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      1. Albums
      2. strauss : "amor" - opera scenes & lieder - richard strauss

      Strauss : "Amor" - Opera scenes & Lieder

      Richard StraussRichard Strauss
      • 2004
      • 11 tracks
      • 1 uur, 5 min
      • classical
      Strauss : "Amor" - Opera scenes & Lieder - Richard Strauss
      Strauss : "Amor" - Opera scenes & Lieder - Richard Strauss

      Album Details

      Immerse yourself in the enchanting world of Richard Strauss with Natalie Dessay's captivating album, "Strauss: 'Amor' - Opera Scenes & Lieder." Released in 2004, this exquisite collection showcases the brilliance of Strauss's compositions, performed by some of the most talented vocalists and musicians in the classical genre.

      The album features a stunning array of opera scenes and lieder, highlighting Natalie Dessay's remarkable versatility as she takes on three distinct roles: Zerbinetta in "Ariadne auf Naxos," Zdenka in "Arabella," and Sophie in "Der Rosenkavalier." Each performance is a testament to Dessay's artistry, bringing depth and nuance to these iconic characters.

      Accompanied by the Orchestra of the Royal Opera House, Covent Garden, under the skilled direction of Antonio Pappano, the album delivers a rich and immersive listening experience. The orchestra's passionate support elevates the vocal performances, creating a harmonious blend that is both powerful and delicate.

      The tracklist includes beloved arias and lieder such as "Grossmächtige Prinzessin" from "Ariadne auf Naxos," "Ich wollt ein Sträußlein binden" from the Brentano Lieder, and "Mir ist die Ehre widerfahren" from "Der Rosenkavalier." Each piece is performed with precision and emotion, showcasing the full range of Natalie Dessay's vocal abilities.

      This album is a celebration of Strauss's timeless music, beautifully interpreted by Natalie Dessay and her esteemed colleagues. Whether you are a longtime fan of Strauss or a newcomer to his works, this collection offers a delightful journey through some of his most beloved compositions. The album's duration of 1 hour and 5 minutes ensures a satisfying listening experience, perfect for both casual enjoyment and in-depth appreciation.

      1 januari 2004© 2010 EMI Records Ltd/Virgin Classics.℗ 2004 The copyright in this sound recording is owned by EMI Records Ltd/Virgin Classics.

      Tracks

      1. Strauss, R: Ariadne auf Naxos, Op. 60, Opera: "Grossmächtige Prinzessin" - "Noch glaub'ich dem einem ganz mich gehörend" (Zerbinetta)Richard Strauss, Natalie Dessay, Antonio Pappano, Orchestra of the Royal Opera House, Covent Garden
        11:15
      2. Strauss, R: Ariadne auf Naxos, Op. 60, Prologue: "Kindskopf! Merkt auf, wir spielen mit in dem Stück" (Zerbinetta, Composer)Richard Strauss, Natalie Dessay, Sophie Koch, Antonio Pappano, Orchestra of the Royal Opera House, Covent Garden, Orch.Of Royal Opera House Covent Garden
        7:07
      3. Strauss, R: Ariadne auf Naxos, Op. 60, Prologue: "An ihre Platze, meine Damen und Herren!" (Music Master, Primadonna, Composer)Richard Strauss, Felicity Lott, Sophie Koch, Thomas Allen, Antonio Pappano, Orchestra of the Royal Opera House, Covent Garden, Orch.Of Royal Opera House Covent Garden
        4:14
      4. Strauss, R: Brentano Lieder, Op. 68: No. 2, Ich wollt ein Sträußlein binden (Version with Orchestra)Richard Strauss, Natalie Dessay, Orchestra of the Royal Opera House, Covent Garden, Antonio Pappano
        2:55
      5. Strauss, R: Brentano Lieder, Op. 68: No. 3, Säusle, liebe Myrte! (Version with Orchestra)Richard Strauss, Natalie Dessay, Orchestra of the Royal Opera House, Covent Garden, Antonio Pappano
        4:12
      6. Strauss, R: Brentano Lieder, Op. 68: No. 4, Als mir Dein Lied erklang (Version with Orchestra)Richard Strauss, Natalie Dessay, Orchestra of the Royal Opera House, Covent Garden, Antonio Pappano
        3:32
      7. Strauss, R: Brentano Lieder, Op. 68: No. 5, Amor (Version with Orchestra)Richard Strauss, Natalie Dessay, Orchestra of the Royal Opera House, Covent Garden, Antonio Pappano
        3:08
      8. Strauss, R: Arabella, Op. 79, Act I: "Ich danke, Fräulein" (Arabella, Zdenka)Richard Strauss, Felicity Lott, Natalie Dessay, Antonio Pappano, Orchestra of the Royal Opera House, Covent Garden, Orch.Of Royal Opera House Covent Garden
        8:56
      9. Strauss, R: Der Rosenkavalier, Op. 59, Act 2: "Mir ist die Ehre widerfahren" (Octavian, Sophie)Richard Strauss, Natalie Dessay, Angelika Kirchschlager, Orchestra of the Royal Opera House, Covent Garden, Antonio Pappano
        7:04
      10. Strauss, R: Der Rosenkavalier, Op. 59, Act III: "Marie Theres, wie gut sie ist" (Octavian, Marschallin, Sophie)Richard Strauss, Angelica Kirschlager/Dame Felicity Lott/Natalie Dessay/Antonio Pappano/Orchestra of the Royal Opera House, Covent Garden, Angelika Kirchschlager, Felicity Lott, Antonio Pappano, Orchestra of the Royal Opera House, Covent Garden
        5:25
      11. Strauss, R: Der Rosenkavalier, Op. 59, Act III: "Ist ein Traum, kann nicht wirklich sein" (Sophie, Octavian, Faninal, Marschallin)Richard Strauss, Natalie Dessay, Angelica Kirschlager, Felicity Lott, Thomas Allen, Antonio Pappano, Orchestra of the Royal Opera House, Covent Garden, Angelika Kirchschlager
        7:40
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      About Richard Strauss

      Richard Strauss, born in Munich in 1864, was a titan of late Romantic and early modern classical music, renowned for his innovative tone poems and operas. As a successor to the likes of Richard Wagner and Franz Liszt, Strauss' compositions are celebrated for their pioneering orchestration and advanced harmonic styles. His prolific career spanned over five decades, during which he composed 16 operas that continue to be widely performed today. Strauss' music, characterized by its dramatic intensity and rich orchestration, offers an immersive experience that transcends time, making him a dominant figure in classical music at the turn of the 20th century. His works, ranging from orchestral masterpieces to operatic triumphs, continue to captivate audiences worldwide. Strauss' legacy as a composer and conductor is a testament to his enduring influence on the world of classical music.

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