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      1. Albums
      2. tomkins: music divine - thomas tomkins

      Tomkins: Music Divine

      Thomas TomkinsThomas Tomkins
      • 2002
      • 26 tracks
      • 1 uur, 17 min
      • choral
      Tomkins: Music Divine - Thomas Tomkins
      Tomkins: Music Divine - Thomas Tomkins

      Album Details

      Immerse yourself in the rich tapestry of Renaissance choral music with Thomas Tomkins' "Music Divine," a captivating album released on November 1, 2002, under the Chandos label. This collection showcases Tomkins' mastery of the madrigal and motet forms, offering a profound exploration of the human experience through sacred and secular themes.

      Spanning a duration of 1 hour and 17 minutes, the album features 26 tracks, each a testament to Tomkins' intricate compositional style and emotional depth. From the stirring "Musicke divine" to the poignant "Weep no more, thou sorry Boy," and the powerful "Turn unto the Lord our God," the album presents a diverse range of moods and subjects. Tomkins' ability to blend intricate polyphony with expressive lyricism is evident throughout, making this album a standout in the choral genre.

      "Music Divine" is not just a collection of songs but a journey through the musical landscape of 17th-century England. Thomas Tomkins, a contemporary of William Byrd and Orlando Gibbons, brings a unique voice to the Renaissance choral tradition. His works, often overlooked in favor of his more famous contemporaries, are given the spotlight they deserve in this meticulously crafted recording.

      The album is performed by the renowned ensemble I Fagiolini, known for their vibrant and nuanced interpretations of early music. Their performance brings out the full richness of Tomkins' compositions, highlighting the intricate harmonies and the emotional resonance of the texts.

      Whether you are a seasoned enthusiast of Renaissance choral music or a newcomer to the genre, "Music Divine" offers a compelling introduction to the works of Thomas Tomkins. This album is a celebration of the human voice and the timeless beauty of choral music, making it a valuable addition to any music lover's collection.

      November 1, 20022002 Chandos Records2002 Chandos Records

      Tracks

      1. Musicke divineThomas Tomkins, I Fagiolini, Robert Hollingworth
        3:57
      2. To the shady woodsThomas Tomkins, I Fagiolini, Robert Hollingworth
        1:32
      3. O let me live for true loveThomas Tomkins, I Fagiolini, Robert Hollingworth
        5:39
      4. See, see the shepherds' QueenThomas Tomkins, I Fagiolini, Robert Hollingworth
        2:13
      5. Phyllis, yet see him dyingThomas Tomkins, I Fagiolini, Robert Hollingworth
        2:16
      6. When I observeThomas Tomkins, I Fagiolini, Robert Hollingworth
        2:52
      7. Too much I once lamentedThomas Tomkins, I Fagiolini, Robert Hollingworth
        6:34
      8. Fond men that do so highly prizeThomas Tomkins, I Fagiolini, Robert Hollingworth
        1:54
      9. O yes! Has any found a ladThomas Tomkins, I Fagiolini, Robert Hollingworth
        1:43
      10. Weep no more, thou sorry BoyThomas Tomkins, I Fagiolini, Robert Hollingworth
        5:31
      11. Oft did I marleThomas Tomkins, I Fagiolini, Robert Hollingworth
        2:35
      12. Adieu, ye city-prisoning towersThomas Tomkins, I Fagiolini, Robert Hollingworth
        1:58
      13. Our hasty life away doth postThomas Tomkins, I Fagiolini, Robert Hollingworth
        2:08
      14. Come, shepherds, sing with meThomas Tomkins, I Fagiolini, Robert Hollingworth
        2:06
      15. How great delightThomas Tomkins, I Fagiolini, Robert Hollingworth
        1:55
      16. No more I will thy love importuneThomas Tomkins, I Fagiolini, Robert Hollingworth
        1:53
      17. Phyllis, now cease to move meThomas Tomkins, I Fagiolini, Robert Hollingworth
        2:14
      18. Sure, there is no god of LoveThomas Tomkins, I Fagiolini, Robert Hollingworth
        1:44
      19. Fusca, in thy starry eyesThomas Tomkins, I Fagiolini, Robert Hollingworth
        2:38
      20. Cloris, when as I woeThomas Tomkins, I Fagiolini, Robert Hollingworth
        2:24
      21. Woe is meThomas Tomkins, I Fagiolini, Robert Hollingworth
        4:17
      22. Turn unto the Lord our God: Turn Unto The Lord Our GodThomas Tomkins, I Fagiolini, Robert Hollingworth
        2:29
      23. It is my well-beloved's voiceThomas Tomkins, I Fagiolini, Robert Hollingworth
        2:24
      24. When David heard that Absalom was slainThomas Tomkins, I Fagiolini, Robert Hollingworth
        4:44
      25. Love, cease tormentingThomas Tomkins, I Fagiolini, Robert Hollingworth
        3:02
      26. Was ever wretch tormentedThomas Tomkins, I Fagiolini, Robert Hollingworth
        4:21
      PLAY ON SPOTIFY

      About Thomas Tomkins

      Thomas Tomkins, born in Wales in 1572, stands as a towering figure in the late Tudor and early Stuart musical landscape. As a prominent member of the English Madrigal School, Tomkins' compositions span a wide range of genres, from intricate keyboard and consort music to deeply moving choral works. His contributions to the English virginalist school are particularly notable, marking him as the last significant composer in this tradition. Tomkins' sacred music, including his service settings and anthems, remains a staple in English cathedral repertoires, showcasing his mastery of choral composition. His music offers a rich tapestry of sound, reflecting both the conservatism of the Renaissance and the emerging styles of the Baroque period. Whether exploring his keyboard works or his profound choral pieces, engaging with Thomas Tomkins' music is a journey through the heart of English Renaissance and early Baroque music.

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      Thomas Tomkins

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