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      1. Albums
      2. the twentieth-century cello - matt haimovitz

      The Twentieth-Century Cello

      Matt HaimovitzMatt Haimovitz
      • 2005
      • 70 tracks
      • 2 uur, 28 min
      • chamber music
      The Twentieth-Century Cello - Matt Haimovitz
      The Twentieth-Century Cello - Matt Haimovitz

      Album Details

      Immerse yourself in the rich tapestry of 20th-century classical music with Matt Haimovitz's extraordinary album, "The Twentieth-Century Cello." This expansive collection, released on Deutsche Grammophon in 2005, showcases Haimovitz's virtuosity and versatility as he navigates a diverse range of compositions for cello, both solo and accompanied by piano. Spanning nearly three hours and featuring 70 tracks, this album is a comprehensive journey through the innovative and experimental works of the past century.

      Haimovitz's masterful performances include iconic pieces such as Britten's Suite for Cello No. 1, Op. 72, and Suite for Cello No. 2, Op. 80, as well as works by Debussy, Crumb, and Berio, among others. The album's breadth is evident in its inclusion of both well-known and lesser-explored compositions, offering a fresh perspective on the cello's role in 20th-century chamber music. Haimovitz's collaboration with pianist Philippe Cassard adds depth and nuance to the performances, highlighting the intricate interplay between the instruments.

      Recorded between 1993 and 1996, the album captures the essence of each piece with meticulous attention to detail. The duration of the album, approximately 2 hours and 28 minutes, allows for an immersive listening experience, inviting you to explore the evolution of cello music over the course of the 20th century. Whether you're a seasoned classical enthusiast or a curious newcomer, "The Twentieth-Century Cello" is a testament to Matt Haimovitz's artistry and a celebration of the cello's enduring appeal.

      1 januari 2005© 2005 Deutsche Grammophon GmbH, BerlinThis Compilation ℗ 2005 Deutsche Grammophon GmbH, Berlin

      Tracks

      1. Suite For Cello No. 1, Op. 72: Canto primo (sostenuto e largamente)Benjamin Britten, Matt Haimovitz
        2:03
      2. Suite For Cello No. 1, Op. 72: 1. Fuga: Andante moderatoBenjamin Britten, Matt Haimovitz
        3:36
      3. Suite For Cello No. 1, Op. 72: 2. Lamento: Lento rubatoBenjamin Britten, Matt Haimovitz
        2:46
      4. Suite For Cello No. 1, Op. 72: Canto secondo (Sostenuto)Benjamin Britten, Matt Haimovitz
        0:58
      5. Suite For Cello No. 1, Op. 72: 3.Serenata: Allegretto (pizzicato)Benjamin Britten, Matt Haimovitz
        2:23
      6. Suite For Cello No. 1, Op. 72: 4. Marcia: Alla marcia moderatoBenjamin Britten, Matt Haimovitz
        3:25
      7. Suite For Cello No. 1, Op. 72: Canto terzo (Sostenuto)Benjamin Britten, Matt Haimovitz
        1:55
      8. Suite For Cello No. 1, Op. 72: 5. Bordone: Moderato quasi recitativoBenjamin Britten, Matt Haimovitz
        2:32
      9. Suite For Cello No. 1, Op. 72: 6. Moto perpetuo e canto quarto: PrestoBenjamin Britten, Matt Haimovitz
        3:04
      10. Sonata (1955): 1. Fantasia: Andante espressivo e con molto rubatoGeorge Crumb, Matt Haimovitz
        3:35
      11. Sonata (1955): 2. Tema pastorale con variazioni - Tema: Grazioso e delicato - Var. I: Un poco più animato - Var. II: Allegro possibile e sempre pizzicato - Var. III: Poco adagio e molto espressivo - Coda: Tempo primoGeorge Crumb, Matt Haimovitz
        4:10
      12. Sonata (1955): 3. Toccata: Largo e drammatico - Allegro vivaceGeorge Crumb, Matt Haimovitz
        2:21
      13. Three Little Pieces For Cello And Piano, Op. 11 (1914): 1. Mässige AchtelAnton Webern, Matt Haimovitz, Philippe Cassard
        1:10
      14. Three Little Pieces For Cello And Piano, Op. 11 (1914): 2. Sehr bewegtAnton Webern, Matt Haimovitz, Philippe Cassard
        0:24
      15. Three Little Pieces For Cello And Piano, Op. 11 (1914): 3. Äusserst ruhigAnton Webern, Matt Haimovitz, Philippe Cassard
        1:10
      16. 3 Strophes sur le nom de Sacher pour violoncelle solo: 1. Un poco indecisoHenri Dutilleux, Matt Haimovitz
        3:29
      17. 3 Strophes sur le nom de Sacher pour violoncelle solo: 2. Andante sostenutoHenri Dutilleux, Matt Haimovitz
        2:33
      18. 3 Strophes sur le nom de Sacher pour violoncelle solo: 3. VivaceHenri Dutilleux, Matt Haimovitz
        2:48
      19. Sonata in D Minor for Cello & Piano, L.135: 1. Prologue (lent)Claude Debussy, Matt Haimovitz, Philippe Cassard
        4:22
      20. Sonata in D Minor for Cello & Piano, L.135: 2. Sérénade (Modérément animé)Claude Debussy, Matt Haimovitz, Philippe Cassard
        3:29
      21. Sonata in D Minor for Cello & Piano, L.135: 3. Finale (Animé)Claude Debussy, Matt Haimovitz, Philippe Cassard
        3:35
      22. Tema "Sacher" For Cello Solo Lento maestoso - LargamentBenjamin Britten, Matt Haimovitz
        1:57
      23. Sonata In C For Cello And Piano Op. 65: 1. DialogoBenjamin Britten, Matt Haimovitz, Philippe Cassard
        7:34
      24. Sonata In C For Cello And Piano Op. 65: 2. Scherzo - pizzicatoBenjamin Britten, Matt Haimovitz, Philippe Cassard
        2:35
      25. Sonata In C For Cello And Piano Op. 65: 3. ElegiaBenjamin Britten, Matt Haimovitz, Philippe Cassard
        6:14
      26. Sonata In C For Cello And Piano Op. 65: 4. MarciaBenjamin Britten, Matt Haimovitz, Philippe Cassard
        2:06
      27. Sonata In C For Cello And Piano Op. 65: 5. Moto perpetuoBenjamin Britten, Matt Haimovitz, Philippe Cassard
        2:31
      28. Suite In G, Op. 131c, No. 1 (1915): 1. Präludium: VivaceMax Reger, Matt Haimovitz
        3:51
      29. Suite In G, Op. 131c, No. 1 (1915): 2. AdagioMax Reger, Matt Haimovitz
        5:18
      30. Suite In G, Op. 131c, No. 1 (1915): 3. Fuge: AllegroMax Reger, Matt Haimovitz
        3:03
      31. Sonata For Solo Cello Op. 25, No. 3: 1. Lebhaft, sehr markiertPaul Hindemith, Matt Haimovitz
        1:53
      32. Sonata For Solo Cello Op. 25, No. 3: 2. Mässig schnell, gemächlichPaul Hindemith, Matt Haimovitz
        1:49
      33. Sonata For Solo Cello Op. 25, No. 3: 3. LangsamPaul Hindemith, Matt Haimovitz
        3:54
      34. Sonata For Solo Cello Op. 25, No. 3: 4. Lebhafte ViertelPaul Hindemith, Matt Haimovitz
        0:44
      35. Sonata For Solo Cello Op. 25, No. 3: 5. Mässig schnellPaul Hindemith, Matt Haimovitz
        1:54
      36. Synchronisms No. 3 For Cello And Electronic SoundMario Davidovksy, Matt Haimovitz
        4:44
      37. Suite For Cello No. 2, Op. 80: Declamato: LargoBenjamin Britten, Matt Haimovitz
        4:20
      38. Suite For Cello No. 2, Op. 80: Fuga: AndanteBenjamin Britten, Matt Haimovitz
        5:13
      39. Suite For Cello No. 2, Op. 80: Scherzo: Allegro moltoBenjamin Britten, Matt Haimovitz
        2:00
      40. Suite For Cello No. 2, Op. 80: Andante lentoBenjamin Britten, Matt Haimovitz
        5:33
      41. Suite For Cello No. 2, Op. 80: Ciaconna: AllegroBenjamin Britten, Matt Haimovitz
        6:40
      42. Six Pieces For Violincello (1966): 1. Prelude. Allegro energicoRoger Sessions, Matt Haimovitz
        1:19
      43. Six Pieces For Violincello (1966): 2. Dialogue: AndanteRoger Sessions, Matt Haimovitz
        1:58
      44. Six Pieces For Violincello (1966): 3. Scherzo: AllegroRoger Sessions, Matt Haimovitz
        1:27
      45. Six Pieces For Violincello (1966): 4. Berceuse: Lento e dolceRoger Sessions, Matt Haimovitz
        2:27
      46. Six Pieces For Violincello (1966): 5. Fantasy: Con fantasiaRoger Sessions, Matt Haimovitz
        1:14
      47. Six Pieces For Violincello (1966): 6. Epilogue: Adagio moltoRoger Sessions, Matt Haimovitz
        2:29
      48. Suite For Solo Cello (1994): Preludio: Andante, rubatoJohn Harbison, Matt Haimovitz
        2:29
      49. Suite For Solo Cello (1994): 2. Fuga -BurlettaJohn Harbison, Matt Haimovitz
        2:38
      50. Suite For Solo Cello (1994): 3. SarabandaJohn Harbison, Matt Haimovitz
        2:25
      PLAY ON SPOTIFY

      About Matt Haimovitz

      Matt Haimovitz is a trailblazing cellist whose artistry transcends traditional classical boundaries. Born in Israel and raised in the United States from the age of five, Haimovitz is renowned for his ferocious talent and innovative approach to music. He is a multi-GRAMMY-nominated artist who plays a stunning Matteo Goffriller cello from 1710, captivating audiences with his intense and elegant touch. Haimovitz's repertoire spans chamber music and classical genres, and he is celebrated for pushing the boundaries of classical music, making him a favorite among both classical enthusiasts and new listeners alike. His performances and recordings, such as the critically acclaimed "Beethoven, Period," showcase his tremendous artistry and musical vision. Haimovitz's dynamic presence on stage and his ability to connect with audiences have earned him widespread acclaim, including praise from The New York Times. Whether performing solo or with ensembles like the MDR Leipzig, Haimovitz's performances are always a memorable experience.

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