The Last Sessions, Volumes 1 & 2

Dive into the final masterful performances of saxophonist Sonny Stitt with "The Last Sessions, Volumes 1 & 2," a compelling double album that captures the essence of his legendary career. Recorded in June 1982, just months before his passing, this collection features Stitt's signature blend of bebop, hard bop, and cool jazz, showcasing his virtuosity and influence on generations of musicians.

The album spans two volumes, each recorded at different studios in New York City, and includes a stellar lineup of musicians: Bill Hardman on trumpet, Walter Davis on piano, George Duvivier on bass, and Jimmy Cobb on drums. Together, they deliver a powerful and cohesive set of performances that highlight Stitt's versatility and artistry.

From the up-tempo energy of "Steamroller" and "Jumpin' The Blues" to the soulful ballads like "Angel Eyes" and "At Last," Stitt's playing is both captivating and technically impressive. The album's 14 tracks, including standards like "I'll Be Seeing You" and "Sweet Georgia Brown," offer a rich tapestry of jazz styles that reflect Stitt's enduring impact on the genre.

"The Last Sessions, Volumes 1 & 2" is a testament to Sonny Stitt's enduring legacy, providing a fitting finale to his illustrious career. Whether you're a longtime fan or new to his music, this album offers a comprehensive look at the talents of one of jazz's most influential saxophonists.

Sonny Stitt, born Edward Stitt in Boston and raised in Michigan, was a pioneering American jazz saxophonist renowned for his warm, distinctive tone and his mastery of the bebop and hard bop idioms. Nicknamed the "Lone Wolf" by jazz critic Dan Morgenstern, Stitt was known for his relentless touring and his preference for working with different musicians, rather than forming a permanent band. Initially, Stitt's style was compared to that of Charlie Parker, but he soon developed his own unique sound, particularly on the tenor saxophone. His extensive discography, featuring over 100 albums, showcases his versatility and innovation. Stitt's career spanned several decades, from establishing himself on the American jazz scene in the 1960s to making a significant impact on the UK jazz funk scene in the mid-1970s. He was also known for his sax duels with contemporaries like Dexter Gordon and Gene Ammons, further cementing his status as one of the finest bebop saxophonists of his era.

The Last Sessions, Volumes 1 & 2

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