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      1. Albums
      2. walton: façade, an entertainment - william walton

      Walton: Façade, an Entertainment

      William WaltonWilliam Walton
      • 2024
      • 22 tracks
      • 37 min
      • classical
      Walton: Façade, an Entertainment - William Walton
      Walton: Façade, an Entertainment - William Walton

      Album Details

      Immerse yourself in the whimsical world of William Walton's 'Façade, an Entertainment', a captivating classical album released on 14 June 2024 by Warner Classics. This enchanting collection of music is a true masterpiece, boasting 21 tracks that showcase Walton's unique compositional style. From the opening 'Fanfare' to the final notes of 'Sir Beelzebub', this 37-minute album is a journey through a diverse range of emotions and moods, with each piece expertly crafted to transport you to a bygone era.

      With its eclectic mix of hornpipes, tangos, and waltzes, 'Façade, an Entertainment' is a testament to Walton's boundless creativity and innovative spirit. The album's tracklist is a veritable treasure trove of musical delights, featuring iconic pieces such as 'Tango-pasodoble (I Do Like to Be Beside the Seaside)' and 'Lullaby for Jumbo', each one showcasing the composer's remarkable ability to craft music that is both beautiful and thought-provoking.

      As you listen to 'Façade, an Entertainment', you will be struck by the sheer breadth of Walton's musical vision, which blends elements of classical music with a hint of playfulness and wit. This album is a must-listen for fans of classical music, and a wonderful introduction to the works of William Walton for those new to his compositions. So why not indulge in the delightful sounds of 'Façade, an Entertainment' and discover the magic of Walton's music for yourself?

      June 14, 2024A Warner Classics release, © 2024 Parlophone Records LimitedA Warner Classics release, ℗ 2024 Parlophone Records Limited

      Tracks

      1. Walton: Façade: FanfareWilliam Walton, Sir Neville Marriner, Academy of St. Martin in the Fields
        0:28
      2. Walton: Façade: I. HornpipeWilliam Walton, Sir Neville Marriner, Academy of St. Martin in the Fields, Michael Flanders
        1:11
      3. Walton: Façade: II. En familleWilliam Walton, Sir Neville Marriner, Academy of St. Martin in the Fields, Fenella Fielding
        2:58
      4. Walton: Façade: III. Mariner ManWilliam Walton, Sir Neville Marriner, Academy of St. Martin in the Fields, Michael Flanders
        0:42
      5. Walton: Façade: IV. Long Steel GrassWilliam Walton, Sir Neville Marriner, Academy of St. Martin in the Fields, Fenella Fielding
        1:52
      6. Walton: Façade: V. Through Gilded TrellisesWilliam Walton, Sir Neville Marriner, Academy of St. Martin in the Fields, Fenella Fielding
        2:18
      7. Walton: Façade: VI. Tango-pasodoble (I Do Like to Be Beside the Seaside)William Walton, Sir Neville Marriner, Academy of St. Martin in the Fields, Michael Flanders
        1:57
      8. Walton: Façade: VII. Lullaby for JumboWilliam Walton, Sir Neville Marriner, Academy of St. Martin in the Fields, Michael Flanders
        1:46
      9. Walton: Façade: VIII. Black Mrs BehemothWilliam Walton, Sir Neville Marriner, Academy of St. Martin in the Fields, Fenella Fielding
        0:52
      10. Walton: Façade: IX. TarantellaWilliam Walton, Sir Neville Marriner, Academy of St. Martin in the Fields, Michael Flanders
        1:19
      11. Walton: Façade: X. A Man from a Far CountreeWilliam Walton, Sir Neville Marriner, Academy of St. Martin in the Fields, Fenella Fielding
        1:28
      12. Walton: Façade: XI. By the LakeWilliam Walton, Sir Neville Marriner, Academy of St. Martin in the Fields, Michael Flanders
        1:43
      13. Walton: Façade: XII. Country DanceWilliam Walton, Sir Neville Marriner, Academy of St. Martin in the Fields, Fenella Fielding
        1:54
      14. Walton: Façade: XIII. PolkaWilliam Walton, Sir Neville Marriner, Academy of St. Martin in the Fields, Fenella Fielding
        1:22
      15. Walton: Façade: XIV. Four in the MorningWilliam Walton, Sir Neville Marriner, Academy of St. Martin in the Fields, Michael Flanders
        2:11
      16. Walton: Façade: XV. Something Lies Beyond the SceneWilliam Walton, Sir Neville Marriner, Academy of St. Martin in the Fields, Michael Flanders
        1:01
      17. Walton: Façade: XVI. WaltzWilliam Walton, Sir Neville Marriner, Academy of St. Martin in the Fields, Fenella Fielding
        3:11
      18. Walton: Façade: XVII. Jodelling SongWilliam Walton, Sir Neville Marriner, Academy of St. Martin in the Fields, Michael Flanders
        2:09
      19. Walton: Façade: XVIII. Scotch RhapsodyWilliam Walton, Sir Neville Marriner, Academy of St. Martin in the Fields, Fenella Fielding
        1:23
      20. Walton: Façade: XIX. Popular SongWilliam Walton, Sir Neville Marriner, Academy of St. Martin in the Fields, Michael Flanders
        2:02
      21. Walton: Façade: XX. Old Sir Faulk (Fox Trot)William Walton, Sir Neville Marriner, Academy of St. Martin in the Fields, Fenella Fielding
        2:04
      22. Walton: Façade: XXI. Sir BeelzebubWilliam Walton, Sir Neville Marriner, Academy of St. Martin in the Fields, Fenella Fielding, Michael Flanders
        1:03
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      About William Walton

      Sir William Turner Walton, one of the most significant British composers of the 20th century, crafted a diverse and influential body of work that spans various classical genres. Born in Oldham, Lancashire, in 1902, Walton's musical journey began under the influence of his choirmaster father and singing-teacher mother, leading him to become a chorister at Christ Church Cathedral. Throughout his sixty-year career, Walton composed works that range from jazzy and modern orchestral pieces to operas and film scores, earning him a place among the greats like Elgar, Vaughan Williams, and Britten.

      Walton's collaborations were as notable as his compositions. He worked with the poet Edith Sitwell on the iconic "Façade," a piece that blends spoken word with music, and his encounters with composers like Stravinsky and Schoenberg further enriched his artistic vision. His best-known works, such as the cantata "Belshazzar's Feast," the Viola Concerto, the First Symphony, and the coronation marches "Crown Imperial" and "Orb and Sceptre," showcase his versatility and mastery of composition.

      Despite being largely self-taught, Walton's contributions to British musical heritage are immense. His music, characterized by its emotional depth and technical brilliance, continues to inspire and captivate audiences worldwide. Walton's legacy is preserved and promoted by the Walton Trust, ensuring that his orchestral, choral, chamber, and vocal works remain a vital part of the classical music landscape.

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      William Walton