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      1. Albums
      2. strauss, r.: friedenstag - richard strauss

      Strauss, R.: Friedenstag

      Richard StraussRichard Strauss
      • 2001
      • 20 tracks
      • 1 uur, 16 min
      • classical
      Strauss, R.: Friedenstag - Richard Strauss
      Strauss, R.: Friedenstag - Richard Strauss

      Album Details

      Immerse yourself in the powerful and evocative world of Richard Strauss' "Friedenstag," a profound opera in one act that stands as a testament to the composer's genius. Released in 2001 by Deutsche Grammophon, this recording captures the essence of Strauss' Opus 81, a work that premiered on the brink of World War II and serves as a poignant critique of the political climate of the time.

      "Friedenstag," which translates to "Peace Day," is a masterful blend of orchestral brilliance and operatic drama. The libretto, penned by Joseph Gregor, weaves a narrative that resonates with themes of hope, despair, and the human condition. Strauss' score, with its rich harmonies and dynamic orchestration, brings the story to life with unparalleled intensity.

      This album features a stellar cast and the renowned Staatskapelle Dresden, conducted by Giuseppe Sinopoli, delivering a performance that is both technically flawless and deeply moving. The opera's duration of 1 hour and 16 minutes is filled with moments of sheer musical beauty and dramatic tension, making it a captivating listen from start to finish.

      "Friedenstag" is not just an opera; it is a historical and cultural artifact that reflects the tumultuous times in which it was created. Strauss' ability to infuse his music with such depth and meaning makes this album a vital addition to any classical music collection. Whether you are a seasoned opera enthusiast or a newcomer to the genre, this recording of "Friedenstag" offers a rich and rewarding experience.

      1 januari 2001© 2001 Deutsche Grammophon GmbH, Berlin℗ 2001 Deutsche Grammophon GmbH, Berlin

      Tracks

      1. Friedenstag, Op. 81 Oper in einem Aufzug: Allegro ma non troppo - "Hast was geseh'n?" (Wachtmeister, Schütze)Richard Strauss, Tom Martinsen, Alfred Reiter, Staatskapelle Dresden, Giuseppe Sinopoli
        3:13
      2. Friedenstag, Op. 81 Oper in einem Aufzug: La rosa, la rosa che un bel fiore (Piemonteser, Konstabel, Schütze, Musketier, Hornist, Soldaten, Chor)Richard Strauss, Jochen Kupfer, Johan Botha, Tom Martinsen, André Eckert, Jürgen Commichau, Chor der Staatsoper Dresden, Staatskapelle Dresden, Giuseppe Sinopoli
        5:23
      3. Friedenstag, Op. 81 Oper in einem Aufzug: Hunger! Hunger! - Nur Widerhall (Chor, Konstabel, Wachtmeister, Hornist, Musketier, Offizier, Soldaten)Richard Strauss, Tom Martinsen, Jochen Kupfer, Alfred Reiter, Jürgen Commichau, André Eckert, Jochen Schmeckenbecher, Staatskapelle Dresden, Giuseppe Sinopoli, Chor der Staatsoper Dresden
        3:17
      4. Friedenstag, Op. 81 Oper in einem Aufzug: Hunger! Brot! (Chor, Kommandant, Bürgermeister, Deputation, Prälat, Soldaten, Frontoffizier)Richard Strauss, Albert Dohmen, Jon Villars, Norbert Klesse, Ekkehard Pansa, Rafael Harnisch, Sami Luttinen, Staatskapelle Dresden, Giuseppe Sinopoli, Chor der Staatsoper Dresden
        5:14
      5. Friedenstag, Op. 81 Oper in einem Aufzug: Mein Kommandant! - Rede! (Frontoffizier, Kommandant, Deputation, Frau, 1.2.3.Deputierter)Richard Strauss, Sabine Brohm, Matthias Henneberg, Albert Dohmen, Rafael Harnisch, Ekkehard Pansa, Norbert Klesse, Staatskapelle Dresden, Giuseppe Sinopoli, Chor der Staatsoper Dresden
        2:47
      6. Friedenstag, Op. 81 Oper in einem Aufzug: Es sei! Doch hört (Kommandant, Chor, Deputation, Soldaten)Richard Strauss, Albert Dohmen, Norbert Klesse, Ekkehard Pansa, Rafael Harnisch, Staatskapelle Dresden, Giuseppe Sinopoli, Chor der Staatsoper Dresden
        4:35
      7. Friedenstag, Op. 81 Oper in einem Aufzug: Zu Magdeburg in der Reitschlacht (Kommandant, Wachtmeister, Konstabel, Schütze, Musketier, Hornist, Chor)Richard Strauss, Albert Dohmen, Alfred Reiter, Jochen Kupfer, Tom Martinsen, André Eckert, Jürgen Commichau, Staatskapelle Dresden, Giuseppe Sinopoli, Chor der Staatsoper Dresden
        4:57
      8. Friedenstag, Op. 81 Oper in einem Aufzug: Geht, geht alle! (Kommandant)Richard Strauss, Albert Dohmen, Staatskapelle Dresden, Giuseppe Sinopoli
        2:02
      9. Friedenstag, Op. 81 Oper in einem Aufzug: Wie? Niemand hier? (Maria)Richard Strauss, Deborah Voigt, Staatskapelle Dresden, Giuseppe Sinopoli
        8:36
      10. Friedenstag, Op. 81 Oper in einem Aufzug: Nein, leere Hoffnung alles (Maria, Kommandant)Richard Strauss, Deborah Voigt, Albert Dohmen, Staatskapelle Dresden, Giuseppe Sinopoli
        2:37
      11. Friedenstag, Op. 81 Oper in einem Aufzug: In einer Stunde verschwindet (Kommandant, Maria)Richard Strauss, Deborah Voigt, Albert Dohmen, Staatskapelle Dresden, Giuseppe Sinopoli
        3:36
      12. Friedenstag, Op. 81 Oper in einem Aufzug: Der Kaiser stand im Saal (Kommandant, Maria)Richard Strauss, Deborah Voigt, Albert Dohmen, Staatskapelle Dresden, Giuseppe Sinopoli
        5:32
      13. Friedenstag, Op. 81 Oper in einem Aufzug: Erwünschtes Zeichen! Auf eure Posten! (Kommandant, Wachtmeister, Soldaten)Richard Strauss, Albert Dohmen, Alfred Reiter, Staatskapelle Dresden, Giuseppe Sinopoli, Chor der Staatsoper Dresden
        1:15
      14. Friedenstag, Op. 81 Oper in einem Aufzug: Nein, nicht Todesnebel (Maria, Wachtmeister, Konstabel, Schütze)Richard Strauss, Deborah Voigt, Jochen Kupfer, Tom Martinsen, Alfred Reiter, Staatskapelle Dresden, Giuseppe Sinopoli
        2:46
      15. Friedenstag, Op. 81 Oper in einem Aufzug: Der Feind! Der Feind! Wo steht sein Angriff (Kommandant, Wachtmeister, Schütze, Maria, Offizier)Richard Strauss, Deborah Voigt, Albert Dohmen, Jochen Schmeckenbecher, Tom Martinsen, Alfred Reiter, Staatskapelle Dresden, Giuseppe Sinopoli
        1:22
      16. Friedenstag, Op. 81 Oper in einem Aufzug: Das Zeichen, das Ihr uns verheisset (Bürgermeister, Prälat, Deputation, Chor, Soldaten, Kommandant)Richard Strauss, Sami Luttinen, Albert Dohmen, Jon Villars, Rafael Harnisch, Norbert Klesse, Ekkehard Pansa, Staatskapelle Dresden, Giuseppe Sinopoli, Chor der Staatsoper Dresden
        4:08
      17. Friedenstag, Op. 81 Oper in einem Aufzug: Wo ist der Mann (Holsteiner, Kommandant, Maria)Richard Strauss, Deborah Voigt, Albert Dohmen, Attila Jun, Staatskapelle Dresden, Giuseppe Sinopoli, Chor der Staatsoper Dresden
        3:52
      18. Friedenstag, Op. 81 Oper in einem Aufzug: Geliebter, nicht das Schwert (Maria, Chor, Bürgermeister, Prälat)Richard Strauss, Deborah Voigt, Rafael Harnisch, Jon Villars, Sami Luttinen, Ekkehard Pansa, Norbert Klesse, Staatskapelle Dresden, Giuseppe Sinopoli, Chor der Staatsoper Dresden
        5:21
      19. Friedenstag, Op. 81 Oper in einem Aufzug: Warum kämpfen wir Jahre um Jahre (Kommandant, Holsteiner, Maria, Chor)Richard Strauss, Deborah Voigt, Albert Dohmen, Attila Jun, Staatskapelle Dresden, Giuseppe Sinopoli, Chor der Staatsoper Dresden
        2:50
      20. Friedenstag, Op. 81 Oper in einem Aufzug: Wagt es zu denken (Maria, Soli, Chor)Richard Strauss, Deborah Voigt, Sabine Brohm, Jochen Schmeckenbecher, Jochen Kupfer, Albert Dohmen, Matthias Henneberg, Sami Luttinen, Tom Martinsen, Johan Botha, Jon Villars, Rafael Harnisch, Alfred Reiter, Norbert Klesse, Attila Jun, Jürgen Commichau, André Eckert, Ekkehard Pansa, Staatskapelle Dresden, Giuseppe Sinopoli, Chor der Staatsoper Dresden
        2:29
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      About Richard Strauss

      Richard Strauss, born in Munich in 1864, was a titan of late Romantic and early modern classical music, renowned for his innovative tone poems and operas. As a successor to the likes of Richard Wagner and Franz Liszt, Strauss' compositions are celebrated for their pioneering orchestration and advanced harmonic styles. His prolific career spanned over five decades, during which he composed 16 operas that continue to be widely performed today. Strauss' music, characterized by its dramatic intensity and rich orchestration, offers an immersive experience that transcends time, making him a dominant figure in classical music at the turn of the 20th century. His works, ranging from orchestral masterpieces to operatic triumphs, continue to captivate audiences worldwide. Strauss' legacy as a composer and conductor is a testament to his enduring influence on the world of classical music.

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      Richard Strauss

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