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      1. Albums
      2. villa-lobos: bachianas brasileiras nos. 1 & 5 etc. - jill gomez

      Villa-Lobos: Bachianas brasileiras Nos. 1 & 5 etc.

      Jill GomezJill Gomez
      • 1987
      • 12 tracks
      • 53 min
      • opera
      Villa-Lobos: Bachianas brasileiras Nos. 1 & 5 etc. - Jill Gomez
      Villa-Lobos: Bachianas brasileiras Nos. 1 & 5 etc. - Jill Gomez

      Tracks

      1. Bachianas brasileiras No. 1, W246: I. Introdução. EmboladaHeitor Villa-Lobos, Pleeth Cello Octet
        6:39
      2. Bachianas brasileiras No. 1, W246: II. Prelúdio. ModinhaHeitor Villa-Lobos, Pleeth Cello Octet
        7:55
      3. Bachianas brasileiras No. 1, W246: III. Fuga. ConversaHeitor Villa-Lobos, Pleeth Cello Octet
        4:16
      4. Suite for Voice and Violin, W195: I. A menina e a canção. Un pouco moderatoHeitor Villa-Lobos, Jill Gomez, Peter Manning
        2:27
      5. Suite for Voice and Violin, W195: II. Quéro ser alégre. Vagaroso e calmoHeitor Villa-Lobos, Jill Gomez, Peter Manning
        4:18
      6. Suite for Voice and Violin, W195: III. Sertaneja. Animado e espritosoHeitor Villa-Lobos, Jill Gomez, Peter Manning
        3:07
      7. The Well-Tempered Clavier, Book 1: Prelude No. 8, BWV 853 (Arr. Villa-Lobos for Cellos in D Minor)Johann Sebastian Bach, Pleeth Cello Octet
        5:23
      8. The Well-Tempered Clavier, Book 1: Fugue No. 1, BWV 846/2 (Arr. Villa-Lobos for Cellos in B-Flat Major)Johann Sebastian Bach, Pleeth Cello Octet
        2:18
      9. The Well-Tempered Clavier, Book 1: Prelude No. 22, BWV 867 (Arr. Villa-Lobos for Cellos in G Minor)Johann Sebastian Bach, Pleeth Cello Octet
        3:57
      10. The Well-Tempered Clavier, Book 1: Fugue No. 5 in D Major, BWV 874 (Arr. Villa-Lobos for Cellos)Johann Sebastian Bach, Pleeth Cello Octet
        2:21
      11. Bachianas brasileiras No. 5, W389: I. Aria. Cantilena. AdagioHeitor Villa-Lobos, Pleeth Cello Octet, Jill Gomez
        6:22
      12. Bachianas brasileiras No. 5, W389: II. Dansa. Martelo. AllegrettoHeitor Villa-Lobos, Pleeth Cello Octet, Jill Gomez
        4:30
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      About Jill Gomez

      Jill Gomez, also known as Jill Carnegy, Countess of Northesk, is a renowned Trinidadian and British soprano who has captivated audiences with her versatile repertoire and powerful performances. Born in September 1942, Gomez launched her operatic career with the Glyndebourne Touring Opera in 1968, following her victory of the prestigious John Christie Award in 1967. Her stage debut marked the beginning of a distinguished career primarily based in the United Kingdom, where she has become a staple in both operatic and concert settings.

      Gomez's discography is as impressive as her stage presence, featuring a range of recordings that showcase her vocal prowess. Notable works include her album 'South of the Border,' released in 1990, and her earlier LP 'A Recital of French Songs,' which highlights her ability to interpret diverse musical styles. Her performances with the National Philharmonic Orchestra and conductors like Barry Wordsworth have further cemented her status as a leading soprano of her generation. Whether performing Adina in 'L'Elisir D'Amore' or contributing to monumental works like Monteverdi's 'Vespers,' Jill Gomez continues to enchant audiences with her artistry and musical depth.

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      Jill Gomez

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      Album Details

      November 1, 1987© 1987 Hyperion Records Limited℗ 1987 Hyperion Records Limited

      Jill Gomez's 1987 album "Villa-Lobos: Bachianas brasileiras Nos. 1 & 5 etc." is a captivating exploration of the works of Heitor Villa-Lobos, masterfully interpreted through the lens of opera. Released under the Hyperion label, this 53-minute journey delves into the rich tapestry of Villa-Lobos' compositions, showcasing Gomez's extraordinary vocal prowess and artistic versatility.

      The album features a compelling mix of Villa-Lobos' most renowned pieces, including the enchanting "Bachianas brasileiras No. 1" and the hauntingly beautiful "Bachianas brasileiras No. 5." Gomez's renditions are complemented by arrangements of Bach's "The Well-Tempered Clavier," skillfully adapted for cellos by Villa-Lobos himself. These arrangements add a unique depth and complexity to the album, highlighting Gomez's ability to navigate both classical and operatic styles with ease.

      Throughout the album, Gomez's voice shines, effortlessly transitioning from the delicate modulations of "Suite for Voice and Violin" to the powerful, rhythmic intensity of "Bachianas brasileiras No. 5." Her interpretation brings a fresh perspective to these timeless pieces, making this album a standout in the world of classical and operatic music. Whether you're a seasoned aficionado or a newcomer to the genre, Jill Gomez's album promises an enriching and unforgettable listening experience.