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      1. Albums
      2. weill: die dreigroschenoper - kurt weill

      Weill: Die Dreigroschenoper

      Kurt WeillKurt Weill
      • 1960
      • 25 tracks
      • 1 uur, 8 min
      • opera
      Weill: Die Dreigroschenoper - Kurt Weill
      Weill: Die Dreigroschenoper - Kurt Weill

      Album Details

      Kurt Weill and Bertolt Brecht's iconic masterpiece, 'Die Dreigroschenoper', also known as 'The Threepenny Opera', is a groundbreaking musical that offers a scathing Marxist critique of capitalist society. First performed in 1928 at the Theater am Schiffbauerdamm in Berlin, this opera has been a cornerstone of 20th-century music theatre, with its biting social commentary and innovative blend of jazz, cabaret, and classical music.

      This 1960 vinyl release, part of the BNF Collection, brings together a talented cast to recreate the opera's original magic. With a duration of 1 hour and 8 minutes, the album takes the listener on a journey through the seedy underworld of 19th-century London, as the charismatic anti-hero Macheath, aka Mack the Knife, navigates a complex web of crime, corruption, and social inequality.

      The opera's 27 tracks, including 'The Ballad of Mac the Knife', 'Peachum's Morning Hymn', and 'Pirate-Jenny or Dreams of a Kitchen Maid', showcase Weill's eclectic and provocative score, which combines elements of jazz, tango, and classical music to create a unique sound that is both haunting and beautiful.

      As a work of musical theatre, 'Die Dreigroschenoper' is a powerful commentary on the human condition, exploring themes of poverty, exploitation, and the struggle for social justice. With its biting satire and unflinching portrayal of societal ills, this opera remains a relevant and thought-provoking work of art, continuing to inspire and challenge audiences to this day.

      Kurt Weill and Bertolt Brecht's 'Die Dreigroschenoper' is a masterpiece of 20th-century music theatre, and this 1960 release is a must-listen for anyone interested in opera, musical theatre, or the works of these two visionary artists.

      January 1, 19601960 - BNF Collection 20131960 - BNF Collection 2013

      Tracks

      1. The Threepenny Opera, Prologue: Overture. "Sie werden heute abend eine Oper für Bettler sehen" (Ausrufer)Kurt Weill, Mitglieder des SFB-Tanzorchesters, Wilhelm Brückner-Rüggeberg, Wolfgang Neuss
        2:01
      2. The Threepenny Opera, Act I: The Ballad of Mac the Knife. "Und der Haifisch, der hat Zähne" (Ausrufer)Kurt Weill, Mitglieder des SFB-Tanzorchesters, Wilhelm Brückner-Rüggeberg, Wolfgang Neuss
        3:10
      3. The Threepenny Opera, Act I: Peachum's Morning Hymn. "Wach auf, du verrotteter Christ!" (Ausrufer, Jonathan Jeremiah Peachum)Kurt Weill, Mitglieder des SFB-Tanzorchesters, Wilhelm Brückner-Rüggeberg, Wolfgang Neuss, Willy Trenk-Trebitsch
        1:14
      4. The Threepenny Opera, Act I: Instead-of Song. "Anstatt dass" (Ausrufer, Jonathan Jeremiah Peachum, Celia Peachum)Kurt Weill, Mitglieder des SFB-Tanzorchesters, Wilhelm Brückner-Rüggeberg, Wolfgang Neuss, Willy Trenk-Trebitsch, Trude Hesterberg
        1:50
      5. The Threepenny Opera, Act I: Wedding Song for Poor People. "Bill Lawgen und Mary Syer" (Ausrufer, Gangster)Kurt Weill, Mitglieder des SFB-Tanzorchesters, Wilhelm Brückner-Rüggeberg, Wolfgang Neuss, Kurt Hellwig, Paul Otto Kuster, Joseph Hausmann, Martin Hoepper
        1:25
      6. The Threepenny Opera, Act I: Cannon Song. "John war darunter and Jim war dabei" (Ausrufer, Mackie, Jackie Brown)Kurt Weill, Mitglieder des SFB-Tanzorchesters, Wilhelm Brückner-Rüggeberg, Wolfgang Neuss, Erich Schellow, Wolfgang Gruner
        2:19
      7. The Threepenny Opera, Act I: Love Song. "Siehst du den Mond über Soho?" (Ausrufer, Mackie, Polly Peachum)Kurt Weill, Mitglieder des SFB-Tanzorchesters, Wilhelm Brückner-Rüggeberg, Wolfgang Neuss, Erich Schellow, Johanna von Koczian
        1:55
      8. The Threepenny Opera, Act I: The Song of No and Yes. "Einst glaubte ich, als ich noch unschuldig war" (Ausrufer, Polly Peachum)Kurt Weill, Mitglieder des SFB-Tanzorchesters, Wilhelm Brückner-Rüggeberg, Wolfgang Neuss, Johanna von Koczian
        4:44
      9. The Threepenny Opera, Act I: Finale. The Uncertainty of Human Conditions. "Was ich möchte, ist es viel?" (Ausrufer, Polly Peachum, Jonathan Jeremiah Peachum, Celia Peachum)Kurt Weill, Mitglieder des SFB-Tanzorchesters, Wilhelm Brückner-Rüggeberg, Wolfgang Neuss, Johanna von Koczian, Willy Trenk-Trebitsch, Trude Hesterberg
        3:56
      10. The Threepenny Opera, Act II: The Stable "Ach, Mac, reiss mir nicht das Herz aus dem Leibe" (Ausrufer, Polly Peachum, Mackie)Kurt Weill, Mitglieder des SFB-Tanzorchesters, Wilhelm Brückner-Rüggeberg, Wolfgang Neuss, Johanna von Koczian, Erich Schellow
        0:57
      11. The Threepenny Opera, Act II: Polly’s Farewell Song. "Und er kommt doch nicht wieder" (Polly Peachum, Mackie)Kurt Weill, Mitglieder des SFB-Tanzorchesters, Wilhelm Brückner-Rüggeberg, Johanna von Koczian, Erich Schellow
        1:51
      12. The Threepenny Opera, Act II: Intermezzo. "Also, wenn ihr Mackie Messer in den nächsten Tagen seht" & The Ballad of Sexual Dependency. "Da ist nun einer schon der Satan selber" (Celia Peachum, Jenny)Kurt Weill, Mitglieder des SFB-Tanzorchesters, Wilhelm Brückner-Rüggeberg, Trude Hesterberg, Lotte Lenya
        4:12
      13. The Threepenny Opera, Act II: Pirate-Jenny or Dreams of a Kitchen Maid. "Meine Herren, heut when Sie mich Gläser abwaschen" (Ausrufer, Jenny)Kurt Weill, Mitglieder des SFB-Tanzorchesters, Wilhelm Brückner-Rüggeberg, Wolfgang Neuss, Lotte Lenya
        4:21
      14. The Threepenny Opera, Act II: The Procurer's Ballad. "In einer Zeit, die jetzt vergangen ist" (Ausrufer, Mackie, Jenny)Kurt Weill, Mitglieder des SFB-Tanzorchesters, Wilhelm Brückner-Rüggeberg, Wolfgang Neuss, Erich Schellow, Lotte Lenya
        4:37
      15. The Threepenny Opera, Act II: Ballad of Pleasant Living. "Ihr Herrn, urteilt jetzt selbst" (Mackie)Kurt Weill, Mitglieder des SFB-Tanzorchesters, Wilhelm Brückner-Rüggeberg, Erich Schellow
        2:31
      16. The Threepenny Opera, Act II: Jealousy Duet. "Komm heraus, du Schönheit von Soho" (Ausrufer, Lucy, Polly Peachum)Kurt Weill, Mitglieder des SFB-Tanzorchesters, Wilhelm Brückner-Rüggeberg, Wolfgang Neuss, Inge Wolffberg, Johanna von Koczian
        2:30
      17. The Threepenny Opera, Act II: Fight About the Property. "Eifersucht, Wut, Liebe und Furcht" (Ausrufer, Lucy)Kurt Weill, Mitglieder des SFB-Tanzorchesters, Wilhelm Brückner-Rüggeberg, Wolfgang Neuss, Inge Wolffberg
        2:07
      18. The Threepenny Opera, Act II: Finale. Ballade About What Keeps a Man Alive. "Ihr Herrn, die ihr uns lehrt" (Ausrufer, Mackie, Chor, Polly Peachum)Kurt Weill, Mitglieder des SFB-Tanzorchesters, Wilhelm Brückner-Rüggeberg, Wolfgang Neuss, Erich Schellow, Günther-Arndt-Chor, Johanna von Koczian
        3:56
      19. The Threepenny Opera, Act III: Song About Inadequacy. "Der Mensch lebt durch den Kopf" (Jackie Brown, Jonathan Jeremiah Peachum)Kurt Weill, Mitglieder des SFB-Tanzorchesters, Wilhelm Brückner-Rüggeberg, Wolfgang Gruner, Willy Trenk-Trebitsch
        2:15
      20. The Threepenny Opera, Act III: Solomon Song. "Ihr saht den weisen Salomon" (Ausrufer, Jenny)Kurt Weill, Mitglieder des SFB-Tanzorchesters, Wilhelm Brückner-Rüggeberg, Wolfgang Neuss, Lotte Lenya
        3:36
      21. The Threepenny Opera, Act III: Call from the Grave. "Nun hört die Stimme, die um Mitleid ruft" (Ausrufer, Mackie)Kurt Weill, Mitglieder des SFB-Tanzorchesters, Wilhelm Brückner-Rüggeberg, Wolfgang Neuss, Erich Schellow
        0:53
      22. The Threepenny Opera, Act III: Ballad in Which Mackie Asks Everyone for Forgiveness. "Ihr Menschenbrüder, die ihr nach uns lebt" (Mackie)Kurt Weill, Mitglieder des SFB-Tanzorchesters, Wilhelm Brückner-Rüggeberg, Erich Schellow
        4:04
      23. The Threepenny Opera, Act III: Procession to the Gallows. "Verehrtes Publikum, wir sind so weit" (Jonathan Jeremiah Peachum)Kurt Weill, Mitglieder des SFB-Tanzorchesters, Wilhelm Brückner-Rüggeberg, Willy Trenk-Trebitsch
        0:33
      24. The Threepenny Opera, Act III: The Riding Messenger. "Horch, horch, horch!" & Threepenny Finale. "Verfolgt das Unrecht nicht zu sehr" (Chor, Jackie Brown, Mackie, Polly Peachum, Jonathan Jeremiah Peachum, Celia Peachum)Kurt Weill, Mitglieder des SFB-Tanzorchesters, Wilhelm Brückner-Rüggeberg, Günther-Arndt-Chor, Wolfgang Gruner, Erich Schellow, Johanna von Koczian, Willy Trenk-Trebitsch, Trude Hesterberg
        5:36
      25. The Threepenny Opera, Act III: Final Verses of the Ballad. "Und so kommt zum guten Ende" (Ausrufer)Kurt Weill, Mitglieder des SFB-Tanzorchesters, Wilhelm Brückner-Rüggeberg, Wolfgang Neuss
        1:23
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      About Kurt Weill

      Kurt Weill, born in Dessau, Germany, in 1900, was a pioneering composer whose innovative spirit transcended borders and musical genres. Renowned for his groundbreaking collaborations with Bertolt Brecht, Weill's works, such as "The Threepenny Opera," revolutionized the operatic form with their sharp social satire and memorable melodies. Weill's commitment to creating music with a socially useful purpose, known as Gebrauchsmusik, set him apart and influenced generations of composers. His journey took him from the vibrant cultural scene of Weimar Germany to the bustling stages of Broadway, where he continued to redefine musical theater. Weill's versatility and daring approach to composition, blending serious and light music, make his works timeless and captivating. His legacy endures, inspiring artists and audiences alike with its unique fusion of styles and profound social commentary.

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