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      1. Albums
      2. stanford: preludes - charles villiers stanford

      Stanford: Preludes

      Charles Villiers StanfordCharles Villiers Stanford
      • 2017
      • 39 tracks
      • 1 uur, 9 min
      • choral
      Stanford: Preludes - Charles Villiers Stanford
      Stanford: Preludes - Charles Villiers Stanford

      Album Details

      Immerse yourself in the intricate world of Charles Villiers Stanford's piano compositions with this captivating collection of preludes. Released in 2017 by Hyperion, "Stanford: Preludes" offers a comprehensive exploration of the composer's mastery of the form, featuring a total of 39 tracks that span a little over an hour and nine minutes. This album is a treasure trove for classical music enthusiasts, showcasing Stanford's skill in crafting pieces that are both technically demanding and beautifully expressive.

      The album presents two sets of preludes: Op. 163 and Op. 179, each containing 24 preludes in all the keys. These works are not just exercises in compositional technique but are rich with melodic and harmonic depth. Stanford's ability to convey a wide range of moods and atmospheres is evident throughout, from the serene and contemplative to the dramatic and impassioned.

      Each prelude is meticulously crafted, showcasing Stanford's unique voice and his deep understanding of the piano. The pieces range from lively and energetic to slow and reflective, offering a diverse listening experience that will engage and inspire. Whether you are a seasoned classical music aficionado or a curious newcomer, this album provides a rich and rewarding exploration of Stanford's musical genius.

      The performances on this album are brought to life by the skilled hands of Sam Haywood, whose interpretations bring out the nuances and subtleties of Stanford's compositions. The recording quality is exceptional, ensuring that every note and every dynamic shift is captured with clarity and precision.

      "Stanford: Preludes" is a testament to the enduring appeal of Charles Villiers Stanford's music. It is a collection that will be cherished by anyone who appreciates the beauty and complexity of classical piano music. Dive into this album and discover the timeless elegance and innovation of one of the great composers of the late Romantic era.

      June 2, 2017© 2017 Hyperion Records Limited℗ 2017 Hyperion Records Limited

      Tracks

      1. Preludes in All the Keys, Op. 163: No. 21 in B-Flat Major. Andante moderato "Carillons"Charles Villiers Stanford, Sam Haywood
        1:54
      2. Preludes in All the Keys, Op. 163: No. 8 in E-Flat Minor. Allegro "Study"Charles Villiers Stanford, Sam Haywood
        2:06
      3. Preludes in All the Keys, Op. 179: No. 13 in G-Flat Major. Allegro scherzando "Fughetta"Charles Villiers Stanford, Sam Haywood
        1:28
      4. Preludes in All the Keys, Op. 179: No. 8 in E-Flat Minor. AllegrettoCharles Villiers Stanford, Sam Haywood
        2:34
      5. Preludes in All the Keys, Op. 179: No. 14 in F-Sharp Minor. Larghetto "Basso ostinato"Charles Villiers Stanford, Sam Haywood
        2:25
      6. Preludes in All the Keys, Op. 163: No. 22 in B-Flat Minor. Alla marcia solenne "In memoriam M G"Charles Villiers Stanford, Sam Haywood
        2:23
      7. Preludes in All the Keys, Op. 179: No. 20 in A Minor. Allegro con fuocoCharles Villiers Stanford, Sam Haywood
        1:02
      8. Preludes in All the Keys, Op. 179: No. 21 in B-Flat Major. AllegroCharles Villiers Stanford, Sam Haywood
        1:45
      9. Preludes in All the Keys, Op. 179: No. 12 in F Minor. Allegretto moderato ma con motoCharles Villiers Stanford, Sam Haywood
        2:48
      10. Preludes in All the Keys, Op. 179: No. 11 in F Major. Allegro moderatoCharles Villiers Stanford, Sam Haywood
        1:25
      11. Preludes in All the Keys, Op. 163: No. 6 in D Minor. LarghettoCharles Villiers Stanford, Sam Haywood
        2:09
      12. Preludes in All the Keys, Op. 163: No. 15 in G Major. Allegretto graziosoCharles Villiers Stanford, Sam Haywood
        1:27
      13. Preludes in All the Keys, Op. 163: No. 1 in C Major. Moderato maestoso e con motoCharles Villiers Stanford, Sam Haywood
        3:15
      14. Preludes in All the Keys, Op. 179: No. 15 in G Major. Allegro con fuocoCharles Villiers Stanford, Sam Haywood
        1:13
      15. Preludes in All the Keys, Op. 179: No. 10 in E Minor. Tempo di valseCharles Villiers Stanford, Sam Haywood
        1:35
      16. Preludes in All the Keys, Op. 163: No. 20 in A Minor. Allegro giocosoCharles Villiers Stanford, Sam Haywood
        1:16
      17. Preludes in All the Keys, Op. 179: No. 19 in A Major. Alla sarbando (pesante)Charles Villiers Stanford, Sam Haywood
        2:05
      18. Preludes in All the Keys, Op. 179: No. 9 in E Major. Alla marciaCharles Villiers Stanford, Sam Haywood
        1:55
      19. Preludes in All the Keys, Op. 163: No. 18 in G-Sharp Minor. Allegretto "Toccata"Charles Villiers Stanford, Sam Haywood
        1:26
      20. Preludes in All the Keys, Op. 179: No. 23 in B Major. Allegro vivaceCharles Villiers Stanford, Sam Haywood
        1:47
      21. Preludes in All the Keys, Op. 163: No. 23 in B Major. Andante moderato (alla marcia) "En rondeau"Charles Villiers Stanford, Sam Haywood
        1:31
      22. Preludes in All the Keys, Op. 179: No. 2 in C Minor. AllegroCharles Villiers Stanford, Sam Haywood
        1:23
      23. Preludes in All the Keys, Op. 179: No. 17 in A-Flat Major. Alla gavotta –Charles Villiers Stanford, Sam Haywood
        1:13
      24. Preludes in All the Keys, Op. 179: No. 18 in G-Sharp Minor. L'istesso tempo "Musette" –Charles Villiers Stanford, Sam Haywood
        1:05
      25. Preludes in All the Keys, Op. 179: No. 17 in A-Flat Major. Alla gavotta (Reprise, No Repeats)Charles Villiers Stanford, Sam Haywood
        0:49
      26. Preludes in All the Keys, Op. 163: No. 3 in D-Flat Major. Allegro appassionatoCharles Villiers Stanford, Sam Haywood
        2:02
      27. Preludes in All the Keys, Op. 163: No. 4 in C-Sharp Minor. Allegretto graziosoCharles Villiers Stanford, Sam Haywood
        1:21
      28. Preludes in All the Keys, Op. 163: No. 9 in E Major. Andante giusto "Humoresque"Charles Villiers Stanford, Sam Haywood
        1:25
      29. Preludes in All the Keys, Op. 163: No. 10 in E Minor. Tempo di valseCharles Villiers Stanford, Sam Haywood
        1:12
      30. Preludes in All the Keys, Op. 179: No. 4 in C-Sharp Minor. AllegroCharles Villiers Stanford, Sam Haywood
        1:26
      31. Preludes in All the Keys, Op. 179: No. 3 in D-Flat Major. Moderato scherzandoCharles Villiers Stanford, Sam Haywood
        1:14
      32. Preludes in All the Keys, Op. 163: No. 16 in G Minor. Adagio (con fantasia)Charles Villiers Stanford, Sam Haywood
        3:07
      33. Preludes in All the Keys, Op. 179: No. 6 in D Minor. AllegrettoCharles Villiers Stanford, Sam Haywood
        1:53
      34. Preludes in All the Keys, Op. 163: No. 12 in F Minor. Allegro moderatoCharles Villiers Stanford, Sam Haywood
        1:27
      35. Preludes in All the Keys, Op. 163: No. 5 in D Major. AllegroCharles Villiers Stanford, Sam Haywood
        1:52
      36. Preludes in All the Keys, Op. 163: No. 14 in F-Sharp Minor. Allegretto moderatoCharles Villiers Stanford, Sam Haywood
        1:16
      37. Preludes in All the Keys, Op. 163: No. 17 in A-Flat Major. Allegro maestosoCharles Villiers Stanford, Sam Haywood
        1:37
      38. Preludes in All the Keys, Op. 163: No. 24 in B Minor. Andante appassionatoCharles Villiers Stanford, Sam Haywood
        1:54
      39. Preludes in All the Keys, Op. 179: No. 24 in B Minor. Adagio molto espressivo "Addio"Charles Villiers Stanford, Sam Haywood
        3:37
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      About Charles Villiers Stanford

      Charles Villiers Stanford, an Anglo-Irish composer, conductor, and music teacher, left an indelible mark on the late Romantic era. Born into a musically inclined family in Dublin, Stanford's journey took him from the halls of the University of Cambridge to the vibrant music scenes of Leipzig and Berlin. His compositions, particularly his choral works and requiems, are celebrated for their emotional depth and technical mastery. Stanford was not just a composer but also a mentor to many of Britain's finest musical talents, serving as Professor of Music at Cambridge and Professor of Composition at the Royal College of Music. His influence extended beyond his compositions, as he elevated the status of the Cambridge University Musical Society, attracting international stars to perform with it. Stanford's legacy endures, inspiring both scholars and enthusiasts alike with his rich musical heritage.

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