Traffic

Larry Coryell's 2006 album, Traffic, is a masterful blend of jazz, R&B, and rock, showcasing the guitarist's considerable experience and eclectic style. Recorded on 17th April 2006 at St Peter's Episcopal Church in New York City, this album is a follow-up to his 2005 debut, Electric, and features Coryell alongside renowned musicians Victor Bailey on bass and Lenny White on drums.

The album's 10 tracks, including 'Judith Loves Jazz', 'Manic Depression', and 'Electric Jam', demonstrate the trio's ability to harness their individual talents and create a unique sound that is both captivating and energetic. With a duration of 1 hour and 2 minutes, Traffic is an album that will keep you engaged from start to finish, with its intricate instrumental arrangements and impressive musicality.

Released on 26th September 2006 via Chesky Records, Traffic has been well-received by critics and fans alike, and is a testament to Larry Coryell's enduring talent and creativity. As a musician who has appeared on over 200 albums, 70 of which as a leader, Coryell's expertise and passion for music shine through in this album, making it a must-listen for fans of jazz fusion and beyond.

Larry Coryell, often hailed as the "godfather of fusion," was an American jazz guitarist whose innovative spirit and virtuosic skills left an indelible mark on the music world. Born in Galveston, Texas, Coryell was a pioneer in blending jazz, country, and rock, creating a unique sound that resonated with audiences worldwide. His collaborations with legendary musicians like John McLaughlin, Chick Corea, and Paco de Lucía showcased his versatility and musical prowess. Beyond his performances, Coryell was also a dedicated educator and writer, contributing a monthly column to Guitar Player magazine for over a decade. With his band The Eleventh House, he helped shape the jazz-rock genre, leaving behind a rich legacy of improvisational brilliance and timeless compositions. Coryell's final concert recording, "The Last Call," serves as a poignant reminder of his enduring impact on the world of jazz and jazz-rock.

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