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      1. Albums
      2. the pilgrimage to santiago - catherine bott

      The Pilgrimage to Santiago

      Catherine BottCatherine Bott
      • 1991
      • 21 tracks
      • 2 uur, 5 min
      • opera
      The Pilgrimage to Santiago - Catherine Bott
      The Pilgrimage to Santiago - Catherine Bott

      Album Details

      Catherine Bott's captivating album, The Pilgrimage to Santiago, is a masterful exploration of medieval music, released on 1 January 1991 by Decca Music Group Ltd. This enchanting collection, spanning 2 hours and 5 minutes, delves into the rich musical heritage of 12th and 13th century Iberia, showcasing the artist's remarkable vocal prowess.

      Featuring a diverse range of tracks, including pieces from the Cantigas de Santa Maria and the Burgos Codex de Las Huelgas, this album is a testament to Catherine Bott's dedication to preserving and showcasing the beauty of medieval opera. The intricate polyphonies and haunting plainchant melodies transport listeners to a bygone era, evoking the splendour and mystique of a long-forgotten age.

      With its unique blend of opera and medieval genres, The Pilgrimage to Santiago is a compelling listen that will appeal to fans of early music and those seeking a deeper understanding of the region's cultural heritage. Catherine Bott's exquisite vocals bring to life the works of ancient composers, including the revered Codex Calixtinus, creating an unforgettable listening experience that will leave a lasting impression on all who hear it.

      January 1, 1991© 2007 Decca Music Group Limited℗ 1991 Decca Music Group Limited

      Tracks

      1. Cantigas de Santa Maria: Quen a Virgen ben serviraAlfonso X El Sabio, Catherine Bott, New London Consort, Philip Pickett
        8:21
      2. Burgos Codex de Las Huelgas 12/13th Century Iberian Manuscript: Belial VocaturAnonymous, Catherine Bott, New London Consort, Philip Pickett
        2:10
      3. Burgos Codex de Las Huelgas 12/13th Century Iberian Manuscript: Surrexit de tumuloAnonymous, Catherine Bott, New London Consort, Philip Pickett
        1:36
      4. Cantigas de Santa Maria: Non e gran causaAlfonso X El Sabio, Catherine Bott, New London Consort, Philip Pickett
        9:50
      5. Burgos Codex de Las Huelgas 12/13th Century Iberian Manuscript: Ex illustriAnonymous, Catherine Bott, New London Consort, Philip Pickett
        2:01
      6. Burgos Codex de Las Huelgas 12/13th Century Iberian Manuscript: Alpha bovi - DominoAnonymous, Catherine Bott, New London Consort, Philip Pickett
        1:52
      7. Burgos Codex de Las Huelgas 12/13th Century Iberian Manuscript: 4 PlanctusAnonymous, Catherine Bott, New London Consort, Philip Pickett
        14:22
      8. Burgos Codex de Las Huelgas 12/13th Century Iberian Manuscript: Verbum bonum et suaviAnonymous, Catherine Bott, New London Consort, Philip Pickett
        3:41
      9. Burgos Codex de Las Huelgas 12/13th Century Iberian Manuscript: Agnus Dei - Regula morisAnonymous, Catherine Bott, New London Consort, Philip Pickett
        3:00
      10. Burgos Codex de Las Huelgas 12/13th Century Iberian Manuscript: Fa, fa mi fa - Ut re mi utAnonymous, Catherine Bott, New London Consort, Philip Pickett
        0:59
      11. Codex Calixtinus (Jacobus) Polyphony, plainchant and instrumental collection. (12/13th c): Dum pater familias - Version 1Anonymous, New London Consort, Philip Pickett
        5:28
      12. Cantigas de Santa Maria: De grad'a Santa MariaAlfonso X El Sabio, Catherine Bott, New London Consort, Philip Pickett
        17:26
      13. Codex Calixtinus (Jacobus) Polyphony, plainchant and instrumental collection. (12/13th c): Annua GaudiaAnonymous, New London Consort, Philip Pickett
        3:08
      14. Cantigas de Santa Maria: Ben com'aosAlfonso X El Sabio, Catherine Bott, New London Consort, Philip Pickett
        7:45
      15. Codex Calixtinus (Jacobus) Polyphony, plainchant and instrumental collection. (12/13th c): Regi perennisAnonymous, New London Consort, Philip Pickett
        4:38
      16. Cantigas de Santa Maria: Non sofre Santa Maria - Por dereito ten a VirgenAlfonso X El Sabio, New London Consort, Philip Pickett
        5:48
      17. Codex Calixtinus (Jacobus) Polyphony, plainchant and instrumental collection. (12/13th c): Nostra phalanxAnonymous, New London Consort, Philip Pickett
        3:19
      18. Cantigas de Santa Maria: A madre de DeusAlfonso X El Sabio, Catherine Bott, New London Consort, Philip Pickett
        6:47
      19. Codex Calixtinus (Jacobus) Polyphony, plainchant and instrumental collection. (12/13th c): Congaudeant catholiciAnonymous, New London Consort, Philip Pickett
        4:47
      20. 7 Cantigas d'amigoMartin Codax, Catherine Bott, New London Consort, Philip Pickett
        12:25
      21. Codex Calixtinus (Jacobus) Polyphony, plainchant and instrumental collection. (12/13th c): Dum pater familias - Version 2Anonymous, New London Consort, Philip Pickett
        5:48
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      About Catherine Bott

      Catherine Bott is a distinguished British soprano and broadcaster, renowned for her captivating voice and extensive knowledge of classical music. Beginning her career in early music, she has earned a global reputation as an exceptional interpreter of baroque vocal repertoire. Catherine's journey into the world of music was serendipitous; initially aspiring to be an actress and later planning to study English, her path took a musical turn that has since enriched the lives of countless classical music enthusiasts.

      A familiar face and voice on Classic FM, where she has been a regular presenter, Catherine's programmes have delved into the rich history of classical music, making complex compositions accessible and enjoyable for all. Her discography is equally impressive, featuring her as a soloist on numerous recordings that showcase her vocal prowess and artistic sensitivity.

      Beyond her broadcasting and recording work, Catherine has also performed a wide range of music, from Bach to Berio, demonstrating her versatility and deep understanding of various musical styles. Her contributions to the world of opera and medieval music have solidified her status as a versatile and talented artist.

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      Catherine Bott

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