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      1. Albums
      2. tomkins: consort music for viols and voices - thomas tomkins

      Tomkins: Consort Music for Viols and Voices

      Thomas TomkinsThomas Tomkins
      • 1995
      • 18 tracks
      • 1 uur, 3 min
      • choral
      Tomkins: Consort Music for Viols and Voices - Thomas Tomkins
      Tomkins: Consort Music for Viols and Voices - Thomas Tomkins

      Album Details

      Immerse yourself in the rich tapestry of Renaissance and early Baroque music with Thomas Tomkins' "Consort Music for Viols and Voices." Released in 1995 under the Naxos label, this album is a captivating collection of choral and instrumental works that showcase Tomkins' mastery of composition. The album spans a total of 1 hour and 3 minutes, featuring 18 tracks that blend intricate viols and resonant voices.

      Thomas Tomkins, a prominent English composer of the late Renaissance and early Baroque periods, presents a diverse array of pieces that highlight his versatility and skill. The album opens with the stately "Pavan in F Major," followed by the lively "Almain in F Major," both performed by the Rose Consort of Viols. The ensemble's precise and expressive playing brings these instrumental works to life, offering a glimpse into the dance music of the era.

      Vocal pieces such as "Above the stars my Saviour dwells" and "O Lord, let me know mine end" demonstrate Tomkins' ability to craft moving and devotional choral music. The album also includes a variety of fantasias, showcasing Tomkins' contrapuntal prowess and his ability to create complex and engaging instrumental textures.

      The collaboration between the Rose Consort of Viols, Red Byrd, and Timothy Roberts on keyboards adds depth and richness to the performances, ensuring that each piece is rendered with historical authenticity and musical sensitivity. Whether you are a fan of early music or simply looking to explore the works of a lesser-known but highly skilled composer, "Consort Music for Viols and Voices" offers a rewarding and enriching listening experience.

      April 6, 19951995 Naxos1995 Naxos

      Tracks

      1. Pavan in F MajorThomas Tomkins, The Rose Consort Of Viols
        3:18
      2. Almain in F MajorThomas Tomkins, The Rose Consort Of Viols
        1:29
      3. In nomine: In NomineThomas Tomkins, Timothy Roberts
        2:47
      4. Above the stars my Saviour dwells: Verse Anthem: Above the starsThomas Tomkins, Red Byrd, The Rose Consort Of Viols
        3:44
      5. Fantasia XIVThomas Tomkins, The Rose Consort Of Viols
        3:26
      6. Fantasia IThomas Tomkins, The Rose Consort Of Viols
        1:58
      7. Fancies, "For two to play": A Fancy: For Two to PlayThomas Tomkins, John Bryan, Timothy Roberts
        2:14
      8. Hexachord Fantasia: Ut re miThomas Tomkins, The Rose Consort Of Viols
        6:40
      9. O Lord, let me know mine end: Verse Anthem: O Lord, let me know mine endThomas Tomkins, Red Byrd, The Rose Consort Of Viols
        5:27
      10. Fantasia XIIThomas Tomkins, The Rose Consort Of Viols
        2:46
      11. In Nomine IIThomas Tomkins, The Rose Consort Of Viols
        2:26
      12. Pavan and galliard, "Lord Strafford": Paven and Galliard: Earl StraffordThomas Tomkins, John Bryan, Timothy Roberts
        7:13
      13. FantasiaThomas Tomkins, The Rose Consort Of Viols
        3:31
      14. MiserereThomas Tomkins
        3:01
      15. VoluntaryThomas Tomkins
        2:59
      16. Pavan in A MinorThomas Tomkins, The Rose Consort Of Viols
        4:34
      17. Galliard: Thomas SimpsonThomas Tomkins, The Rose Consort Of Viols
        1:58
      18. Thou art my king: Verse Anthem: Thou art my King, O GodThomas Tomkins, Red Byrd, The Rose Consort Of Viols
        3:50
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      About Thomas Tomkins

      Thomas Tomkins, born in Wales in 1572, stands as a towering figure in the late Tudor and early Stuart musical landscape. As a prominent member of the English Madrigal School, Tomkins' compositions span a wide range of genres, from intricate keyboard and consort music to deeply moving choral works. His contributions to the English virginalist school are particularly notable, marking him as the last significant composer in this tradition. Tomkins' sacred music, including his service settings and anthems, remains a staple in English cathedral repertoires, showcasing his mastery of choral composition. His music offers a rich tapestry of sound, reflecting both the conservatism of the Renaissance and the emerging styles of the Baroque period. Whether exploring his keyboard works or his profound choral pieces, engaging with Thomas Tomkins' music is a journey through the heart of English Renaissance and early Baroque music.

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      Thomas Tomkins

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