Bach, Mark Padmore, Collegium Vocale Gent, Philippe Herreweghe
        6:33
      11. Aus tiefer Not schrei ich zu dir, BWV 38: IV. Recitativo "Ach! daß mein Glaube noch so schwach"Johann Sebastian Bach, Carolyn Sampson, Collegium Vocale Gent, Philippe Herreweghe
        1:16
      12. Aus tiefer Not schrei ich zu dir, BWV 38: V. Aria Terzetto "Wenn meine Trübsal"Johann Sebastian Bach, Carolyn Sampson, Daniel Taylor, Peter Kooij, Collegium Vocale Gent, Philippe Herreweghe
        3:13
      13. Aus tiefer Not schrei ich zu dir, BWV 38: VI. Choral "Ob bei uns ist der Sünden viel"Johann Sebastian Bach, Collegium Vocale Gent, Philippe Herreweghe
        1:17
      14. Die Elenden sollen essen, BWV 75, Part i: I. Chor "Die Elenden sollen essen"Johann Sebastian Bach, Collegium Vocale Gent, Philippe Herreweghe
        4:06
      15. Die Elenden sollen essen, BWV 75, Part i: II. Recitativo "Was hilft des Purpurs Majestät"Johann Sebastian Bach, Peter Kooij, Collegium Vocale Gent, Philippe Herreweghe
        0:55
      16. Die Elenden sollen essen, BWV 75, Part 1: III. Aria "Mein Jesus soll mein alles sein"Johann Sebastian Bach, Mark Padmore, Collegium Vocale Gent, Philippe Herreweghe
        4:47
      17. Die Elenden sollen essen, BWV 75, Part 1: IV. Recitativo "Gott stürzet und erhöhet in Zeit und Ewigkeit"Johann Sebastian Bach, Mark Padmore, Collegium Vocale Gent, Philippe Herreweghe
        0:37
      18. Die Elenden sollen essen, BWV 75, Part 1: V. Aria "Ich nehme mein Leiden mit Freuden auf mich"Johann Sebastian Bach, Carolyn Sampson, Collegium Vocale Gent, Philippe Herreweghe
        4:51
      19. Die Elenden sollen essen, BWV 75, Part i: VI. Recitativo "Indes schenkt Gott ein gut Gewissen"Johann Sebastian Bach, Carolyn Sampson, Collegium Vocale Gent, Philippe Herreweghe
        0:39
      20. Die Elenden sollen essen, BWV 75, Part 1: VII. Chorale "Was Gott tut, das ist wohlgetan"Johann Sebastian Bach, Collegium Vocale Gent, Philippe Herreweghe
        1:34
      21. Die Elenden sollen essen, BWV 75, Part 2: VIII. SinfoniaJohann Sebastian Bach, Collegium Vocale Gent, Philippe Herreweghe
        2:26
      22. Die Elenden sollen essen, BWV 75, Part 2: IX. Recitativo "Nur eines kränkt ein christliches Gemüte"Johann Sebastian Bach, Daniel Taylor, Collegium Vocale Gent, Philippe Herreweghe
        0:52
      23. Die Elenden sollen essen, BWV 75, Part 2: X. Aria "Jesus macht mich geistlich reich"Johann Sebastian Bach, Daniel Taylor, Collegium Vocale Gent, Philippe Herreweghe
        2:33
      24. Die Elenden sollen essen, BWV 75, Part 2: XI. Recitativo "Wer nur in Jesu bleibt"Johann Sebastian Bach, Peter Kooij, Collegium Vocale Gent, Philippe Herreweghe
        0:33
      25. Die Elenden sollen essen, BWV 75, Part 2: XII. Aria "Mein Herze glaubt und liebt"Johann Sebastian Bach, Peter Kooij, Collegium Vocale Gent, Philippe Herreweghe
        3:35
      26. Die Elenden sollen essen, BWV 75, Part 2: XIII. Recitativo "O Armut, der kein Reichtum gleicht"Johann Sebastian Bach, Mark Padmore, Collegium Vocale Gent, Philippe Herreweghe
        0:40
      27. Die Elenden sollen essen, BWV 75, Part 2: XIV. Choral "Was Gott tut, das ist wohl getan"Johann Sebastian Bach, Collegium Vocale Gent, Philippe Herreweghe
        1:42
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      About Johann Sebastian Bach

      Johann Sebastian Bach, born in 1685 in Eisenach, Germany, stands as one of the most influential figures in the history of Western music. A prolific composer and virtuoso performer on multiple instruments, Bach's genius spans a vast array of genres and forms. His compositions, ranging from the intricate Brandenburg Concertos to the profound St. Matthew Passion, showcase his unparalleled mastery of harmony, counterpoint, and emotional depth. Bach's keyboard works, such as the Goldberg Variations and The Well-Tempered Clavier, are staples of the classical repertoire, while his organ pieces like the Toccata and Fugue in D minor continue to inspire awe. Bach's legacy, revitalized during the 19th-century Bach Revival, endures as a testament to his enduring brilliance and innovation. His music, respected for its technical brilliance, intellectual rigor, and artistic beauty, continues to captivate audiences and musicians alike.

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