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      1. Albums
      2. weber: euryanthe, op. 81, j. 291 - carl maria von weber

      Weber: Euryanthe, Op. 81, J. 291

      Carl Maria von WeberCarl Maria von Weber
      • 2014
      • 40 tracks
      • 1 uur, 47 min
      • opera
      Weber: Euryanthe, Op. 81, J. 291 - Carl Maria von Weber
      Weber: Euryanthe, Op. 81, J. 291 - Carl Maria von Weber

      Album Details

      Immerse yourself in the enchanting world of Carl Maria von Weber's "Euryanthe, Op. 81, J. 291," a timeless masterpiece in the realm of classical opera. Released on September 5, 2014, under The Art Of Singing label, this album captures the essence of Weber's genius, offering a rich and captivating journey through the romantic and dramatic landscapes of 19th-century opera.

      Spanning a duration of 1 hour and 47 minutes, "Euryanthe" is a grand opera in three acts, composed with Weber's signature flair for melodic richness and harmonic innovation. The opera tells a tale of love, betrayal, and redemption, set against the backdrop of medieval chivalry. The story unfolds through a series of arias, duets, and choruses, each contributing to the overall dramatic arc and emotional depth.

      The album features a stellar cast of vocalists who bring Weber's characters to life with their exquisite technique and expressive performances. From the tender and lyrical arias to the powerful and dramatic ensembles, the singers navigate the score with skill and passion, showcasing the full range of human emotion.

      "Euryanthe" is not just an opera; it is a testament to Weber's enduring influence on the classical music world. The overture alone is a symphonic tour de force, setting the stage for the dramatic and romantic journey that follows. The opera's intricate plot and richly drawn characters make it a compelling listen from start to finish.

      Whether you are a seasoned opera enthusiast or a newcomer to the genre, "Euryanthe" offers a rewarding and immersive experience. Carl Maria von Weber's masterful composition, combined with the outstanding performances of the vocalists, makes this album a treasure trove of musical and dramatic brilliance.

      September 5, 2014The Art Of SingingThe Art Of Singing

      Tracks

      1. Euryanthe, Op. 81, J. 291, Act I: OuvertüreCarl Maria von Weber, Staatsorchester Stuttgart, Ferdinand Leitner
        8:31
      2. Euryanthe, Op. 81, J. 291, Act I: "Dem Frieden Heil nach Sturmestagen" (Chor)Carl Maria von Weber, Staatsorchester Stuttgart, Ferdinand Leitner, Staatsopernchor Stuttgart
        3:41
      3. Euryanthe, Op. 81, J. 291, Act I: "Mein junger Freund, so ernst bei heit'rem Tanze" (König)Carl Maria von Weber, Staatsorchester Stuttgart, Ferdinand Leitner, Wilhelm Schirp
        1:13
      4. Euryanthe, Op. 81, J. 291, Act I: "In meines Liebchens Garten" (Gerard)Carl Maria von Weber, Staatsorchester Stuttgart, Ferdinand Leitner, Wolfgang Windgassen
        1:21
      5. Euryanthe, Op. 81, J. 291, Act I: "Bravo dem Sänger! Das Lied gilt Euryanthe" (Chor)Carl Maria von Weber, Staatsorchester Stuttgart, Ferdinand Leitner, Staatsopernchor Stuttgart
        0:27
      6. Euryanthe, Op. 81, J. 291, Act I: "Hör', Minnesänger, das Lob der schönsten Frau" (Lysiart)Carl Maria von Weber, Staatsorchester Stuttgart, Ferdinand Leitner, Gustav Neidlinger
        2:19
      7. Euryanthe, Op. 81, J. 291, Act I: "Wohlan, ich nehme dich beim Wort" (Lysiart)Carl Maria von Weber, Staatsorchester Stuttgart, Ferdinand Leitner, Gustav Neidlinger
        2:55
      8. Euryanthe, Op. 81, J. 291, Act I: "Ich bau' auf Gott und Euryanthe, Op. 81, J. 291s Treu" (Gerard)Carl Maria von Weber, Staatsorchester Stuttgart, Ferdinand Leitner, Wolfgang Windgassen
        2:13
      9. Euryanthe, Op. 81, J. 291, Act I: "Selt'ne Gäste sind gekommen" (Chor)Carl Maria von Weber, Staatsorchester Stuttgart, Ferdinand Leitner, Staatsopernchor Stuttgart
        1:12
      10. Euryanthe, Op. 81, J. 291, Act I: "Graf Lysiart, edle Herren, seid willkommen" (Euryanthe)Carl Maria von Weber, Staatsorchester Stuttgart, Ferdinand Leitner, Trude Eipperle
        2:01
      11. Euryanthe, Op. 81, J. 291, Act I: "Fröhliche Klänge, Tänze, Gesänge" (Euryanthe)Carl Maria von Weber, Staatsorchester Stuttgart, Ferdinand Leitner, Trude Eipperle
        2:28
      12. Euryanthe, Op. 81, J. 291, Act I: "O Grauen, ihre Freude anzuseh'n" (Claudia)Carl Maria von Weber, Staatsorchester Stuttgart, Ferdinand Leitner, Maria Kinasiewicz
        2:20
      13. Euryanthe, Op. 81, J. 291, Act I: "Er konnte mich um sie verschmäh'n" (Claudia)Carl Maria von Weber, Staatsorchester Stuttgart, Ferdinand Leitner, Maria Kinasiewicz
        2:38
      14. Euryanthe, Op. 81, J. 291, Act II: "O Unglückstag! Soll so mein Plan misslingen" (Lysiart)Carl Maria von Weber, Staatsorchester Stuttgart, Ferdinand Leitner, Gustav Neidlinger
        5:11
      15. Euryanthe, Op. 81, J. 291, Act II: "So weih' ich mich den Hassgewalten" (Lysiart)Carl Maria von Weber, Staatsorchester Stuttgart, Ferdinand Leitner, Gustav Neidlinger
        2:39
      16. Euryanthe, Op. 81, J. 291, Act II: "Drohe, Freund, doch eil nicht so davon" (Claudia)Carl Maria von Weber, Staatsorchester Stuttgart, Ferdinand Leitner, Maria Kinasiewicz
        1:42
      17. Euryanthe, Op. 81, J. 291, Act II: "Glöcklein im Tale" (Euryanthe)Carl Maria von Weber, Staatsorchester Stuttgart, Ferdinand Leitner, Trude Eipperle
        5:23
      18. Euryanthe, Op. 81, J. 291, Act II: "Ihr seid noch wach, liebe Herrin" (Claudia)Carl Maria von Weber, Staatsorchester Stuttgart, Ferdinand Leitner, Maria Kinasiewicz
        5:10
      19. Euryanthe, Op. 81, J. 291, Act II: "Sie schläft" (Claudia)Carl Maria von Weber, Staatsorchester Stuttgart, Ferdinand Leitner, Maria Kinasiewicz
        4:24
      20. Euryanthe, Op. 81, J. 291, Act II: "Komm' denn, unser Werk zu vollenden" (Claudia)Carl Maria von Weber, Staatsorchester Stuttgart, Ferdinand Leitner, Maria Kinasiewicz
        3:53
      21. Euryanthe, Op. 81, J. 291, Act II: "War es denn recht getan?" (Gerard)Carl Maria von Weber, Staatsorchester Stuttgart, Ferdinand Leitner, Wolfgang Windgassen
        2:33
      22. Euryanthe, Op. 81, J. 291, Act II: "Sie ist mir nah, mein Bangen war ein Traum" (Gerard)Carl Maria von Weber, Staatsorchester Stuttgart, Ferdinand Leitner, Wolfgang Windgassen
        2:06
      23. Euryanthe, Op. 81, J. 291, Act II: "Hin nimm die Seele mein" (Euryanthe, Gerard)Carl Maria von Weber, Staatsorchester Stuttgart, Ferdinand Leitner, Trude Eipperle, Wolfgang Windgassen
        2:36
      24. Euryanthe, Op. 81, J. 291, Act II: "Seid gegrüsst, ihr lieben Freunde" (Chor)Carl Maria von Weber, Staatsorchester Stuttgart, Ferdinand Leitner, Staatsopernchor Stuttgart
        1:25
      25. Euryanthe, Op. 81, J. 291, Act II: "So froh seh' ich dich wieder!" (König)Carl Maria von Weber, Staatsorchester Stuttgart, Ferdinand Leitner, Wilhelm Schirp
        1:01
      26. Euryanthe, Op. 81, J. 291, Act II: "Mein König" (Gerard)Carl Maria von Weber, Staatsorchester Stuttgart, Ferdinand Leitner, Wolfgang Windgassen
        3:18
      27. Euryanthe, Op. 81, J. 291, Act II: "Kennst du noch dieses Armbands Zierde" (Lysiart)Carl Maria von Weber, Staatsorchester Stuttgart, Ferdinand Leitner, Gustav Neidlinger
        2:14
      28. Euryanthe, Op. 81, J. 291, Act II: "Ein Muttermal an sehr geheimer Stell" (Lysiart)Carl Maria von Weber, Staatsorchester Stuttgart, Ferdinand Leitner, Gustav Neidlinger
        1:02
      29. Euryanthe, Op. 81, J. 291, Act II: "Entscheide, Richter, Bürge dieser Wette" (Lysiart)Carl Maria von Weber, Staatsorchester Stuttgart, Ferdinand Leitner, Gustav Neidlinger
        3:16
      30. Euryanthe, Op. 81, J. 291, Act III: "Es schwinden mir die Kräfte" (Euryanthe)Carl Maria von Weber, Staatsorchester Stuttgart, Ferdinand Leitner, Trude Eipperle
        1:28
      31. Euryanthe, Op. 81, J. 291, Act III: "Herr, der du mich in deinem Rat" (Euryanthe)Carl Maria von Weber, Staatsorchester Stuttgart, Ferdinand Leitner, Trude Eipperle
        4:28
      32. Euryanthe, Op. 81, J. 291, Act III: "Der Hirsch schlich hierher, ich sah es doch genau" (König)Carl Maria von Weber, Staatsorchester Stuttgart, Ferdinand Leitner, Wilhelm Schirp
        1:00
      33. Euryanthe, Op. 81, J. 291, Act III: "Lasst mich hier in Frieden sterben" (Euryanthe)Carl Maria von Weber, Staatsorchester Stuttgart, Ferdinand Leitner, Trude Eipperle
        2:47
      34. Euryanthe, Op. 81, J. 291, Act III: "Zu ihm, zu ihm!" (Euryanthe)Carl Maria von Weber, Staatsorchester Stuttgart, Ferdinand Leitner, Trude Eipperle
        2:39
      35. Euryanthe, Op. 81, J. 291, Act III: "Unheimlich ist's! Seht!" (Chor)Carl Maria von Weber, Staatsorchester Stuttgart, Ferdinand Leitner, Staatsopernchor Stuttgart
        0:35
      36. Euryanthe, Op. 81, J. 291, Act III: "Ich kann nicht weiter" (Claudia)Carl Maria von Weber, Staatsorchester Stuttgart, Ferdinand Leitner, Maria Kinasiewicz
        2:35
      37. Euryanthe, Op. 81, J. 291, Act III: "Ihr alle habt gehört, was sie bekannte" (Gerard)Carl Maria von Weber, Staatsorchester Stuttgart, Ferdinand Leitner, Wolfgang Windgassen
        1:23
      38. Euryanthe, Op. 81, J. 291, Act III: "Lasst ab vom Kampf! Was soll der wilde Streit?" (König)Carl Maria von Weber, Staatsorchester Stuttgart, Ferdinand Leitner, Wilhelm Schirp
        1:19
      39. Euryanthe, Op. 81, J. 291, Act III: "Triumph! Triumph! Euryanthe tot!" (Claudia)Carl Maria von Weber, Staatsorchester Stuttgart, Ferdinand Leitner, Maria Kinasiewicz
        4:41
      40. Euryanthe, Op. 81, J. 291, Act III: "Ich knie vor dir, wie vor einer Heil'gen" (Gerard)Carl Maria von Weber, Staatsorchester Stuttgart, Ferdinand Leitner, Wolfgang Windgassen
        2:41
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      About Carl Maria von Weber

      Carl Maria von Weber, born on November 18 or 19, 1786, in Eutin, was a pioneering figure in the Romantic era, renowned for his contributions as a composer, conductor, and pianist. Weber's innovative approach to opera and his distinctive compositions have left an indelible mark on classical music. His reform-oriented directorship and theoretical insights aimed to elevate the operatic experience, making him one of the most influential composers of his time. Weber's legacy is deeply intertwined with the city of Dresden, where he spent a significant portion of his career. Despite his untimely death in London on June 5, 1826, his musical genius continues to inspire and captivate audiences worldwide.

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